After Britten’s The Turn of the Screw, Donatoni’s Alfred Alfred, Pergolesi’s La Serva Padrona, and Guastella’s My Name Is Floria: A Journey Through Modern and Classical Opera Narratives
When the lights dimmed at Teatro Ariosto last night, the audience wasn’t just settling in for another operatic rarity—they were witnessing a quiet act of cultural reclamation. Maurice Ravel’s L’heure ... Read More