Brucknerhaus Linz Ushers in New Era with Artistic & Commercial Leadership – Breaking News for Google News
Linz, Austria – A new chapter begins today for the Brucknerhaus Linz, one of Austria’s premier concert halls, as artistic director Thomas Trawöger and commercial director Michael Liczewski officially took up their posts. The appointment follows a period of turbulence marked by compliance allegations that led to the departure of the previous artistic director and even the city’s mayor in 2024. This leadership change is being closely watched within the European cultural landscape, and represents a pivotal moment for the institution.
A “Kickoff Walk” Signals a Fresh Start
The duo’s arrival wasn’t a formal affair, but a symbolic “kickoff walk” – a journey musically accompanied by the sounds of SoundCloud – that began at the Kuddelmuddel children’s culture center and culminated at the old town hall, where they received the blessing of Mayor Dietmar Prammer. Prammer, representing the SPÖ party, expressed his hope for “creative and creative work and that the numbers are right,” acknowledging the dual imperative of artistic vision and financial stability. The walk itself was a deliberate gesture, intended to drum up enthusiasm and signal a departure from recent internal struggles.
Humility and Community at the Forefront
LIVA supervisory board chairman Meinhard Lukas emphasized the need for a “new spirit, a new modesty and humility” as the Brucknerhaus moves forward. He gifted the new leadership team with a copy of an essay by Armin Thurnher of “Falter” magazine, focusing on the crucial role of the audience in shaping a vibrant cultural institution. Lukas underscored that LIVA’s primary mission is to “repeatedly stimulate the new community in public,” a sentiment echoed by Trawöger himself, who stated, “The area around and on is the audience.” This focus on audience engagement is a key trend in modern performing arts management, recognizing that success isn’t solely defined by artistic merit but by building a loyal and active community.
Teamwork and a “Finely Tuned Compass”
Trawöger, previously the artistic director of the Bruckner Orchestra Linz (BOL) and director of the Danube Wees in Strudengau, stressed the importance of teamwork. “With a finely tuned compass, happy hands and especially complients and accomplices on the way, not so much can go wrong,” he remarked. Liczewski, bringing his financial expertise from the Salzburg Festival, affirmed their commitment to “redeem the promise” of the Brucknerhaus. Both leaders have signed five-year contracts, providing a degree of stability after a period of uncertainty.
The Broader Context: Compliance and the Future of Cultural Institutions
The events of 2024, which led to the dismissal of Dietmar Kerschbaum and the resignation of the Linz mayor, highlight a growing scrutiny of governance and ethical practices within cultural institutions globally. Compliance issues, once relegated to the back pages, are now front-page news, demanding transparency and accountability. The Brucknerhaus’s experience serves as a cautionary tale, but also an opportunity to rebuild trust and demonstrate a commitment to integrity. This shift towards greater accountability is impacting everything from fundraising to programming decisions, forcing institutions to prioritize ethical considerations alongside artistic ambition.
The appointment of Trawöger and Liczewski isn’t just a local story; it’s a reflection of broader trends shaping the future of the performing arts. The emphasis on humility, community engagement, and financial responsibility signals a recognition that cultural institutions must be responsive to the needs of their audiences and operate with the highest ethical standards. As the Brucknerhaus embarks on this new chapter, its success will depend not only on the quality of its performances but also on its ability to foster a culture of trust and transparency.
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