Home » Entertainment » Lee Jae-in and Hong Kyung’s ‘Concrete Market’ released as OTT series… Will it alleviate the disappointment of theater box office success?

Lee Jae-in and Hong Kyung’s ‘Concrete Market’ released as OTT series… Will it alleviate the disappointment of theater box office success?

‘Concrete Market’ Series Gets Second Life on Wave After Disappointing Theatrical Run

SEOUL, SOUTH KOREA – In a surprising turn of events, the Korean disaster drama ‘Concrete Market,’ starring rising stars Lee Jae-in and Hong Kyung, is receiving a second chance at finding its audience. Following a muted theatrical release that drew only 30,000 viewers, the series is now being rolled out on the streaming platform Wave as a 7-part original, starting today. This is breaking news for fans of Korean cinema and a fascinating case study in the evolving dynamics between theatrical releases and the booming Korean OTT market.

From Theaters to Streaming: A Second Chance for ‘Concrete Market’

Originally released in theaters on March 3rd, ‘Concrete Market’ tells the story of the Imperial Palace Market, the sole surviving structure after a devastating earthquake. The narrative centers around a dangerous power struggle between Choi Hee-ro (Lee Jae-in), an outsider attempting to disrupt the established order, and Kim Tae-jin (Hong Kyung), the right-hand man of Park Sang-yong (Jeong Man-sik), the market’s controlling chairman. The drama explores themes of survival, greed, and the fight for a new beginning in a world turned upside down.

Wave announced today the immediate release of the first three episodes, with the remaining four to follow on March 30th. The series was initially conceived and produced as a longer-form narrative, but was compressed into a two-hour film for its theatrical debut. Many believe this condensed format hindered its ability to fully resonate with audiences.

Why the Theatrical Release Fell Flat – and What This Means for Korean Film

The relatively low box office numbers for ‘Concrete Market’ highlight a growing trend: the increasing competition for audience attention in South Korea. While Korean cinema has experienced a global surge in popularity – think the phenomenal success of ‘Parasite’ – domestic films are facing a tougher battle to attract viewers to theaters. The convenience and affordability of OTT platforms like Netflix, Wave, and Coupang Play are undeniably impacting theatrical attendance.

“We’re seeing a shift in viewing habits,” explains film critic Kim So-yeon. “Audiences are becoming more discerning and are often waiting for films to become available on streaming services. The theatrical experience needs to offer something truly special to justify the cost and effort.”

The decision to re-release ‘Concrete Market’ as a 7-part series on Wave is a strategic move, acknowledging this changing landscape. It allows the story to unfold at a more natural pace, potentially addressing the criticisms leveled at the theatrical cut. This also demonstrates a growing willingness among Korean production companies to adapt their release strategies to maximize audience reach.

The Cast and Creative Team Behind the Drama

Beyond Lee Jae-in and Hong Kyung, ‘Concrete Market’ boasts a strong supporting cast. Veteran actor Jeong Man-sik delivers a compelling performance as the ruthless Park Sang-yong, while Yoo Soo-bin adds another layer of complexity as Park Cheol-min. The series is directed by Hong Ki-won, known for his work in the thriller genre.

Lee Jae-in, previously recognized for his roles in ‘Sabaha’ and ‘High Five,’ and Hong Kyung, who gained prominence in ‘Cheongseol’ and ‘Good News,’ are both considered rising stars in the Korean entertainment industry. Their involvement undoubtedly adds to the series’ appeal, particularly among younger viewers.

The Future of Korean OTT and Film Distribution

The story of ‘Concrete Market’ is more than just a tale of one film’s redemption. It’s a microcosm of the larger shifts occurring within the Korean film industry. As OTT platforms continue to invest heavily in original content, we can expect to see more projects initially intended for theatrical release being adapted for streaming. This trend will likely lead to increased competition, but also to greater innovation in storytelling and distribution. For viewers, it means more options and greater access to high-quality Korean dramas and films. Keep checking back with archyde.com for the latest updates on Korean entertainment and SEO insights into the evolving media landscape.

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