“Carmen is eternally free,” says Prosper Mérimée in his novella of the same name, who has gone down in literary and operatic history as the femme fatale. Was that really her? In his choreography “One Carmen”, the choreographer and former dancer at the State Theater Daniel Morales Pérez, who already delighted the audience with his dance theater “Door to Door” at the Kulturhof Perg last year, looks behind the image of the seductive gypsy – a woman who wants freedom all
“A Carmen”, who would rather be dead than unfree, captivates in the Kulturhof Perg
