Waxahatchee & MJ Lenderman: Pioneering a New Model for Collaborative Touring and Band Dynamics
The music industry is quietly undergoing a seismic shift, moving away from rigid artist silos and towards fluid, collaborative ecosystems. And the burgeoning partnership between Waxahatchee and MJ Lenderman isn’t just a delightful pairing of musical talents – it’s a potential blueprint for the future of how artists build sustainable careers and engage audiences. With a shared history on Waxahatchee’s critically acclaimed Tigers Blood, a captivating duet (“Right Back To It”), and now the surprise release of the Snocaps album, this isn’t a fleeting collaboration; it’s a deeply interwoven creative network.
The Rise of the “Supergroup” 2.0: Beyond One-Off Projects
We’ve seen supergroups before, but often they’re temporary ventures built around established stars. What’s different here is the organic growth of a collective. The formation of Snocaps, featuring both Katie and Allison Crutchfield alongside Lenderman and Brad Cook, demonstrates a commitment to shared artistic vision beyond individual projects. This isn’t about leveraging fame; it’s about building something new together. This model allows for cross-pollination of fanbases and a broader creative palette, potentially extending the lifespan of each artist’s career. It’s a move away from the traditional “solo artist + backing band” dynamic and towards a more equitable and creatively stimulating partnership.
Touring as a Collaborative Experience: A Win-Win for Artists and Fans
The upcoming North American tour – 18 dates featuring both separate sets and collaborative performances – is where this model truly shines. Playing historic, “ornate venues” suggests a deliberate curation of the experience, prioritizing atmosphere and connection over sheer capacity. The inclusion of Brennan Wedl, a rising artist championed by Stereogum, as the opening act further strengthens this ecosystem, providing a platform for emerging talent. But perhaps the most compelling aspect is the commitment to donate $1 from every ticket to local nonprofits. This isn’t just a concert; it’s a community event.
The Financial Implications of Shared Touring
Shared touring offers significant financial advantages. Splitting costs – from transportation to venue rental – can dramatically reduce the financial burden on individual artists, particularly in the current economic climate. This allows for more ambitious productions and a greater focus on artistic quality. Furthermore, the combined draw of multiple artists can lead to higher ticket sales and increased revenue. This model is particularly appealing for independent artists who often struggle with the financial realities of touring.
Beyond the Music: The Power of Cross-Industry Connections
The seemingly random, yet fascinating, photograph of MJ Lenderman meeting Tim Robinson (of I Think You Should Leave fame) at a GQ event highlights a broader trend: the increasing blurring of lines between different creative industries. This cross-pollination of influences and audiences can lead to unexpected opportunities and a wider reach. Artists are no longer confined to their own niche; they’re actively seeking connections with individuals from diverse fields, fostering innovation and expanding their cultural impact. This is a testament to the power of serendipity and the importance of building relationships outside of one’s immediate circle.
Looking Ahead: The Future of Artist Collectives
The Waxahatchee/MJ Lenderman model isn’t an isolated incident. We’re likely to see more artists embracing collaborative structures, forming collectives, and prioritizing shared creative experiences. This shift is driven by a desire for greater artistic control, financial stability, and a more fulfilling career path. The traditional music industry model is increasingly unsustainable for many artists, and these new approaches offer a viable alternative. The success of this tour, and the continued evolution of Snocaps, will undoubtedly serve as a case study for others looking to forge their own collaborative paths. The key will be authenticity and a genuine shared artistic vision.
Pre-sales for the tour begin November 19th, with general on-sale starting November 21st at 10 AM local time. Don’t miss the opportunity to witness this innovative approach to live music – and support local nonprofits while you’re at it. What are your thoughts on the future of artist collaborations? Share your predictions in the comments below!
