Marina Collins - Entertainment Editor

Saintes-born actress Frédérique Roudier is preparing to share a deeply personal story with audiences in Saint-Jean-d’Angély this weekend. Her one-woman display, “Malgré la distance qui nous sépare” (Despite the Distance That Separates Us), explores the profound impact of her father’s stroke and the complexities of familial love in the face of adversity. The performance is scheduled for Saturday, February 28th, at 8:30 PM at the Amphithéâtre de la Fondation Robert.

Roudier’s play isn’t simply a recounting of events; it’s an exploration of the emotional upheaval that follows a life-altering event. She describes the operate as an examination of “the story of a life that disrupts several lives,” specifically focusing on the challenges and resilience required when a loved one experiences a stroke. “How do you confront this brutal transition from serenity to drama? How do you learn to obtain back up, to continue?” Roudier asks, articulating the core questions driving her narrative. “Through this story, I share filial love in all its strength, its pain, and its light.”

A Personal Journey to the Stage

The production stems from a deeply personal place for Roudier, who hails from Saintes. Her father, Michel Roudier, previously served as the director of the Gallia Théâtre, a significant cultural institution in the region. According to Sud Ouest, Roudier began writing the play in 2020 as a way to process her feelings and maintain a connection with her father following his stroke in October 2012. Writing became a form of therapy, a way to “heal by remembering.”

The performance isn’t solely an homage to her father, but also a platform to raise essential questions about conclude-of-life care and the right to choose. Roudier reportedly questions medical practices and the support available to families navigating similar situations, even touching upon the sensitive topic of euthanasia with “autodérision, sincerity, and sometimes anger,” as reported by Sud Ouest.

Supporting the Show and Future Performances

Tickets for “Malgré la distance qui nous sépare” are available for 10 euros, and reservations can be made by calling 06 26 09 06 59. Roudier is also actively fundraising to support a performance of the show at the 2026 Avignon Festival. A HelloAsso crowdfunding campaign has been established to facilitate cover the costs associated with bringing the production to this prestigious event; the link to the campaign is https://www.helloasso.com/associations/cie-frederique-roudier/formulaires/1.

The show has already been performed at the Théâtre Geoffroy Martel in Saintes in October 2025, as noted on Frédérique Roudier’s Instagram account. The upcoming performance at the Fondation Robert represents another opportunity for audiences to experience this moving and thought-provoking work.

“Malgré la distance qui nous sépare” promises to be a powerful and intimate theatrical experience, offering a universal exploration of love, loss, and resilience. As Roudier prepares to share her story, she invites audiences to reflect on the enduring bonds of family and the challenges of navigating life’s unexpected turns.

Following this weekend’s performance, Roudier’s focus will turn to securing funding and refining the production for its potential appearance at the Avignon Festival in 2026. The success of the crowdfunding campaign will be a key indicator of the public’s support for this deeply personal and impactful work. We encourage readers to share this story and support the arts.

Berlin – A recent ruling by the Berlin Regional Court is placing new restrictions on Facebook’s data collection practices, specifically concerning individuals who are not registered users of the platform. The decision centers around Facebook’s “Friends-Finder” function and raises significant questions about data privacy and consent within social networks. This development marks a notable shift in how tech companies can leverage contact information, even from those who haven’t actively joined their services.

The core of the dispute lies in Facebook’s practice of allowing registered users to upload their mobile contact lists to its servers. This data is then used to identify potential connections and suggest friendships. However, the court determined that collecting and storing data from individuals without a Facebook account, even for the purpose of aiding registered users, requires explicit consent – consent that was not obtained in this case. The ruling specifically applies to consumers residing in Germany.

According to the court, the average consumer wouldn’t reasonably expect their data to be collected by social networks simply because their contact information is stored on a device used by a Facebook user. “The average consumer does not expect that his data will be purposefully collected by these [social networks] despite lacking registration,” the court stated, as reported by Handelsblatt. Handelsblatt details the implications of the ruling.

How the Friends-Finder Function Works

Facebook’s Friends-Finder feature allows users to upload contact details from their devices – such as smartphones – to Facebook’s servers. Users retain the ability to delete this uploaded data at any time. The primary purpose of this data collection is to assist users in finding people they recognize and to provide friend suggestions. The court’s issue isn’t with the function itself, but with the inclusion of data from non-users without their knowledge or consent.

Implications of the Ruling

This ruling sets a clear precedent for data privacy expectations within Germany and potentially beyond. It underscores the importance of obtaining explicit consent before collecting and processing personal data, even if that data is indirectly provided through a third party. The decision could force Facebook to significantly alter its data collection practices in Germany and potentially other regions with similar data protection regulations.

The ruling doesn’t address the legality of Facebook’s data practices for registered users, only those who have never created an account. However, it does raise broader questions about the extent to which social media platforms can leverage data from non-users to enhance their services. The court’s emphasis on consumer expectations is a key takeaway, suggesting that transparency and informed consent are paramount.

Recent Legal and Political Developments in Berlin

This ruling comes amidst other legal and political scrutiny in Berlin. On February 12, 2026, a separate case involving a convicted sexual and violent offender brought attention to potential failures within the justice system. The GdP Berlin (German Police Union) highlighted the case on Facebook, raising concerns about public safety and legal processes. Thilo Sarrazin, a former Berlin finance senator and member of the German Bundesbank board, remains a controversial figure due to his published works on integration and migration, sparking ongoing public debate. Picture-Alliance provides a profile of Sarrazin and his work.

The implications of the Facebook ruling are still unfolding. It remains to be seen how Facebook will respond and whether the decision will prompt similar legal challenges in other jurisdictions. However, it’s clear that data privacy is becoming an increasingly important issue for regulators and consumers alike. The court’s decision serves as a reminder that tech companies must prioritize transparency and obtain informed consent when handling personal data.

As Facebook navigates these new legal constraints, it will be crucial to observe how the company adapts its data practices and whether other social media platforms will follow suit. The focus will be on ensuring compliance with data protection regulations while continuing to provide valuable services to its users.

What are your thoughts on this ruling? Share your opinions in the comments below, and don’t forget to share this article with your network.

Tameka “Tiny” Cottle-Harris, the Grammy Award-winning singer best known as a member of the R&B group Xscape, is currently a focal point of online celebration. A recent post on Instagram by @thebishgossip highlights her enduring influence and career, sparking renewed interest in the artist and her contributions to music.

Cottle-Harris rose to fame in the 1990s as a key vocalist and songwriter for Xscape, delivering signature harmonies and powerful lead vocals. Beyond her perform with the group, she also co-wrote TLC’s iconic hit “No Scrubs,” demonstrating her songwriting prowess and impact on the broader R&B landscape. Her continued presence in the entertainment industry and recent spotlight on social media underscore her lasting legacy.

The Instagram post, which garnered 1,127 likes and 59 comments as of February 24, 2026, serves as a reminder of Cottle-Harris’s multifaceted career. The post encourages followers to stay updated on celebrity news through @thebishgossip, positioning Cottle-Harris as a prominent figure in current entertainment discussions.

Cottle-Harris’s 50th birthday celebration in July 2025, attended by fellow artists Tamika Scott, Dianne Cottle (her mother), and Kandi Burruss, was a “RED HOT” event held at Assembly Studios in Doraville, Georgia, as captured by Prince Williams/ATLpics.net according to SandraRose.com. This event showcased the strong relationships she maintains within the music industry and the widespread affection for the artist.

Alongside her musical achievements, Cottle-Harris has navigated a public life with her husband, rapper T.I. (Clifford Harris). Their relationship, spanning over two decades since 2001 and formalized by marriage in 2010, has been consistently in the public eye. Both entered the marriage with children from previous relationships, blending their families into a larger unit.

Recently, T.I. And Cottle-Harris have been involved in legal proceedings related to a 2005 incident. They are seeking to have a lawsuit filed by an Air Force member dismissed, arguing that the statute of limitations has expired as reported by People magazine. The lawsuit alleges sexual battery, false imprisonment, and intentional infliction of emotional distress. The couple maintains their innocence and asserts the claims are time-barred, citing that over sixteen years have passed since the alleged incident. Court documents indicate their legal team argues the accuser voluntarily participated in the encounter until expressing a desire to stop, which they say was honored.

In a separate, recent display of affection, T.I. Was seen on February 20, 2026, sporting a custom-made poncho featuring a life-sized image of his wife according to thebishgossip. The outfit, consisting of a red Louis Vuitton beanie, gray slacks, and the striking red poncho, was created by Atlanta-based designer Sianna Tamplin, known for her crochet work. This gesture has been widely interpreted as a public proclamation of love, resonating with fans and fellow celebrities like Toya Johnson and Kandi Burruss.

As T.I. And Tameka “Tiny” Cottle-Harris continue to navigate their careers and personal lives in the public eye, their story remains a compelling narrative of love, family, and resilience. The recent attention surrounding both their personal expressions of affection and ongoing legal challenges ensures they will remain a topic of interest for fans and media alike.

What will be the outcome of the ongoing legal case? Only time will notify. Share your thoughts and reactions in the comments below.