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David Matásek, a prominent figure in the Czech theater scene, is embracing a novel chapter in his career after voluntarily leaving the National Theatre. Known for his versatility and deep connection to poetry, Matásek has transitioned to the more intimate setting of Viola Theatre, where he performs in the adaptation of Miloš Doležal’s poetry collection, “Jana bude brzy sbírat lipový květ.” This shift reflects his desire to break away from the conventional expectations of larger theatrical institutions.

Matásek’s journey began in the world of traveling theater, where he learned to adapt to various smaller venues. “I enjoy diversity; it keeps me from stagnating,” he said, emphasizing the refreshing challenge of performing in different environments. In Viola Theatre, audiences are seated at tables with drinks, creating an atmosphere that fosters focus and engagement. “Once we start, the audience is completely absorbed; it’s a rare kind of silence and concentration,” he noted.

His latest role not only showcases his acting skills but also his long-standing relationship with poetry, a passion that originated in his childhood through recitation competitions. Matásek appreciates how poetry carries emotion without being ostentatious and he sees it as a way to instill calm and discipline, which he finds essential in his performances.

Transitioning from Tradition to Innovation

Reflecting on his departure from the National Theatre, Matásek expressed mixed feelings. While he misses the camaraderie and atmosphere of the institution, he believes in the importance of following one’s instincts. “When you don’t feel solid somewhere, you should have the courage to change it,” he stated, reinforcing the notion that artistic integrity often requires stepping outside of comfort zones.

He critiqued the traditional structure of the National Theatre, suggesting that it risks becoming a museum rather than a dynamic space for innovation. “It should challenge and provoke audiences rather than simply reinforce their existing beliefs,” he argued. Matásek is optimistic about the current directors who are willing to push boundaries, suggesting that change is necessary for growth in theater.

Personal Growth and Family Dynamics

On a personal level, Matásek is committed to maintaining healthy relationships with his ex-partners and children. He has four children from three different relationships and has cultivated a respectful environment where they can all approach together. “We’ve remained friends, helping each other out when needed,” he shared, emphasizing the importance of respect and communication in co-parenting.

As a father, Matásek has evolved in his parenting approach, moving away from pressure and ambition towards supporting his children’s self-discovery. He believes that allowing children to pursue their interests without undue pressure leads to genuine ambition, highlighting a significant shift in his parenting philosophy. “I value when they find their interests on their own,” he said.

Facing Challenges with Openness

Matásek is also candid about his mental health journey, having faced anxiety, especially during the pandemic. He credits therapy for helping him navigate his challenges and break away from the stigma surrounding mental health, particularly among men of his generation. “I realized that it’s okay to seek assist and that mental health is just as important as physical health,” he explained.

His openness has resonated with many, leading to conversations about vulnerability and the importance of addressing mental health issues. Matásek believes that by sharing his experiences, he can help others feel less alone in their struggles.

Looking Ahead

As Matásek continues his artistic journey, he is excited about the opportunities that lie ahead in smaller, more intimate theater settings. He remains committed to challenging traditional narratives and fostering genuine connections with his audience. “It’s about staying curious and embracing change,” he remarked, as he encourages both himself and others to remain open to new experiences.

For those interested in following Matásek’s journey, his performances at Viola Theatre promise to be a testament to his growth as an artist and an individual. Engaging with audiences in innovative ways, Matásek is poised to make a lasting impact on the Czech theater scene.

Join the conversation and share your thoughts on Matásek’s insights and the evolving landscape of theater. How do you feel about the changes in the theatrical world? Share in the comments below!