Memory encesa d’un country – The New Spain

Three of the “Entamu” that, due to the historical and ideological balance, come the collaborations of the scholars who make up the present number. In “Caparines d’Asturies”, Ángel Morán offered a tour of the characteristic features of these insects of ephemeral life found in the Asturian habitat, nuna information quickly illustrated with striking photographs; Alberto Álvarez Peña and the author of “Señores de forca y cuchiellu. The film of ‘El Desterrado’ ”, I tracked and studied on the presence in the West of Asturias of versions of the lleendes of ” El desterráu ‘and’ ‘El mal hunter’ ‘, further hastening the collection of dalgunes sources that expire this Literature with historical dates; Cristobo de Milio Carrín in “’Trés texos un reinado’. La eternida nun dichu Asturianu ”gives a step to the presence in the tradition of different European literature of a dichu to record the passage of time, highlighting the evidence that some Asturian versions coincide with British cabbages in the usu of the duration of trees as measured. “De la h.iladera en Sotres, Cabrales”, d’Ana María Moradiellos, is an extensive ethnographic and sentimental chronicle that details the craftsmanship of the plain in the Cabraliegu place, resulting in a nice tribute to the women who worked it. A story that begins the breeding of novels and lambs, describes the animals and the culture or remembers the happy nights of cardorias, without lacking the pertinent biographies and photographs of some famous philadores. No work has already been announced in the magazine “Friuz”, Macario Victorero signs “Traditional fishing arts in Llastres” and deals with the main strategies for the coast of bocarte, sardine and bonitu, with photographs and explanatory drawings. In “La caxa sidra”, Inaciu Hevia Llavona summarizes the history of an industry born from the appearance of the cider bottle in 1880 and the urgent need for a container for moving and storage; From the first caxes, of artisanal and indigenous manufacture, even the most modern, dates outside of Asturias. Daniel Cueli Canto and this time he is the one who recovers the section “Arcu Atlánticu” with “El celtismu na domina del post-folk. Reflections on the vixence of an identity element in Asturian music from Yangon ”, in which he assembles arguments that affect the importance of celtism in the aniciu and the development of the new hair paths that contemporary Asturian music has already taken. As once and in the “L’estoxu” section, Naciu Llope offered his critical opinion of some books and current records, also pressuring firm reviews by Álvarez Peña and Daniel Cueli. In “Cartafueyos de Belenos”, Alberto Álvarez Peña, Cristobo de Milio Carrín, Fernando Montes and Ástur Paredes collaborate with short articles on different themes. There was a year of irreparable losses, there was a separate section for the dismissal and the agreement of the homes and women who worked in an essential way for Asturian culture and who left us forever, instead of saying that he is love for land no s’escaeza: Vitorino García González, María de Trabáu, Celestina de Ca Sanchu, José Manuel Feito Álvarez and Pepe el Ferreiro. The panexyric sentiments come from Naciu’i Riguilón, Fernando Ornosa, Mari Álvarez Alba, Daniel Cueli and Lisardo Lombardía. Fai lack that the pages of this magazine continue to highlight the memory of the culture of Asturias for many more years.

Magazine “Asturias, ignited memory of a country”, naked 40

Belenos Foundation

97 pages, 17 euros


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