Cuban Television’s Golden Age Continues: Caracol Prize 2025 Honors 75 Years of Broadcasting
Havana, Cuba – In a vibrant celebration of its rich history and promising future, Cuban television was the star of the show at the 46th Contest and Caracol Prize 2025, held at the Villena de la UNEAC. The awards, dedicated to commemorating 75 years of Cuban television, recognized exceptional creativity and commitment across a diverse range of programming. This breaking news event underscores the enduring power of television as a cultural force in Cuba, and its continued evolution in a rapidly changing media landscape. For those following Google News trends, this is a significant cultural event gaining traction.
A Night of Triumphs: Key Winners Shine
The jury, led by esteemed television personality Roberto Ferguson, alongside Cari Rojas and Juanito Heredia, had the challenging task of selecting winners from a wealth of talent. Several productions and individuals received special recognition. Luis Abel Oliveros earned a special mention for his work on “study reaction” (youth category, Cubavisión), while Yoana Ramírez and Luis Alejandro Pires were lauded for “Farvisión: Havana,” a program showcasing the vibrant life of the capital. Eduardo Vázquez Pérez’s script for “Volume 1” also garnered praise, as did Jorge Luis de Cabo Padua’s performance in “Los Cats, Las Mascaras, Las Shadas.”
But the night truly belonged to a select few. Maykel Chávez and Fedetv took home awards in the children’s and youth program categories for “Las Parrandas” and “The Theater,” respectively. Virgen Tabares Naples captivated audiences with her work on the fiction piece “loneliness,” earning her the prize for non-serialized fiction.
“The Cats, The Masks, The Shadows” Dominates the Awards
However, it was Elena Palacios Ramé and her team behind “The Cats, The Masks, The Shadows” who truly swept the awards. Palacios Ramé secured an impressive three awards: for script, direction, and the coveted Caracol Fiction Grand Prize. The production’s atmospheric brilliance was further enhanced by Ruffo de Armas Ortega’s award-winning soundtrack. This win highlights a trend in Cuban television towards complex narratives and high-quality production values.
Technical Excellence Recognized
The Caracol Prize also celebrated the artistry behind the camera. José Manuel Riera Arana was honored for his Directorate of Photography on “The Last Leaf,” while Rafael García Lorenzo received the award for best edition in “Soledad.” Carlos Hipólito Ibañez Rodríguez and Gaby Pérez Herrera were recognized for the original music of “Saturdays of Gloria,” and Karina Virginia Peña for the Art Directorate in “Volume 1.” Yesssie Guridi Lueges was rightfully lauded as best actress in “Saturdays of Glory.”
“Volume 1” Takes Top Non-Fiction Honors
Ernesto Ramiro Bosch Ramírez’s “Volume 1 (immoral dances and announced death of a traitor)” was awarded the Non-fictional Caracol Grand Prix, cementing its place as a standout achievement in Cuban documentary filmmaking. This win signals a growing appetite for thought-provoking and challenging non-fiction content on Cuban television.
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The Caracol contest isn’t just about awarding prizes; it’s a powerful statement about the enduring commitment to creativity and innovation within Cuban television. As the medium looks towards its next 75 years, the spirit of renewal and strengthening, as emphasized by the contest organizers, will be vital. The awards serve as a beacon, inspiring a new generation of Cuban filmmakers and broadcasters to push boundaries and tell compelling stories. Stay tuned to archyde.com for continued coverage of Cuban arts and culture, and for the latest breaking news from around the globe.
