Henry Selick, known for his masterful work in stop-motion animation, took a bold step 25 years ago by directing a primarily live-action film infused with stop-motion elements titled Monkeybone. The film, which starred Brendan Fraser, was an ambitious attempt to blend various animation techniques with live action. However, it received a lukewarm reception, prompting many to question its execution and overall appeal.
Monkeybone tells the story of cartoonist Stu Miley (Brendan Fraser), whose comic book character, Monkeybone, is set to receive an animated series. As he grapples with overwhelming merchandising demands and prepares to propose to his girlfriend Julie (Bridget Fonda), his life takes a dramatic turn when a car accident leaves him in a coma.
While in a comatose state, Stu’s soul enters a surreal realm known as Down Town—a limbo populated by various creatures and whimsical beings. Here, he encounters Monkeybone (voiced by John Turturro), a mischievous and hyperactive character who quickly becomes a source of annoyance for Stu. The plot thickens as Stu learns that he can return to his body by obtaining an exit pass from the land of the dead. However, in a twist of events, Monkeybone seizes the opportunity to jump ahead of Stu, submitting the exit pass and taking control of Stu’s physical form.
A Mixed Bag of Visuals and Performances
Despite the film’s shortcomings, Monkeybone boasts some visually striking elements. The character design of Monkeybone is particularly noteworthy, showcasing Selick’s signature style. The depiction of Down Town, a bizarre floating island, is vibrant and imaginative, reminiscent of the fantastical worlds seen in Selick’s earlier works.
Notable performances in the film include Giancarlo Esposito as Hypnos, the God of Sleep, who rules over Down Town as a half-goat creature. Chris Kattan also delivers a memorable performance as a gymnast whose corpse Stu inhabits, bringing physical comedy to the role as he navigates the chaos that ensues.
However, the film suffers from several critical flaws. Many viewers found Monkeybone’s incessant chatter and hyperactive antics to be grating rather than humorous. This excessive reliance on the character’s loud personality drew unfavorable comparisons to Tim Burton’s iconic Beetlejuice, where the titular character’s screen time is limited, enhancing his impact. In contrast, Monkeybone’s frequent presence often detracts from the film’s pacing and enjoyment.
Issues with Direction and Story
Selick’s transition to live-action proved to be challenging, as the film’s direction lacked the focus and precision of his stop-motion projects. Many scenes felt sluggish and failed to capture the energy required to convey the comedic tone intended. A sequence involving a chaotic scramble for an exit pass fell particularly flat, leaving audiences feeling disconnected from the action.
while the imaginative design of Down Town holds promise, the narrative itself suffers from derivative elements, showing strong influences from other films, particularly Who Framed Roger Rabbit. The lack of a clear message or depth in the storytelling diminished the potential impact of the film, leaving viewers questioning the character arcs and overall themes.
Reflections on Potential
Despite the missteps, the film’s concept offered intriguing possibilities. The idea of a cartoon character taking control of a human body is ripe for exploration, yet it fell short due to a screenplay that lacked the necessary humor and cleverness. Sam Hamm, who previously worked on Tim Burton’s Batman films, penned the screenplay, but it did not reach the comedic heights expected.
Monkeybone presents a paradox—a film that showcases stunning visuals and creative concepts while faltering in execution and coherence. The character of Monkeybone could have become as iconic as Jack Skellington from The Nightmare Before Christmas. Yet, his obnoxious personality led even his creator, Stu, to express disdain, leaving audiences wondering how they could be expected to embrace him.
For those intrigued by Selick’s foray into live action, Monkeybone is available for rental on platforms such as Prime Video, Apple TV, and YouTube. While it may not have achieved the acclaim of Selick’s other works, it remains a unique chapter in his filmmaking journey.
As audiences reflect on Selick’s contributions to animation and film, it will be interesting to witness what projects he embarks on next and how he continues to innovate within the genre. The creative landscape remains ever-evolving, and with each recent release, there lies the potential for fresh, imaginative storytelling.
We invite you to share your thoughts on Monkeybone and Henry Selick’s body of work in the comments below!