Did Salman Khan Copy His ‘Sikander’ Look from a Bangladeshi Actor? Explore Netizens’ Reactions

Did Salman Khan Copy His ‘Sikander’ Look from a Bangladeshi Actor? Explore Netizens’ Reactions

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‘Sikander’ faces Plagiarism Accusations Ahead of 2025 Release: A Bollywood Trend?

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By Arnab Gupta, Archyde.com | March 23, 2025

Claims of plagiarism are casting a shadow over the upcoming Bollywood action flick, ‘Sikander,’ starring Salman Khan and Rashmika Mandanna, slated for release on March 30, 2025. The controversy erupted after the release of the song ‘Zohra Jabeen,’ with some viewers drawing parallels between its choreography and visuals and those of a Bangladeshi song released in 2023. This incident has sparked a wider debate about originality and cultural appropriation within the Indian film industry, resonating with similar discussions in the U.S. entertainment landscape.

‘Zohra Jabeen’ Sparks Authenticity Debate

The song “Zohra Jabeen,” intended to generate buzz for ‘Sikander,’ has instead ignited a firestorm of controversy. While the track has gained traction on social media,with many influencers creating their own dance interpretations,some viewers are questioning its originality. Comparisons between “Zohra Jabeen” and an earlier bangladeshi song have fueled allegations of plagiarism.

The crux of the accusation lies in the perceived similarities in the male leads’ costumes and dance moves. This has led some netizens to accuse the filmmakers of blatant copying, a charge that echoes similar controversies in the U.S. music industry, where artists often face scrutiny over alleged copyright infringement. Think of the Robin Thicke and Pharrell Williams “Blurred Lines” case, which set a precedent for holding artists accountable for songs that merely evoke the “feel” of another work.

AR Murugadoss’s *Sikander* now faces accusations of copying scenes from *Qurbani Qurbani* in the film *Priyotoma*, where one X user compared both videos.

Social Media Fuels the Fire

As is frequently enough the case in the digital age,social media platforms have become the primary battleground for this debate. Reactions on ‘X’ (formerly Twitter) are divided, with salman Khan’s dedicated fanbase dismissing the plagiarism claims as “false and misleading.” However,other users have voiced strong criticism,accusing Bollywood of a recurring pattern of appropriating content from other cultures.

Here’s a snapshot of the online discourse:

  • One user wrote: Mtlb costume thoda bhut similar ho gyi toh song same ho gyi hr jagah gawarpanti kyun show krte ho bhai.
  • Another commented: Kya din aa gaye hain Bangladeshi ko copy karna pad raha hai.
  • A third user sarcastically remarked: Wow! Dude watches bangladeshi movies a lot huh?

This online backlash highlights the growing awareness among audiences,both in India and the U.S., about issues of cultural sensitivity and intellectual property rights. Just as the #OscarsSoWhite campaign forced Hollywood to confront its diversity problem, these accusations against ‘Sikander’ could prompt a broader introspection within Bollywood about its creative processes.

The Key Players and the Music

to provide some context, “Zohra Jabeen” was released two weeks prior to this report and features music composed by Pritam, with lyrics by Sameer and Danish Sabri. The song is performed by Nakash Aziz and Dev Negi, with rap verses written and performed by Mellow D.

Song Title Composer Lyricists Singers
Zohra Jabeen Pritam Sameer, Danish Sab

How influential is recent public scrutiny regarding plagiarism within Bollywood, specifically concerning the ‘Sikander’ soundtrack and PritamS track record, in shaping future creative practices within the industry?

Bollywood Composer Rohan Mishra on ‘Sikander’ Plagiarism Claims and Industry Trends

By Arnab Gupta, Archyde.com | March 23,2025

Interview with Rohan Mishra,Music Analyst

Arnab Gupta: Welcome,Rohan. Thanks for joining us today to discuss the ongoing controversy surrounding the ‘Sikander’ soundtrack and the allegations of plagiarism.

rohan Mishra: My pleasure, Arnab.It’s definitely a hot topic right now.

Analyzing the ‘Zohra Jabeen’ Debate

Arnab Gupta: For our audience,could you break down the core of the allegations,specifically concerning ‘Zohra Jabeen’ and the Bangladeshi song that’s being compared to it?

Rohan mishra: Certainly. The primary accusations revolve around similarities in the visuals and choreography of ‘Zohra Jabeen’ and a song from Bangladesh. The discussion has really taken off on social media, with users pointing out what they perceive as copied elements. It’s a complex situation because while inspiration is common, direct copying can be seen as plagiarism.

Arnab Gupta: Do you think this case will follow the pattern seen in the “Blurred Lines” case, concerning the parameters to define plagiarism?

Rohan Mishra: It’s possible. The “Blurred Lines” case set a precedent by focusing on the “feel” of the song. If the courts consider the elements of the visuals and songs to be similar, they could find *Sikander*, or those that made it, guilty of infringing someone else’s copyright.

Pritam and the wider Bollywood Context

Arnab gupta: With Pritam being the composer, what weight do you think his involvement carries, given his meaningful track record?

Rohan Mishra: Pritam is a highly respected composer. His reputation is definitely on the line. The scrutiny is intense, particularly from the online community. it all depends on the evidence presented and how the situation is handled.

Arnab Gupta: The accusations are surfacing, like the accusations of Jennie’s solo track, and what is a common trend in India’s film industry?

Rohan Mishra: The fact is that Bollywood, or any film industry, will be scrutinized when one work is similar to another. While the “Blurred Lines” case in the US set a precedent, it still continues to be repeated until the artist learns something new.

Arnab Gupta: From your outlook,what should the industry do to address these growing concerns?

Rohan mishra: Proactive measures are key. This means stricter guidelines for creative teams, a greater emphasis on originality, and giving credit where credit is due. Also, an open dialogue about cultural appropriation is crucial to ensure that Bollywood remains sensitive to different cultures.

The future of bollywood and Originality

Arnab Gupta: Looking ahead, do you believe this incident with ‘Sikander’ and the dialogue surrounding it will lead to a broader shift in how film projects are approached in Bollywood?

Rohan Mishra: I think so. The audience is becoming more discerning, and social media provides a powerful platform for scrutiny. This is an opportunity for introspection and, hopefully, a commitment to generating original content that respectfully engages with a diverse world.

Arnab Gupta: Rohan, thank you for your insights. It’s been a very insightful discussion.

Rohan Mishra: thank you for having me, Arnab.

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