A new play tackling the weighty themes of alcoholism and dementia with a darkly comedic touch has opened off-Broadway. “The Reservoir,” currently running at the Atlantic Theater Company, attempts to balance hardship with humor as it depicts a young man’s struggle with addiction alongside the decline of his aging grandparents. The production, which premiered February 24, 2026, has sparked conversation about its approach to sensitive subject matter and the strength of its ensemble cast.
Playwright Jake Brasch’s dramedy centers on Josh, a gay NYU student on medical leave, played by Noah Galvin. Returning to his hometown of Denver, Josh finds himself grappling with memory loss and the aftermath of an incident near a reservoir, while simultaneously navigating the challenges of his maternal grandmother Irene’s advanced dementia and the eccentricities of his other grandparents. The play explores the complexities of family relationships and the often-difficult realities of addiction and aging, aiming for a tone that is both poignant and amusing.
Galvin, known for his role in “Theater Camp,” delivers a nuanced performance as Josh, expertly portraying both the comedic and tragic aspects of his character. He is supported by a strong ensemble cast including Heidi Armbruster as his concerned mother, Patricia, and Mary Beth Peil as Irene, whose impromptu rendition of “Oh Come, All Ye Faithful” provides a touching moment within the play. Peter Maloney portrays Irene’s husband, Hank, while Chip Zien embodies the playfully provocative Shrimpy, and Caroline Aaron shines as the spirited Beverly.
A Comic Greek Chorus of Grandparents
The play’s structure features the four grandparents as a sort of “comic Greek chorus,” observing and commenting on Josh’s actions, occasionally engaging in whimsical activities like miming a wave. This stylistic choice, while intended to add levity, is one point of contention among critics. Some identify it detracts from the seriousness of the underlying issues, while others appreciate the attempt to find humor in difficult circumstances. Throughout the evening, a tragic event causes Josh to relapse, leading to an unexpected connection with one of his grandparents who shares a similar struggle.
Shelley Butler’s staging is praised for its cleverness, and the performances of the veteran actors are particularly highlighted. According to reviews, Caroline Aaron steals the show as Beverly, bringing a sardonic wit and youthful energy to the role. However, the play’s reliance on archetypes rather than fully developed characters is a recurring criticism. The production runs for two hours and fifteen minutes, a length some reviewers found excessive.
Exploring Serious Themes with a Light Touch
“The Reservoir” attempts to navigate the delicate balance between comedy and tragedy, addressing the challenges of addiction, dementia, and family dynamics. The play touches upon the emotional toll these issues take on individuals and their loved ones, but some critics argue it doesn’t delve deep enough into the complexities of these experiences. The narrative includes Josh’s attempts to regain control of his life, securing a low-paying job at a bookstore while simultaneously researching his condition and seeking ways to slow down his grandparents’ mental decline, even implementing a spinach-rich diet based on a perceived “thiamine deficiency.”
Tickets for “The Reservoir” are available through the Atlantic Theater Company website, with the production running through March 15, 2026. The play offers a unique perspective on difficult subjects, prompting audiences to consider the ways in which humor can be used to cope with pain and loss.
As “The Reservoir” continues its run, audiences will be watching to observe how its exploration of addiction and dementia resonates with those affected by these issues. The production’s success may hinge on its ability to strike a more consistent balance between its comedic and dramatic elements, offering a deeper and more nuanced portrayal of the challenges faced by its characters.
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