Wojciech Smarzowski, the acclaimed Polish director known for unflinching dramas like “The Wedding” and “Clergy,” is embarking on a dramatically different project: a two-part film exploring the origins of Poland and the reign of its first ruler, Mieszko I. The historical epic, a departure from Smarzowski’s typically contemporary settings, has been in development for a decade, evolving from a potential series to a trilogy before settling on its current cinematic form.
The project promises a sweeping narrative, delving into the political maneuvering, adventurous exploits, and spiritual beliefs of 10th-century Poland. Smarzowski’s foray into this period of Polish history, a subject seemingly distant from his previous work, signals a bold new direction for the filmmaker. This ambitious undertaking aims to portray the complex process of state-building and the cultural landscape of early Poland, a period often overlooked in mainstream cinema. The scale of the production is significant, with plans for extensive set construction and historically accurate costuming, eschewing modern CGI in favor of practical effects, according to reports.
Details about the film were shared by co-writer Wojciech Rzehak in an interview, outlining the narrative’s three interwoven layers. “The first, which is currently attracting our attention most strongly, is Mieszko and what happened in high politics, namely the building of statehood,” Rzehak explained. “The second thread is adventurous, you could say swashbuckling. The third plane will be related to beliefs, and customs. We want to show what was important to our ancestors… what they believed in, how they paid homage to their gods, and how their lives were inscribed in the rhythm of nature – spring, summer, autumn, winter.”
The film’s story will begin in 963-964, following Mieszko I’s defeats in battles against neighboring tribes. The first part, currently titled “Swadźba” (meaning “Wedding” and referencing an ancient Polish marriage ceremony), will be released simultaneously with the second part, “Chrzest” (“Baptism”), which alludes to the historical event of 966 when Mieszko I adopted Christianity. The filmmakers aim to release both films on the same day in Polish cinemas in two years, according to WP Film.
Currently, discussions are underway regarding the construction of Mieszko’s fortified settlements, or grody. Rzehak emphasized a commitment to historical accuracy, stating, “We are not going in the direction of 3D technology. a large part of the decorations will be built from scratch. We have sewing of clothes and preparing weapons ahead of us. (…) We are writing the script in Polish, then specialists in the language of the ancient Slavs will sit with it. So that everything is understandable to the viewer, Polish subtitles will appear on the screen. (…). We are based on archaeological research and the opinions of experts. We want everything to be refined down to the smallest detail. There is no question of any ‘cepelia’ [a derogatory term for a superficial or kitsch historical portrayal], and I would like to emphasize this once again.”
This project arrives after Smarzowski’s critically acclaimed film, “Dom Dobry” (“Excellent House”), earned him the Polish Film Award for Best Director in 2026, with Agata Turkot and Tomasz Schuchardt receiving awards for their leading roles, as reported by the Polish Press Agency (PAP). “Dom Dobry,” released in 2025, garnered significant attention for its portrayal of domestic violence, winning five Polish Film Awards and receiving 19 nominations according to Filmweb.
Smarzowski’s decision to tackle a historical epic represents a significant shift in his filmmaking, but his dedication to exploring complex and often uncomfortable themes remains consistent. The upcoming film promises to be a visually stunning and intellectually engaging exploration of Poland’s formative years, offering a fresh perspective on the nation’s origins. The production team is prioritizing meticulous research and authenticity, aiming to deliver a historically grounded and culturally sensitive portrayal of Mieszko I and the world he inhabited.
As production progresses, audiences can anticipate further details regarding casting, locations, and the film’s visual style. The simultaneous release of “Swadźba” and “Chrzest” is an unusual strategy, but one that suggests Smarzowski intends to present a cohesive and immersive cinematic experience. The film’s release in two years will undoubtedly be a major cultural event in Poland, sparking conversation and debate about the nation’s history and identity.
What are your thoughts on Smarzowski’s new direction? Share your comments below and let us understand if you’re excited about this ambitious historical project!
