Death Grips’ New Album: A Signal of Experimental Music’s Resilience
The news that Death Grips are actively working on a new album isn’t just a blip on the radar for hardcore fans; it’s a potent indicator of the enduring power of uncompromising artistic vision in an increasingly homogenized music landscape. After a period of uncertainty fueled by a former member’s suggestion of the project’s end, the band’s Instagram announcement – a raw glimpse into the recording process – feels less like a comeback and more like a continuation of a vital, disruptive force. This isn’t simply about a new record; it’s about the future of experimental music and the artists who refuse to play by the rules.
The Long Silence and the Solo Explorations
It’s been six years since Year of the Snitch, a significant gap in the discography of a band known for its prolific output. During that time, members haven’t been idle. Zach Hill, the band’s relentlessly innovative drummer, has been particularly active, launching Undo K From Hot and revisiting his work with Hella, reissuing Hold Your Horse Is in 2023. His recent collaboration with Lucas Abela, Bag of Max Bag of Cass, further demonstrates a continued commitment to pushing sonic boundaries. These solo endeavors weren’t detours; they were explorations that will undoubtedly inform the sound of the new Death Grips record. The question isn’t *if* these experiences will influence the album, but *how*.
Navigating Uncertainty: The Morin Departure and Band Dynamics
The brief scare regarding the band’s status, sparked by Andy Morin’s comments, highlighted the inherent fragility of even the most seemingly impenetrable artistic collectives. While the details surrounding Morin’s departure remain largely private, it served as a stark reminder that creative partnerships are dynamic and subject to change. The band’s swift and direct response – confirming their continued activity – was crucial in quelling speculation and reaffirming their commitment to the project. This incident underscores a broader trend in the music industry: the increasing transparency (and sometimes, the messy reality) of band dynamics playing out in the public sphere.
The Rise of “Anti-Algorithm” Music
Death Grips has always existed outside the mainstream, deliberately resisting categorization and defying expectations. Their music is abrasive, challenging, and often uncomfortable – qualities that, ironically, have cultivated a fiercely loyal fanbase. In an era dominated by algorithm-driven playlists and data-optimized pop, this resistance feels increasingly radical. The band’s success, despite (or perhaps because of) its unconventional approach, suggests a growing appetite for music that prioritizes artistic integrity over commercial viability. This is the core of what makes the new album so anticipated – it represents a potential counter-narrative to the increasingly predictable landscape of popular music.
The Influence of Noise and Industrial Music
Death Grips’ sound is deeply rooted in noise and industrial music traditions, drawing inspiration from artists like Throbbing Gristle and Einstürzende Neubauten. These genres, historically marginalized, are experiencing a resurgence in popularity, fueled by a new generation of artists and listeners seeking alternative sonic experiences. The band’s continued exploration of these influences suggests a potential for even more experimental and challenging sounds on the upcoming album. Expect a further blurring of lines between music, sound design, and performance art.
What to Expect: A Forward-Looking Sound
Given the individual projects undertaken by the members during the hiatus, the new Death Grips album is likely to be a synthesis of diverse influences. Hill’s work with Undo K From Hot suggests a potential for more complex rhythmic structures and improvisational elements. MC Ride’s continued lyrical intensity and unique vocal delivery will undoubtedly remain a defining characteristic. The band’s history of incorporating unconventional sampling techniques and pushing the boundaries of production suggests a sound that is both familiar and utterly new. The album could very well be a landmark release, solidifying Death Grips’ position as pioneers of experimental music.
The return of Death Grips isn’t just a band getting back together; it’s a statement. It’s a declaration that uncompromising artistry still has a place in the modern music world. It’s a challenge to the status quo, and a promise of something truly unique. What sonic territories will they explore next? Share your predictions in the comments below!
Explore the evolving landscape of experimental music on Archyde.com
Read Pitchfork’s coverage of Death Grips
