Entertainment Facts you didn't know about the Disney classic

Facts you didn’t know about the Disney classic

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<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Eighty years ago, cinema-goers discovered exactly what happened when they wanted it a star when Walt Disney’s second animated feature Pinocchio, premiered in cinemas on February 23, 1940. With the enormous success of Snow White and the Seven DwarfsDisney played the future of his studio with an adaptation of the 19th-century story of Italian author Corlo Collodi about a walking, speaking puppet who longs to be a real boy. At that point, gambling was not entirely successful: during Pinocchio immediately received critical recognition and did not attract the same crowds that emerged in droves snow white, “data-reactid =” 15 “> Eighty years ago, cinema-goers discovered exactly what happens when they want a star when Walt Disney’s second animated feature, Pinocchio, premiered in cinemas on February 23, 1940. With the enormous success of Snow White and the Seven DwarfsDisney played the future of his studio with an adaptation of the 19th-century story of Italian author Corlo Collodi about a walking, speaking puppet who longs to be a real boy. At that point, gambling was not entirely successful: during Pinocchio immediately received critical recognition and did not attract the same crowds that emerged in droves snow white,

Jiminy Cricket and Pinocchio in the Walt Disney classic 'Pinocchio' from 1940 (Photo: Walt Disney / courtesy of the Everett Collection)
<figcaption class = "C ($ c-fuji-grau-h) Fz (13px) Py (5px) Lh (1.5)" title = "Jiminy Cricket and Pinocchio in the 1940 Walt Disney classic Pinocchio, (Photo: Walt Disney / courtesy of Everett Collection) “data-reactid =” 32 “>

Jiminy Cricket and Pinocchio in the 1940 Walt Disney classic Pinocchio, (Photo: Walt Disney / courtesy of the Everett Collection)

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "In the following decades, however Pinocchio‘S’ s reputation continued to grow like the title character ‘s nose when he lies. Today, the film is widely recognized as one of Disney’s crowning artistic achievements and the source of the song that became the studio’s defining anthem: “When You Wish Upon a Star”. And younger audiences can continue to discover the joys (and horror) of Pinocchio on his new streaming home, Disney +, If you see Pinocchio For the first (or fifth) time, here are five things you probably never knew about the animated classic. “data-reactid =” 36 “> In the following decades, however Pinocchio‘S’ s reputation continued to grow like the title character ‘s nose when he lies. Today, the film is widely recognized as one of Disney’s crowning artistic achievements and the source of the song that became the studio’s defining anthem: “When You Wish Upon a Star”. And younger viewers can continue to discover the joys (and horrors) of Pinocchio on his new streaming home, Disney +. If you see Pinocchio For the first (or fifth) time, here are five things you probably never knew about the animated classic.

<h2 class = "Artboard-Atom Artboard-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Disney had to make us love an unpleasant character.“data-reactid =” 37 “>Disney had to make us love an unpopular character

Pinocchio lights his finger in 'Pinocchio' (Photo: Walt Disney / courtesy of the Everett Collection)Pinocchio lights his finger in 'Pinocchio' (Photo: Walt Disney / courtesy of the Everett Collection)
<figcaption class = "C ($ c-fuji-gray-h) Fz (13px) Py (5px) Lh (1.5)" title = "Pinocchio lights his finger in flames Pinocchio, (Photo: Walt Disney / courtesy of Everett Collection) “data-reactid =” 54 “>

Pinocchio lights his finger in flames Pinocchio, (Photo: Walt Disney / courtesy of the Everett Collection)

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Originally published in 1881 as serialized journal history, The adventures of Pinocchio Perhaps written for children, but Collodi – the pseudonym of the seminar student Carlo Lorenzini, who has become the author – has not glossed over his story for young readers. The text is full of strange and scary fantasy flights, including treacherous talking animals, a terrible amusement park, and a variety of characters ready to take advantage of or eat the title character. All of these encounters are intended to bring moral lessons to the target audience of history. “Data-reactid =” 58 “> Originally published as serialized journal history in 1881, The adventures of Pinocchio Perhaps written for children, but Collodi – the pseudonym of the seminar student Carlo Lorenzini, who has become the author – has not glossed over his story for young readers. The text is full of strange and scary fantasy flights, including treacherous talking animals, a terrible amusement park, and a variety of characters ready to take advantage of or eat the title character. All of these encounters are intended to bring moral lessons to the target audience of history.

<p class = "Canvas-Atom Canvas-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "And Pinocchio himself is far from a G-rating hero : The wooden boy indulges in a variety of bad behaviors and makes a series of bad decisions to eventually be considered worthy of flesh and blood status by the fairy who brings him to life, the 2009 documentary The production of Pinocchio: No strings attached show that the earliest versions of the Disney film have retained the less sympathetic stance that Pinocchio shows on the page. “He was brazen, he was cocky and he was somehow unlikely,” says legendary Disney animator Frank Thomas in the documentary about the first sequences the team has completed. His colleague Ward Kimball adds: “Walt looked at it and said: ‘It doesn’t work properly.'” And “data-reactid =” 59 “> And Pinocchio himself is a long way from a hero with a G rating: The wooden boy indulges in a variety of bad behaviors and makes a series of bad decisions, on the way to finally being considered worthy of flesh and blood status by the fairy who brings him to life Documentation from 2009 The production of Pinocchio: No strings attached show that the earliest versions of the Disney film have retained the less sympathetic stance that Pinocchio shows on the page. “He was brazen, he was cocky and he was somehow unlikely,” says legendary Disney animator Frank Thomas in the documentary about the first sequences the team has completed. Adds his colleague Ward Kimball: “Walt looked at it and said:” It doesn’t work properly. ”

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Finally animator Milt Kahl found the answer PinocchioProblems by returning to the drawing board … literally. The title character’s first drawings included his wooden nature, an approach that Disney found as repulsive as Pinocchio’s personality. While sketching a test scene with the title character wearing donkey ears and a tail – the result of his transformative stay on Pleasure Island, the representative of Collodis Toyland – Kahl added some humanity to the frame. “They were thinking about a puppet all the time … and I was very critical of what they had,” said Kahl in a 1984 interview that was included in No strings attached, “I dealt with it and didn’t think about a puppet as much as I did about a little boy. Walt liked it so the model became. It was refined a little later, but the idea [started there], “Data-reactid =” 60 “> Finally animator Milt Kahl found the answer PinocchioProblems by returning to the drawing board … literally. The title character’s first drawings included his wooden nature, an approach that Disney found as repulsive as Pinocchio’s personality. While sketching a test scene with the title character wearing donkey ears and a tail – the result of his transformative stay on Pleasure Island, the representative of Collodis Toyland – Kahl added some humanity to the frame. “They were thinking about a puppet all the time … and I was very critical of what they had,” said Kahl in a 1984 interview that was included in No strings attached, “I dealt with it and didn’t think about a puppet as much as I did about a little boy. Walt liked it so the model became. It was refined a little later, but the idea [started there], ”

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "This change in design also fundamentally changed the tone of the film : While Pinocchio's path to becoming a real boy was still dangerous, he made himself popular with the audience instead of pushing it away. His youthful appearance convinced Disney to cast child star Dick Jones as the voice of Pinocchio Call them needed a young voice and they tried the adults and they had teenagers and they said Walt Disney wanted a real boy. ” Jones told MovieWeb in 2009, (The actor died in 2014.) “It was like a radio show and I had been on the radio so I knew what I was getting into. Having had all of these experiences before, I have surpassed all other children. “” Data-reactid = “63”> This change in design also fundamentally changed the tone of the film: While Pinocchio’s path to becoming a real boy was still a breeze, as a dangerous person he made himself popular with the audience instead of pushing it away. His new youthful demeanor convinced Disney to cast child star Dick Jones as the voice of Pinocchio. “They called that they needed a young voice and tried it with adults and they had teenagers and they said Walt Disney wanted a real boy “Jones said to MovieWeb in 2009. (The actor died in 2014.)” It was like a radio broadcast and I had been doing radio so I knew what I was. Having had all of these experiences before, I guess I have all other children exceeded. ”

<h2 class = "Artboard-Atom Artboard-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Jiminy Cricket avoided an early death “data-reactid =” 64 “>Jiminy Cricket avoided an early death

Jiminy Cricket had a very different life than his talking cricket counterpart in the original 'Pinocchio' novel (Photo: Walt Disney Co. / Courtesy of the Everett Collection).Jiminy Cricket had a very different life than his talking cricket counterpart in the original 'Pinocchio' novel (Photo: Walt Disney Co. / Courtesy of the Everett Collection).
<figcaption class = "C ($ c-fuji-gray-h) Fz (13px) Py (5px) Lh (1.5)" title = "Jiminy Cricket had a completely different life than his speaking cricket counterpart in the original Pinocchio Novel. (Photo: Walt Disney Co. / Courtesy of the Everett Collection) “data-reactid =” 81 “>

Jiminy Cricket had a completely different life than his talking cricket counterpart in the original Pinocchio Novel. (Photo: Walt Disney Co. / Courtesy of the Everett Collection)

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Jiminy Cricket is generally recognized as Disney's very first animal mate, but if the filmmakers had followed Collodi's text closely, we might never have done it met such beloved characters as Thumper, Abu or Heihei, In the original story, Pinocchio met a talking cricket early in his adventures and immediately crushed it with a hammer. The mind of the insect then reappears at various points in the story, trying to give advice that the pupa generally prefers to ignore. Walt Disney decided early on in pre-production that speaking cricket should not be suppressed. “Walt felt that there was not enough warmth, there was not enough friendship, there was really no life in history,” says Thomas in No strings attached, “So he used Jiminy cricket there.” “Data-reactid =” 85 “> Jiminy Cricket is widely regarded as Disney’s first animal buddy, but if the filmmakers had followed Collodi’s text closely, we might never have met him Beloved characters like Thumper, Abu or Heihei. In the original story, Pinocchio meets early on in his adventures on a talking cricket and instantly crushes it with a hammer, then the insect’s spirit reappears at various points in the narrative, trying to give advice that the puppet generally prefers to ignore. Walt Disney decided early in the pre-production phase that the speaking cricket should not be suppressed. “Walt felt that there was not enough warmth, not enough friendship and really no life in history,” says Thomas in No strings attached, “So he used Jiminy cricket there.”

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Kimball was asked to transform Collodis Cricket into a character Pinocchio, to say nothing of the audience, would like to spend time with him, and in the illustrations that accompanied the original story the character was drawn as an oversized insect – not the most cuddly companion Jiminy Cricket, the animator, threw almost all traces of cricket -Type of character. "My first impression of him was this ugly insect," explains Kimball in No strings attached, “I said,” How can this guy carry the picture? “My answer was:” I have to make him look funny. ” [But] Walt didn’t want clown cricket. As he put it: “Make him cute.” This is a lesson that Disney animators have since applied to such animals as skunks. mice and Firefly, “data-reactid =” 86 “> Kimball was commissioned to transform Collodis Cricket into a character Pinocchio would like to spend time with, not to mention the audience, and was drawn in the illustrations that accompanied the original story As an oversized insect – not exactly the most cuddly companion. While the talking cricket turned into Jiminy Cricket, the animator threw off almost all traces of the character’s cricket ability. “My first impression of him was this ugly insect.” Kimball explains in No strings attached, “I said,” How can this guy carry the picture? “My answer was:” I have to make him look funny. ” [But] Walt didn’t want clown cricket. As he put it: “Make him cute.” This is a lesson that Disney animators have since applied to living things like skunks, mice, and fireflies.

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "As with Pinocchio, the casting proved to be the key to unlocking Jiminy's Charm: In a premiere for the studio at the time, Disney typed a celebrity voice for the role: vaudeville and radio star Cliff Edwards, a choice that set a precedent that continues to this day, from Eddie Murphys Mushu to Shakiras Gazelle PinocchioEdwards was best known for being the first artist to record the song “Singin ‘in the Rain”. To Pinocchio, he earned a new signature song that followed him everywhere until his death in 1971: “When You Wish Upon a Star”, the first of many Disney tunes to win an Oscar for the best original song. “data-reactid =” 87 “> As with Pinocchio, casting proved to be the key to unlocking Jiminy’s charm. In a premiere for the studio at the time, Disney typed a celebrity voice for the part: Variety and radio star Cliff Edwards. That was the choice a precedent that continues to this day, from Eddie Murphy’s Mushu to Shakira’s Gazelle PinocchioEdwards was best known for being the first artist to record the song “Singin ‘in the Rain”. To PinocchioHe received a new signature song that followed him everywhere until his death in 1971: “When You Wish Upon a Star,” the first of many Disney tunes to win an Oscar for the best original song.

<h2 class = "Artboard-Atom Artboard-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "While PinocchioThe nine old men at Walt Disney were nine young children“data-reactid =” 88 “>While PinocchioThe nine old men at Walt Disney were nine young children

<figcaption class = "C ($ c-fuji-gray-h) Fz (13px) Py (5px) Lh (1.5)" title = "Walt Disney examines storyboards Pinocchio, a film that included a number of new animation innovations. (Photo: Everett Collection) “data-reactid =” 105 “>

Walt Disney examines storyboards Pinocchio, a film that included a number of new animation innovations. (Photo: Everett Collection)

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<p class = "Canvas-Atom Canvas-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "In her later years Frank Thomas, Ward Kimball and Milt Kahl were card-carrying members of the Nine Old Men – a collective of animators that Walt Disney had relied on all its life, but all nine of these men were relatively young people during the production Pinocchio, Most of them had gone to the studio when Disney was doing something Snow White and the Seven Dwarfs and studied on the pens of veterans who had been in the studio since the late 1920s and early 1930s. Pinocchio marked the beginning of a generation change when the future Nine Old Men focused on production. “data-reactid =” 109 “> In their later years, Frank Thomas, Ward Kimball and Milt Kahl were card-carrying members of the Nine Old Men – a collective of animators that Walt Disney had relied on all his life, but all nine of these men were still relative newbies during the production of Pinocchio, Most of them had gone to the studio when Disney was doing something Snow White and the Seven Dwarfs and studied on the pens of veterans who had been in the studio since the late 1920s and early 1930s. Pinocchio marked the beginning of a generation change when the future Nine Old Men pointed out the production.

<p class = "Canvas-Atom Canvas-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "At the same time Disney was constantly revising and refining the existing methods of Studios: "We had enough income to experiment properly," said Disney in a 1956 interview that was included as a bonus feature Pinocchio on Disney +. “I chose certain artists who weren’t good at character or personality animations, and they became effects specialists. I put other guys who were good in personality and character into this game. I think the crucial role I’ve played has been coordinating and nurturing these talents. “Disney’s emphasis on personality-driven animation led him to assign certain characters to certain animators: so Kahl was the creative force behind Pinocchio, Kimball oversaw Jiminy Cricket and Fred Moore (not one of the nine old men, but still a Disney legend) the Pleasure Island troublemaker Lampwick. “data-reactid =” 110 “> At the same time, Disney constantly revised and refined the existing methods of the studio.” We had enough income to experiment properly, “Disney said in a 1956 interview that was included as a bonus feature Pinocchio on Disney +. “I chose certain artists who weren’t good at character or personality animations, and they became effects specialists. I put other guys who were good in personality and character into this game. I think the crucial role I’ve played has been coordinating and nurturing these talents. “Disney’s emphasis on personality-driven animation led him to assign certain characters to certain animators: so Kahl was the creative force behind Pinocchio, Kimball oversaw Jiminy Cricket and Fred Moore (not one of the nine old men, but still a Disney legend) Pleasure Island troublemaker Lampwick.

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Other innovations that Disney introduced during production Pinocchio This included multi-level cameras that allowed a greater depth of field than in any previous animated production, filming human actors as reference points for the animators, and a new approach to drawing water that involved drawing corrugated glass pieces over animation cells – an approach that influenced such future Disney cartoons as The little mermaid, These new techniques paid off artistically, but also cost the studio a lot of money, which created tension between Disney and his brother Roy. “My brother was concerned about the return of the money, I was concerned about the quality,” Disney said, recalling a time when his business-oriented sibling told him they owed the bank $ 4.5 million. “I started laughing … and said, ‘I was just thinking back when we couldn’t borrow a thousand dollars!’ He started laughing and we both felt sorry for the bank. ” “Data-reactid =” 111 “> Other innovations that Disney introduced during production Pinocchio This included multi-level cameras that allowed a greater depth of field than in any previous animated production, filming human actors as reference points for the animators, and a new approach to drawing water that involved drawing corrugated glass pieces over animation cells – an approach that influenced such future Disney cartoons as The little mermaid, These new techniques paid off artistically, but also cost the studio a lot of money, which created tension between Disney and his brother Roy. “My brother was concerned about the return of the money, I was concerned about the quality,” Disney said, recalling a time when his business-oriented sibling told him they owed the bank $ 4.5 million. “I started laughing … and said,” I was just thinking back when we couldn’t borrow a thousand dollars! “He started laughing and we both felt sorry for the bank.”

<h2 class = "Artboard-Atom Artboard-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "The Second World War contributed to this PinocchioFinancial problems“data-reactid =” 112 “>The Second World War contributed to this PinocchioFinancial problems

The climax of 'Pinocchio' turns the doll and its creator against a monstrous whale (Photo: Walt Disney Productions. Courtesy of the Everett Collection)The climax of 'Pinocchio' turns the doll and its creator against a monstrous whale (Photo: Walt Disney Productions. Courtesy of the Everett Collection)
<figcaption class = "C ($ c-fuji-gray-h) Fz (13px) Py (5px) Lh (1.5)" title = "The climax of Pinocchio places the doll and its creator against a monstrous whale. (Photo: Walt Disney Productions. Courtesy of the Everett Collection) “data-reactid =” 129 “>

The climax of Pinocchio places the doll and its creator against a monstrous whale. (Photo: Walt Disney Productions. Courtesy of the Everett Collection)

<p class = "Artboard-Atom Artboard-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Although PinocchioThe publication of America preceded America’s entry into World War II by almost two years. The conflict in European theater had a huge impact on the end result of the film. “Pinocchio was released at a time when the world was collapsing, ”Disney said in 1956.“ As soon as the invasion of Europe came [in 1939], the market collapsed and our English pounds were frozen. ” Produced for around $ 2.3 million, the film deserves well under it. The commercial failure of Disney’s third animated feature, fantasyin November the future of the studio was further endangered. “data-reactid =” 133 “> Although PinocchioThe publication of America preceded America’s entry into World War II by almost two years. The conflict in European theater had a huge impact on the end result of the film. “Pinocchio was released at a time when the world was collapsing, ”Disney said in 1956.“ As soon as the invasion of Europe came [in 1939], the market collapsed and our English pounds were frozen. “The film, which was produced for around $ 2.3 million, earned well below that. The commercial failure of Disney’s third animated feature, fantasyin November the future of the studio was further endangered.

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Strangely, the conflict that delivered a body strikes PinocchioDisney’s box office results threw Disney a lifeline. Not long after Pearl Harbor encouraged the US to act, 500 American troops occupied his studio to protect the surrounding aircraft factories. He then received a call from the US Navy, which made him an offer that he could not refuse. “The Navy department said,” Mr. Disney, we want you to make films about aircraft identification, and we want the first films to be made in 90 days. “I said,” What do they cost? “And they said,” We have a budget of $ 80,000. Can you do it? “Disney produced several government propaganda and technical productions for the duration of the war, which helped his studio escape bankruptcy. As for PinocchioThe film finally found its audience during several movie releases and the rise of the home video era. & db; “data-reactid =” 134 “> Strangely, the conflict that hit the body PinocchioDisney’s box office results threw Disney a lifeline. Not long after Pearl Harbor encouraged the US to act, 500 American troops occupied his studio to protect the surrounding aircraft factories. He then received a call from the US Navy, which made him an offer that he could not refuse. “The Navy department said,” Mr. Disney, we want you to make films about aircraft identification, and we want the first films to be made in 90 days. “I said,” What do they cost? “And they said,” We have a budget of $ 80,000. Can you do it? “Disney produced several government propaganda and technical productions for the duration of the war, which helped his studio escape bankruptcy. As for PinocchioThe film finally found its audience during several movie releases and the rise of the home video era.

<h2 class = "Artboard-Atom Artboard-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "You can watch three deleted scenes on Disney +, but none of them contain Mel Blanc’s missing voice & nbsp;“data-reactid =” 135 “>You can watch three deleted scenes on Disney +, but none of them contain Mel Blanc’s missing voice

Mel Blanc delivered the voice of Geppetto's cat Gideon, but his dialogue was interrupted during production (Photo: Walt Disney Co./ Courtesy of the Everett Collection).Mel Blanc delivered the voice of Geppetto's cat Gideon, but his dialogue was interrupted during production (Photo: Walt Disney Co./ Courtesy of the Everett Collection).

Mel Blanc delivered the voice of Geppetto’s cat Gideon, but his dialogue was removed during production. (Photo: Walt Disney Co./ Courtesy of the Everett Collection.)

That same year when Mel Blanc released his first “What’s up, Doc?” In “A Wild Hare” – the animated short film that made Bugs Bunny a household name – he almost joined the Disney pantheon as the voice of Gideon, the cat lover of Pinocchio’s creator / father Geppetto. During production, Disney decided to stop talking to the cat entirely. Those burps you hear from Gideon? These belong to all of Blanc.

While the full performance of the voice-over master is lost in history, storyboards for three deleted scenes are preserved in the Disney vault and can be viewed in the supplementary material to Disney +. Such a sequence should appear early in the film when Geppetto Pinocchio tells a bedtime story about the doll’s majestic grandfather: an old pine tree. As conceived by the animators, this scene would have shown that Geppetto’s face became the face of the tree, while the birds in its branches resembled wooden puppets. Die Action gipfelt in einem Blitz, der die Rinde des Baumes spaltet – ein Problem, das gelöst wird, indem zwei Zweige wie Schürzenschnüre um den Mittelteil gebunden werden.

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Die anderen gelöschten Szenen kommen gegen Ende des Film, einschließlich einer längeren Sequenz im Bauch des monströsen Wals, der Geppetto, seinen Haustierfisch Cleo und Gideon verschluckt. Geppetto bleibt ohne Nahrung stecken und sieht Würste in Seilhaufen und Fischessen in Fischskeletten. Gideon, währenddessen Augen ein tatsächlich Fischessen in Cleo und wiederholt Versuche, den anderen Tierfreund seines Besitzers zu essen. “data-reactid =” 158 “> Die anderen gelöschten Szenen kommen gegen Ende des Films, einschließlich einer längeren Sequenz im Bauch des monströsen Wals, die schluckt Geppetto, seinen Lieblingsfisch, Cleo und Gideon. Ohne Nahrung zu sehen, sieht Geppetto Würste in Seilhaufen und Fischessen in Fischskeletten. Gideon mustert unterdessen und tatsächlich Fischessen in Cleo und unternimmt wiederholt Versuche, den anderen Tierfreund seines Besitzers zu essen.

Last but not least gibt es ein alternatives Ende für den Film, der an einem Strand spielt, direkt nachdem Pinocchio das Trio der Gefangenen aus dem Bauch des Wals gerettet hat. Als sich die Puppe Geppettos Bauch nähert. “Es ist alles meine Schuld! Schau, was ich ihm angetan habe. Ich habe es nicht verdient, ihn zurück zu haben “, weint er. In diesem Moment erscheint ein blaues Licht und Geppetto wacht auf und entdeckt, dass Pinocchio ein richtiger Junge geworden ist, was zu einer sofortigen Feier führt. Dies ist eine Abkehr von der Kinofassung, in der Pinocchio derjenige ist, der ertrunken zu sein scheint und von der Blauen Fee im Geschäft seines Schöpfers wiederbelebt wird. Beide Enden haben jedoch den gleichen Schlussschuss: Jiminy Cricket erhält sein “Official Conscience” -Abzeichen. Träume werden tatsächlich wahr.

<p class = "Artboard-Atom Artboard-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Pinocchio wird gerade gestreamt Disney +,“data-reactid =” 160 “>Pinocchio wird gerade gestreamt Disney +,

<p class = "Artboard-Atom Artboard-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Read more from Yahoo Entertainment:“data-reactid =” 163 “>Read more from Yahoo Entertainment:

<p class = "Artboard-Atom Artboard-Text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Would you like to receive daily pop culture messages in your inbox? & Nbsp;Sign in here& nbsp; for Yahoo Entertainment & amp; Lifestyle newsletter.“data-reactid =” 168 “>Would you like to receive daily pop culture messages in your inbox? Sign in here for the Yahoo Entertainment & Lifestyle newsletter.

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