Roland Pérez: Unveiling His Extraordinary Journey with His Mother, God, and Sylvie Vartan

‘My Mother, God, and Sylvie Vartan’: A Story of Faith, Community, and the Healing Power of Pop Music

A new film explores the extraordinary journey of roland Pérez, from a childhood disability to a successful career, fueled by his mother’s unwavering belief and an unexpected muse.

The film “My Mother,God and Sylvie Vartan,” directed by Ken Scott,is making waves,quickly climbing to the top of the most-watched lists since its release.But beyond the entertainment value, the film tells a deeply personal and inspiring story relevant to audiences worldwide, including here in the U.S. It’s the autobiographical account of Roland Pérez’s childhood, a testament to a mother’s love and the surprising role a pop star played in overcoming adversity.

My mother, D. and S. Vartan: Roland Perez’s cinema

The Diagnosis and a Mother’s Unyielding Resolve

Roland Pérez’s story begins with a challenging diagnosis. Born with a “bot foot,” he spent his early years moving “on all fours” in a public housing building (HLM) in Paris’s 13th arrondissement until the age of seven.The medical consensus was grim. Doctors told his parents,”Your child is disabled.”

But his mother, Esther, refused to accept this prognosis. Pérez recounts, “My mother expected for me anything less than a miracle.” This unwavering belief would become the driving force behind his journey to recovery.

In the United States, similar scenarios play out daily. Parents facing difficult diagnoses for their children frequently enough seek second opinions and alternative therapies, driven by the same hope and determination as Esther Pérez. Organizations like the United Cerebral Palsy Association and the National Down Syndrome Society provide resources and support for families navigating these challenges, mirroring the community support that Roland Pérez experienced in his childhood.

A Moroccan Remedy and an unconventional Prescription

Hope emerged from an unexpected source: an uncle in Morocco who recommended a “rebouterate,” a customary bonesetter. Upon arriving, they discovered that “it is not a doctor. He is a rebout and that the fouter is dead.” Though, the rebout’s widow offered to try to replicate her late husband’s methods.

This began an arduous 18-month treatment. Pérez explains, “Will start a very heavy, very difficult treatment that will last 18 months.” Immobilized with a corset and splints, “two positions to hold” were required to allow the full extension of his leg, ensuring “the heel can finally come out.”

To endure such immobility, a powerful distraction was needed. Enter Sylvie Vartan, a Yéyé pop star of the 1970s.When asked what Roland liked, his mother’s answer led to an unorthodox prescription: “We are going to tell my mother, listen, Sylvie Vartan, it’s not Mozart, Madame, but Sylvie Vartan is part of the treatment.” The doctor ordered, “So you are going to buy him everything that concerns Sylvie Vartan. You will buy her little eaters, records. It will be necessary to be busy so that he does not want to go out, to stand out, to try to walk.”

The use of music therapy, although perhaps not in such a specific and pop-culture-driven way, is a recognized and growing field in the U.S. Hospitals and therapists use music to help patients manage pain, reduce anxiety, and improve motor skills. The American Music Therapy Association (AMTA) provides resources and credentials for qualified music therapists.

The Power of Music Therapy: U.S. Examples

• Hospitals: Many children’s hospitals incorporate music therapy programs to help young patients cope with illness and treatment.
• rehabilitation Centers: Music is used to aid in physical and occupational therapy, helping patients regain motor control and coordination.
• Schools: Music therapy can definitely help children with autism spectrum disorder improve interaction and social skills.

Sylvie Vartan: More Than Just a Distraction

Pérez’s fascination with Sylvie Vartan was understandable. “I was surrounded by bruns. My mother was very brown. My sister was very brown. The neighbors were very brown. Everyone was very brown. and all of a sudden, this blondr who returns like that, her teeth, her shifting outfits.”

But Vartan’s music became more than just a distraction; it was a lifeline. Facing the threat of being placed in foster care, Roland needed to learn to read. “My brother Jacques taught me to read and write… Sylvie’s songs are all found to teach me to read.” Ironically, forced immobility became a formative period.

A Microcosm of Community

Beyond Pérez’s personal story, the film highlights the social fabric of his childhood neighborhood. “I wanted to say thank you to my mom. thank you to all the mothers who were in this Bigaré HLM of the 13th arrondissement and who were Muslim, Chinese, Italian, Corsicans, and all these women who lived together.” He expresses a longing for “a living together that I lack terribly in this terrible France that we live today.” The film portrays how neighbors “mobilized to help the little boy” he was.”We celebrated the festivals of some, the festivals of others. We went at the end of Ramadan to bring them cakes.They came at the end of Kippur or other parties bring us cakes also in turn.”

This sense of community resonates deeply in the U.S., where diverse neighborhoods often come together to support one another. Block parties, community gardens, and local volunteer organizations foster a sense of belonging and mutual aid.Though, rising housing costs and increasing social segregation in some areas threaten this fabric, making Pérez’s nostalgic portrayal all the more poignant.

Pérez passionately defends the casting of Leïla Bekhti, a Muslim actress, as his Jewish mother: “I do not see why a Muslim actress could not play a jewish mother. I say it and I repeat, I do not understand why and why a Jewish actress could not play a muslim mother.” He emphasizes that Bekhti “is exceptional as I can tell you that this October, she lived it.We were in full filming. We were hand in hand. She was on the ground, like all of us. We were frightened of this violence.” He adds: “His mother’s heart speaks for all children, whether Jewish children, Muslim children.” This underscores the global themes of motherhood and compassion that transcend cultural and religious boundaries.

Faith, Chance, and a lawyer’s Twist of Fate

The film’s title, “My Mother, God and Sylvie Vartan,” reflects the priorities in Pérez’s life. “It all started with the mother. my mother always thought that she was the assistant of God. So I put my mother first, because it was she who warned God on my case,” Pérez explains. He quotes Albert Einstein: “Chance is god who walks incognito.” “Chance, you also have to see it. It is not just that chance is walking like that. It walks incognito, but you have to want to see it.”

After his recovery, Pérez became a lawyer. In an almost unbelievable turn of events, he found himself representing Sylvie Vartan. “The greatest chance means that Sylvie Vartan, because I was taking care of artists, but I never tried to approach Sylvie Vartan.” He had never revealed his story to her, “Because I especially did not want to tell her this story that was completely crazy.I didn’t want her to think that I am a fan who was trying to intrigue, to get to her.” He adds, with a touch of humor, “it was fatal affair for me. I said to myself, she will think that I will put her dog in hot water.”

Only after his mother’s death did Sylvie Vartan learn the crucial role she played in his life. “Today, Sylvie has become one of my closest friends,” he concludes.

The Enduring Legacy

“My Mother, God and Sylvie Vartan” is more than just a movie; it’s a story of hope, resilience, and the power of human connection. It reminds us of the importance of community, the unwavering love of a mother, and the unexpected ways in which music can heal and inspire.

what are some of the main themes explored in “My mother, God and Sylvie Vartan”?

‘my Mother, God, and Sylvie Vartan’: A Conversation with Film Critic, Clara Moreau

Archyde News sits down with film critic Clara Moreau to discuss the powerful new film, ‘My Mother, God, and Sylvie Vartan’.

Opening Thoughts on ‘My Mother, God, and Sylvie Vartan’

Archyde News: Clara, thank you for joining us. ‘My Mother, God, and Sylvie Vartan’ is generating a lot of buzz. What were your initial impressions?

Clara Moreau: Thank you for having me. The film is truly captivating. From the very begining,I was struck by the deeply personal narrative and the film’s ability to connect with audiences on an emotional level. It’s a story that resonates far beyond its specific setting.

The transformative Power of a Mother’s Love

Archyde News: The film highlights the remarkable role of Roland Pérez’s mother. Can you elaborate on why this relationship is so central to the film’s success?

Clara Moreau: Absolutely.Esther Pérez’s unwavering belief in her son is the film’s emotional core. Her refusal to accept the initial medical prognosis, her relentless pursuit of alternative treatments, and her ultimate faith in his recovery are incredibly moving. It’s a testament to a mother’s unconditional love.

Archyde News: The film mentions the use of music therapy, especially Sylvie Vartan’s music. How effective is this storytelling element?

Clara Moreau: The way the film uses Sylvie Vartan’s music is brilliant. It provides a unique and engaging backdrop to roland’s journey. It’s a clever storytelling device that shows how art and creative expression can be part of the healing process. it also adds a touch of whimsy to a very serious medical journey.

Community and Belonging in Film

Archyde News: The portrayal of the community in the 13th arrondissement of Paris seems vital. What did you find most compelling about it?

Clara Moreau: The film’s depiction of community is profoundly moving. The sense of solidarity among the diverse residents, their willingness to support one another, and their shared experiences were beautifully captured. This shows that belonging is a pivotal factor in the story’s success.

The Meaning of Casting Decisions

Archyde News: Roland Pérez defended the casting of leïla Bekhti. What did this add to the film?

Clara Moreau: The film’s choice of casting is significant,adding a layer of social commentary,mirroring real-world complexities and social justice themes. Leïla Bekhti’s exceptional performance embodies the mother’s story of compassion. the casting adds a great deal of depth and authenticity to those global themes of motherhood.

The Enduring Legacy of the Film

Archyde News: you’ve touched on so many key points. What do you believe is the film’s lasting message and significance for viewers today?

Clara Moreau: ‘My Mother, God, and Sylvie Vartan’ is a story about hope, resilience, and the power of human connection. It reminds us of the importance of family, the healing potential of art, and the strength found in community. The film offers a message of enduring hope and inspiration that’s relevant to us all. It’s a reminder to cherish what unites us, such as the love of a mother and the power of unity. What do you think is the most significant takeaway from the films for our readers?