2024-02-07 23:00:00
Page 5 to 6: Isabelle Gaborieau – Editorial | Page 7 to 8: Tribute to Joseph Gauter | Page 9 to 10: Tribute to Marc Lacaille | Page 11 to 17: Emma Orsolini – Local grape varieties in the Isère vineyard: a heritage to no longer leave a mark? | Page 19 to 24: Pauline Lécole, Marc Moraine and Fabien Stark – Is the application of the CAP in France favorable to the development of crop-livestock integration in the territories? | Page 25 to 33: Marie-Angélina Magne, Laurent Bedoussac, Benoit Berger, Béatrice Dégrange, Isabelle Gaborieau, Marion Diaz, François Guerrier, Armelle Lainé Penel, Francis Gaillard, Anne Pujos, Christian Peltier and Bruno Righetti – Engaged French agricultural education in the “Teaching to produce differently” plans to train for the (agro)ecological transition | Page 35 to 42: Zoé Utéza – The tree within the agri-food system: a structuring object that embodies agroecology? | Page 45 to 50: Philippe Hirou, Florence Pinton, Thibaut Preux, Christian Peltier and Isabelle Gaborieau – From disenchantment to desire, hedges have come a long way | Page 53 to 62: Magali Watteaux – (re)Making the history of the bocage: an asset for the promotion of rural hedge landscapes? | Page 63 to 69: Léo Magnin – Is a good landscape a digitized landscape? | Page 71 to 83: Stéphane Sachet – From the origins to the obsolescence of the bocage: sociohistory of the progressive separation between forestry and agriculture | Page 85 to 96: Philippe Moustier – From integration into the agricultural economy to landscape identity: changes in the Champsaur-Valgaudemar bocage (Hautes-Alpes) | Page 97 to 106: Stéphane Angles – Planted olive hedges: the disappearance of a traditional landscape form | Page 107 to 118: Quentin Ellès – A revival of garden hedges that promotes agroforestry knowledge and know-how | Page 119 to 141: Florence Pinton – “These hedges that divide”: an approach through the territory(ies) | Page 143 to 155: Eva Guilman and Benoit Dugua – Changes in the agrarian landscape and issues surrounding the implementation of a functional framework of hedges in chalky Champagne | Page 157 to 167: Catherine Darrot and Marie Toussaint – The involvement of farmers and public authorities to replant the Breton countryside: three paradoxes and what we learn from them | Page 169 to 179: Catherine Jondreville and Fabienne Barataud – From the hedge to the rural tree: rehabilitating the tree in a rural agricultural environment | Page 181 to 189: Adèle Vantorhoudt and Nathalie Hewison – Acting in favor of hedges in Occitania: a regional structure | Page 191 to 198: Vincent Berhault – Sustainable management, the key to maximizing the services provided by hedges | Page 199 to 210: Sandrine Emeriau, Olivier Ziberlin and Catherine Moret – The sustainable hedge management plan | Page 213 to 218: Clara Picot and Jade Maurincomme – The General Agricultural Competition for Agroecological Practices – Agroforestry | Page 219 to 227: Stéphanie Drelon – Assistance program for the planting of rural hedges of the association La Maisonbotany | Page 229 to 245: Pauline Frileux – Transmitting plessage | Page 247 to 257: Claire Durox, Cédric Boussouf, Denis Boulenger, Jean-Michel Escurat, Frédrick Lévêque, David Renevret and Christelle Suler – Hedges on farms in agricultural education: perspectives on trajectories, partnerships and modes of governance | Page 259 to 272: Christian Peltier and Isabelle Gaborieau – Training in the management of multifunctional hedges: support for educational teams engaged in territorial and scientific partnership systems | Page 273 to 283: Brigitte Besson – The return of the tree in agriculture: an educational situation to reflect on the place of the tree in different agricultural paradigms at the agricultural high school of Cibeins (01) | Page 284 to 288: Nathalie Joly – Food promises. Injunctions, tinkering, resistance | Page 289 to 292: Diary.
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#Issue #disenchantment #desire #hedges #long
2024-02-09 08:00:32
(c) Patrick Eichmeir
One of the hottest local rock and metal stocks presents its first album: Vertilizar should also be known beyond any Upper Austrian borders. The quartet has released two EPs and several singles so far, and singer Oliver Zinhobl is also known for his participation in ‘The Voice of Germany’, where he presented the band’s own cover of Amy Macdonald’s “This Is The Life”. „Leave It All Behind“ actually manages to confirm all expectations and ultimately uses a sound that is ultimately only superficially old-fashioned.
Musically, Vertilizar move somewhere between alternative rock and metal as well as post-grunge – a direction that was particularly popular in North America around the turn of the millennium and is currently celebrating a small revival. What quickly becomes clear, however, is that although there are some parallels to acts like Breaking Benjamin, Three Days Grace, and even the later KoRn in places, the quartet pulls its own punch. The leaden heaviness of “Weight Of Sorrow” uses dark alternative sounds that would also have been socially acceptable 20 to 25 years ago, scores with intense mood, sheer heaviness and – of course – Zinhobl’s powerful voice that doesn’t let go.
Of course it is also much louder and rougher. Vertilizar have a heart for biting anger, as the Nu-affine “Enjoy Your Suffer” proves. An oppressive bass line, an enraptured vocal performance in the best sense of the word and a proper uppercut in the final act put you in a good mood. “Dust And Shade” sheds its skin in installments, exposes nervous energy and combines power with melody – crisp, direct, brilliant. The opening anthem “WATBY” wrestles with its own heaviness and throws leaden weights around itself, while the lyrics give hope and solidarity, including a massive breakdown.
Above all, “Leave It All Behind” scores points for its unity. The imaginary handle gives you a good 40 minutes as if from a single source, without a weak point, with a common thread and at the same time a lot of variety. Vertilizar have audibly matured further as songwriters, are increasingly doing their own thing and finding a healthy balance between booming, riff-heavy heaviness, thick melodies and rough neck hits in between. The Upper Austrians’ album-length debut keeps what the forerunners promised and should finally allow a new star to rise in the local rock and metal sky.
Rating: 8/10
Available from: February 9, 2024
Available via: Preiser Records (Warner Music)
Website: www.vertilizar.com
Facebook: www.facebook.com/vertilizar
Slider-Pic (c) Patrick Eichmeir
Tags: alternative metal, alternative rock, featured, full-image, grunge, leave it all behind, local band, review, vertilizar
Category: Local Bands, Magazin, Reviews
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#Vertilizar #Leave
Belkin launches 25W hybrid charger with 5,000mAh internal battery
2024-02-09 17:38:51
A Belkin launched this week the BoostCharge Hybrid Wall Charger 25W + Power Bank 5K. The accessory consists of a 2-in-1 wall charger which, in addition to having a power of 25W, has an internal battery of 5.000mAhso that it continues to charge a device even following it is removed from the socket.
It has a USB-A 3.0 port compatible with technologies Power Delivery (PD) e Programmable Power Supply, and another USB-C — they can be used simultaneously to charge up to two devices. When used as a portable charger, the charging power drops to 20W.
When you plug the accessory into the socket, your battery is already charged, without the need to use cables for this task. The charger plug (American), in turn, is retractable, which facilitates use as a power bank. Additionally, below the USB ports and the button to start charging, there are four lights that indicate the level of charge remaining in the battery.
The product is made to be compact, so it can fit in a pocket, with a black design and a construction made from post-consumer recycled material (PCR), in addition to the box being made from 100% recycled plastic.
The charger costs US$60 and is already on pre-sale in the United States, and should be shipped from 2/14. It has a two-year warranty.
TRANSPARENCY NOTE: MacMagazine receives a small commission on sales completed through links in this post, but you, as a consumer, pay nothing more for the products by purchasing through our affiliate links.
via 9to5Toys
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#Belkin #launches #25W #hybrid #charger #5000mAh #internal #battery
Carapaz crowns the pink party of his EF in the Colombia Tour | Cycling | Sports
Sentimental stories, so beautiful when the imagination gives them shape, are melancholy when the magical reality – the climb to the Alto del Vino, so often praised, steep at times, is not a narrow and twisty path and horseshoe curves, but a highway. , the one that leads to Medellín from Bogotá – or the imagination of others, deforms them, when the logic of Richard Carapaz, the last man of the EF, the leader of the team in pink, the strongest, lets everyone, dreamers and realists, know, that he pink party that his team mounted the last 10 kilometers of the tough climb to Alto del Vino, and the oxygen penalty to reach the blood at more than 2,800 meters, was nothing but a collective effort so that he, the Olympic champion, the Expreso del Carchi, on the other side of the river that separates Colombia from Ecuador, will win the stage and reach the leadership of the Tour Colombia, fourth edition, so Andean.
Carapaz won the stage, but his attack did not exhaust the resistance of the leader, Rodrigo Contreras, from Villapinzón, the one who returned to Colombia from Astana, nor that of his compatriot Jonathan Caicedo, another returnee from the WorldTour to continental asylum, from EF, precisely, the one whose teeth had come out in the other years of the Colombia Tour. Contreras, enormous waste of energy, one of the purples of Nu, the team of the son of the historic paisa Raúl Mesa, continues to lead with 17s over Carapaz; Caicedo, from the Mexican Petrolike team led in Colombia by David Plaza from Madrid, Olympic cyclist in Barcelona 92, class time trialist, is dangerously third, 7s behind his compatriot.
“Chaves is the favorite here and he knew the climb very well. He was very excited regarding today. But, in the end we were the four climbers, the four Latinos, who were doing very well. Rigo, Chaves, Cepeda and I, and, well, facing the end, I had also spoken with the boys at the beginning of the climb and I had told them that we were doing well,” explained the winner of the stage, who also had his little corner sentimental. “I have also run a lot here when I was a youth and under 23 and I knew every meter of the climb and I knew how hard it was.”
The EF did not prepare a tribute to Esteban Chaves, sadly those who had thought how nice it would be a triumph for the local boy who, as a child, would take him up and down before going to school, and his heart would beat so fast all week. who in 2016 had reached the podium of the Vuelta a España and the Giro d’Italia and had won a Giro de Lombardia, excitedly thinking regarding his return, at 34 years old, to the neighborhoods of his childhood. It was Chaves who opened the dance, like the best man does with the bride in wedding waltzes, attacking halfway up the climb, 14 kilometers from the finish line.
Since then the race did not stop accelerating and braking, moving with an alternately tachycardic or bradycardic heart rhythm that further discouraged the participants. sentimentaloides who expected that Egan, the wonder child of Zipaquirá, so close by, would resurrect definitively as a victor at the top of Alto del Vino just two years following his accident or that Nairo, still from Boyacá always cheered throughout Colombia, would ring the bell in his return to great cycling following the year of ostracism. Egan, regular and wise, with little change of pace, fought and was not far away. He came fourth, 33s behind Carapaz. Nairo, his desire betrayed by the lack of rhythm that his stoppage brought with it, soon disengaged from the fight. Accompanied by some Movistar, quickly, Nairoman lost more than six minutes.
Sentimental people always find comfort, hope even in the smallest details. They close the page with the day’s classification and open the profile page for the next day, Sunday, which brings the Tour Colombia to its end before the National Museum, in the center of Bogotá. Ah, but they climb Patios, to more than 3,000m, they discover. Oh, and if then… And they are moved by seeing in the gutter, among the fans, with his purple Nu jersey, another Chaves, Jhonathan Chaves, who only shares a last name with the beloved Esteban, but with him, whom they see so joyfully pedaling towards the finish line among the fans, they share their sorrow, remembering how the micro-dream of a truck driver who lost control of his monster for a few seconds, ended the lives of his brother Germán and his father, who were training on the highway. Oh, what would cycling be without sentimentality, a cynic’s game.