Chris Marker du temps – Culture / Next

Twenty years separate the Pier (1962) from Without sun (1982), like a mirror effect amplified by time. Time which, as we know, is its nerve … Read more

“Pink Films”, we parted good tatami

If the history of cinema often disdains the pink, associated with eroticism soft, watering clouds of standardized and juicy productions in Japan, this color, which … Read more