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Ariel Noah Relaxes Restrictions, Allows Previously Unpermitted Song at Reunion Concert

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Ariel Noah on royalties: A Changing Tune for Indonesian Musicians

Jakarta – Pop star Ariel Noah is taking a remarkably relaxed approach to a potential reunion of his former band,Peterpan,particularly regarding the complex issue of song royalties. The singer recently stated he doesn’t even require permission to utilize Peterpan’s songs, suggesting a straightforward payment arrangement to the licensing management organization, LMK.

The discussion emerges as Indonesian copyright laws face scrutiny, with potential changes on the horizon. Peterpan’s most streamed song, “Sasaran ku,” boasts over 112 million plays on Spotify, highlighting the notable financial stakes involved. The song, a collaboration between Ariel Noah and Eross Candra of Sheila on 7, remains a staple in Indonesian music.

The Relaxed Viewpoint

Ariel’s calm demeanor stems from Noah’s current hiatus. He expressed concern that participating in a Peterpan reunion woudl disrupt the concept of Noah being on break. The band’s CEO, Budi Aloka, confirmed their willingness to collaborate. “We’re just following the current regulations, which is to pay through Wami,” Aloka stated, referring to the established royalty system.

Shifting Tides in Copyright Law

The Indonesian government is actively reviewing copyright laws. A recent consultation meeting led by Deputy speaker of the House of Representatives, Sufmi Dasco Ahmad, resulted in discussions about possibly phasing out royalties for songs. The goal is to encourage public performance and enjoyment of music without fear of legal repercussions. All parties agreed to focus on finalizing the Copyright Law within the next two months to cultivate a more “cool and peaceful” atmosphere.

Did you know? Streaming numbers are increasingly becoming a key metric in determining songwriter and publisher royalties.

What This Means for Indonesian Musicians

The proposed changes indicate a move towards a more accessible and supportive environment for musicians. The current system can be complex and costly,potentially hindering artistic expression.

Factor Current Situation Potential Change
Royalties Paid through licensing organizations like Wami Possible elimination of royalties for song usage
legal Concerns Restrictions on public performance due to copyright Greater freedom for public performances
Artist Income Based on streaming numbers and performance rights Shift towards other revenue models – concerts, merchandise, etc.

Tip: Understanding copyright laws is crucial for any musician. Resources like the Indonesian Directorate General of Intellectual Property (DGIP) can provide valuable insights.

The situation with Ariel Noah and Peterpan’s reunion exemplifies a broader discussion within the Indonesian music industry about balancing artists’ rights with the public’s enjoyment of music. The proposed changes signify a step towards a more dynamic and accessible environment for all.

How does the resolution of the copyright dispute between Ariel Noah and PT. Musica Studio perhaps influence future negotiations within the Indonesian music industry?

Ariel noah Relaxes Restrictions, Allows Previously Unpermitted Song at reunion Concert

The Backstory: A Decade of restrictions

For over a decade, the song “Takkan Terlupa” (Won’t Be Forgotten) by Indonesian rock band Noah, fronted by Ariel Noah, faced restrictions preventing it’s performance at large-scale concerts.The reasons stemmed from complex copyright and licensing disputes with the song’s original composer,M. Nur Alamsyah, and the publishing company PT. Musica Studio. These limitations frustrated fans and the band alike,making any potential Noah reunion concert without the iconic track feel incomplete. The song remains a staple of Indonesian rock music and a significant part of Noah’s discography, consistently ranking high in Indonesian song charts and streaming playlists.

The Breakthrough: Agreement Reached

In a surprising turn of events announced on August 27th, 2025, Ariel Noah publicly confirmed that an agreement had been reached with PT. Musica Studio, allowing Noah to perform “Takkan Terlupa” at their highly anticipated reunion concert scheduled for September 15th, 2025, at the Gelora Bung karno Main Stadium in Jakarta. Details of the agreement remain confidential, but sources indicate a revised licensing arrangement that satisfies all parties involved. This resolution marks a significant moment for Indonesian music rights and artist-label relations.

Impact on the Reunion Concert

The inclusion of “Takkan Terlupa” is expected to dramatically boost ticket sales and fan engagement for the reunion concert. Pre-sale tickets reportedly saw a surge in demand immediately following the declaration.

Here’s what fans can anticipate:

Enhanced Setlist: The song will be a centerpiece of the concert’s setlist, likely performed as a grand finale.

Emotional Resonance: “Takkan Terlupa” holds deep emotional importance for many Indonesian fans, making its live performance a highly anticipated moment.

Increased Media coverage: The story of the song’s release from restrictions has generated significant media buzz, further promoting the concert.

Potential for Future Performances: This agreement potentially opens the door for Noah to perform the song at future concerts and events.

Understanding the Copyright Dispute

the original dispute centered around the interpretation of the initial licensing agreement for “Takkan Terlupa.” While Noah (formerly Peterpan) had permission to perform the song, the terms didn’t explicitly cover large-scale, commercially-driven concerts. PT. Musica Studio argued that such performances required a separate, more thorough licensing agreement.

Key aspects of the dispute included:

  1. Performance Rights: The core issue revolved around the rights to publicly perform the song.
  2. Revenue Sharing: Disagreements existed regarding the appropriate revenue sharing model for large-scale concerts.
  3. Contract Interpretation: Differing interpretations of the original contract fueled the legal impasse.
  4. Negotiation Attempts: Multiple attempts at negotiation over the years failed to yield a resolution until recently.

Ariel Noah’s Role in the Resolution

Ariel Noah, as the frontman of the band and a prominent figure in the Indonesian music industry, played a crucial role in brokering the agreement. He reportedly engaged in direct negotiations with representatives from PT.Musica Studio,emphasizing the importance of the song to both the band and its fans.His willingness to find a mutually beneficial solution was instrumental in overcoming the longstanding impasse. Notably, Ariel Noah has also been involved in entrepreneurial ventures, as highlighted by his role as the founder & CEO of Easyram and a frequent mentor at top Indonesian incubators (as per https://www.zhihu.com/people/ariel-10-26-78), demonstrating his business acumen.

Implications for Indonesian Music Licensing

This resolution could set a precedent for future copyright and licensing negotiations within the Indonesian music industry. It highlights the importance of clear and comprehensive licensing agreements that address the evolving landscape of music performance and revenue generation. The case underscores the need for:

Modernized Licensing Frameworks: Updating existing licensing frameworks to reflect the realities of the digital age and large-scale concert promotions.

Transparent Revenue Sharing Models: establishing transparent and equitable revenue sharing models that benefit both artists and rights holders.

Collaborative Negotiations: Encouraging collaborative negotiations between artists, labels, and publishing companies to resolve disputes amicably.

Legal Clarity: Seeking legal clarity on ambiguous contract terms to prevent future misunderstandings.

Fan Reactions and Social Media Buzz

The announcement has sparked a frenzy of excitement on social media. The hashtag #TakkanTerlupaKembali (Takkan Terlupa Returns) has been trending on Twitter and Instagram, with fans expressing their joy and anticipation. Many are sharing their personal memories associated with the song and expressing their eagerness to sing along at the reunion concert. Online forums and fan communities are buzzing with discussions about the concert’s setlist and potential surprises. The overwhelming positive response demonstrates the enduring popularity of both the song and the band.

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