2023-05-21 12:23:57
More on Igromania
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#Famous #Insider #Doesnt #Star #Wars #KOTOR #Remake
2023-05-21 12:23:57
More on Igromania
1684679857
#Famous #Insider #Doesnt #Star #Wars #KOTOR #Remake
2023-05-21 14:05:25
1684679809
#collective #rise #Gulf #stocks #early #week #session..and #Saudi #Arabia #violating
2023-05-21 08:15:48
After an exceptional year, where it was able to generate a record net profit of 16.6 million dinars, “Tunisia Leasing & Factoring” (TLF) is starting 2023 under good auspices. This is in any case what emerges from the results which were revealed during its financial communication organized, Thursday, May 18, at the headquarters of the Tunis Stock Exchange.
During the first quarter of 2023, TLF continues to consolidate its leadership in the leasing market with 19% market share, compared to 44% for the factoring activity. “Our daily battle is not that of market share, we don’t want to be first to be first. What is important for our partners are our results”, underlined, in this sense, Hichem Zghal, general manager of the company. At the end of March 2023, the leasing activity showed strong growth with increases in force amounting to 100 million dinars.
“If we continue at this pace, we can end the year at 400 million dinars, while we have budgeted 375 million dinars for enforcement,” continued the company manager. With the slight increase in outstandings, the stabilization of the rate of hooked assets as well as the improvement in the cost of risk which was, during the first quarter, at -0.4% of outstandings, the recovery in activity is confirmed. “The improvement in the situation of the portfolio has made it possible to make collections which have diluted the risk, whereas the assumption provided for a cost of risk at 1.3%. If we continue with this situation, the impact on the result will be significant,” he added.
On the factoring side, the figures also show a good performance with a turnover established at 140 million dinars, an increase in outstanding financing, a rate of attached assets still under control (4.3%) and a cost of risk not exceeding 0.4%.
A record net result
Returning to the results of 2022, the CEO of the company recalled that TLF was able to generate a record net result of 16.6 million dinars. On a consolidated level, the profit was nearly 21 million dinars. For the leasing activity, production exceeded 340 million dinars, the portfolio outstanding amounted to 700 million, the assets attached to leasing are 11.7% and the cost of risk is 1.3%. outstandings.
“We are far from what we experienced compared to previous years, because of the different situations through which the leasing sector has gone. We are gradually returning to normal levels. Since 2019, with the deterioration of the economic situation and the Covid crisis, our company’s priority has been to strengthen its fundamentals. Commercial activity and ranking in terms of market share have not been our priority. It was necessary to be prudent, but above all to cover the latent risks. We preferred to play it safe and continue to provision and this effort continued until 2022”, underlined Zghal.
He added that the factoring business has been able to hold up over the past few years, and grow in a resilient manner. Significant growth was thus recorded in terms of turnover (15%), but also in terms of outstandings (30%). For the manager of the company, maintaining the rate of hung assets and the cost of risk (which is 0.2% of outstandings) at an extremely low level is “a sign of prudence and good risk management” . With regard to the related activity, “long-term rental”, thanks to which TLF manages a car fleet of 700 vehicles, the turnover amounted to 16 million dinars, posting a growth of 20% during 2022.
Rely less on external resources
The CEO of the company also indicated that the enforcement is mainly dominated by light rolling stock (70%). The distribution of the portfolio by sector of activity reveals a diversification of customers with a dominance of the sectors of trade and services (55%) followed by industries (23%), tourism (10%), construction (8%), and agriculture (4%).
In terms of resources, the company relies less on external resources, explains the CEO of the company. Indeed, with the drop in the money market rate, local resources have become more competitive. In addition, exchange risks and the downgrading of the country’s rating have contributed to the increase in the cost of external resources.
Zghal concluded the presentation with the introduction of “TLFNet”, the first digital leasing platform in Tunisia. As part of the company’s digital development strategy, this new platform aims to digitize the customer journey. It allows users to consult their leasing transactions, obtain all the information they need and download their invoices.
1684679630
#Hichem #Zghal #Managing #Director #Tunisie #Leasing #Factoring #good #auspices
2023-05-19 11:45:57
Last April, Maison Saint Laurent declared on Instagram : « With the debut of Saint Laurent Productions, a registered subsidiary of the house imagined by Anthony Vaccarello, Saint Laurent is proud to become the first luxury brand to count full-fledged film productions among its activities. “. And announced in the process to produce giants like Pedro Almodóvar, Paolo Sorrentino, David Cronenberg, Wong Kar-wai, Jim Jarmusch, Gaspar Noé… “ You can still watch a movie 10 or 30 years later, if it’s good, then confided Vaccarello. In some ways, making a movie can be more impactful than a seasonal collection. For me, it’s a natural extension into another area of creativity that is perhaps more general and popular. »
To find out a little more regarding the marriage between fashion and cinema, but also the methods of Vaccarello, an elegant and demanding producer, we contacted Gaspar Noé, who has already worked twice with Saint Laurent.
How did you meet Anthony Vaccarello?
Gaspar Noah: I met him in Miami, when I participated in a Gagosian exhibition on desire with a series of my photos. We had drinks, we talked, he told me I had to be on Instagram. In Paris, he contacted me a week later, in February-March, to tell me regarding a project. Saint Laurent was already helping photographers and performers like Vanessa Beecroft and they had already financed a short film with Bret Easton Ellis. He wants to know if I would like to be financed? I ask for the conditions and Anthony just tells me that he would like us to see the brand’s clothes and that I work with their muses. And he tells me regarding Charlotte Gainsbourg and Béatrice Dalle whom I adore! We talk regarding the duration, five minutes, ten minutes, and he is very open on the budget. Then I mention Cannes, the only fun place to give birth to a film. He asks me to think regarding the script and I have a super vague idea, a shooting of witch movies that goes wrong, with Béatrice as director and Charlotte as actress.
To go to Cannes, did you have to go very quickly?
(Gaspar got it). Absolutely, we had to start two weeks later! I didn’t give him a script for Eternal Light, everything was improvised. It was a big mess and I didn’t stop filming for five days. Anthony came to the set and the mess made him laugh a lot. He really gave me the means to work well. A dream producer! At the arrival, Eternal Light lasts 52 minutes, in split-screen and more! We were selected for Cannes, and we had a great climb up the stairs, with Anthony, top models, Béatrice, Charlotte… Anthony must have found the result satisfactory; since he produced Abel Ferrara, an editing film with Jean-Luc Godard and Almodóvar. He will even produce feature films, like Cronenberg’s.
You’re the last of the Independent Mohicans. How did it go between you?
He was super generous, I didn’t get the usual thoughts from the producer asking for changes. I had total freedom, he was very proud of the result.
A year later, you collaborate once more with him…
He asks me if it would be fun to do a short on his new collection. So I made this seven-minute short, with Charlotte Rampling, a little film inspired by Sighs by Dario Argento.
Saint Laurent has already announced a new Vaccarello-Noé project.
I see him regularly, I attend his parades which are always so spectacular, and I am very happy that he is becoming more active in the cinema. Anthony is very cinephile, he gets closer to the cinema he loves, it’s quite consistent. I saw that I was mentioned in his list, I don’t know yet what my next project will be, but I will ask him to participate. We have to see each other in Cannes…
By Marc Godin
Photo: Eddy Brière for the Technikart Creative Studio
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#Gaspar #Noé #dream #producer
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