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Thuringia recorded the highest number of openly announced far-right music events in Germany last year, according to new data. Of the 193 such events announced nationwide, more than 80 took place in the state, a figure revealed in response to a parliamentary inquiry by Left Party Bundestag member Mandy Eißing. A concentration of these events was located in South Thuringia, with additional concerts held in the neighboring state of Saxony.

The data underscores a growing concern about the normalization of extremist ideologies through music. These events aren’t isolated incidents; they represent a deliberate strategy by far-right groups to cultivate a following and disseminate their message. The findings prompted calls for a more robust response, particularly at the state level, to counter the spread of extremist influence.

Nationwide, police recorded a total of 345 concerts, song evenings, and similar events featuring far-right music. This number includes “other events with musical performances,” such as those held in conjunction with demonstrations, according to the response to Eißing’s inquiry. The scale of these gatherings highlights the persistent presence of a far-right music scene in Germany.

Eißing has demanded more decisive action against the far-right music scene, emphasizing the need for improved information sharing, a stronger response from security authorities, and stricter regulations for event organizers. “These are not harmless parties,” Eißing stated in a press release. “They are sources of funding, recruitment events, and ideological platforms for the extreme right.”

Far-Right Events Concentrated in Thuringia and Saxony

The concentration of events in Thuringia and Saxony is particularly noteworthy, given the historical and socio-political contexts of these states. Both regions have seen a rise in far-right activity in recent years, and the presence of a dedicated music scene provides a focal point for extremist groups to connect and organize. The events serve as both recruitment tools and fundraising opportunities, allowing these groups to expand their reach and influence.

The police data reveals a complex landscape of far-right musical activity, extending beyond formal concerts to include events integrated into broader demonstrations. This blurring of lines makes it more challenging to monitor and disrupt these gatherings, requiring a coordinated approach from law enforcement and intelligence agencies.

Calls for Increased Scrutiny and Regulation

Eißing’s call for stricter regulations for event organizers reflects a growing consensus that existing measures are insufficient to address the problem. Currently, organizers are often able to exploit legal loopholes to host events, even when Notice clear indications of extremist intent. Improved information sharing between state and federal authorities is also crucial to effectively track and counter these activities.

The issue extends beyond simply preventing events from taking place. Authorities must also address the underlying factors that contribute to the appeal of far-right music, including social alienation, economic insecurity, and a lack of opportunities for young people. Counter-narrative initiatives and educational programs are essential to challenge extremist ideologies and promote tolerance and inclusion.

The response from the federal government to Eißing’s inquiry provides a detailed overview of the scale and scope of far-right musical activity in Germany. This data serves as a critical foundation for developing more effective strategies to combat extremism and protect democratic values. The findings underscore the urgent need for a comprehensive and coordinated approach to address this growing threat.

Looking ahead, continued monitoring of far-right music events and a proactive approach to countering extremist ideologies will be essential. The effectiveness of these efforts will depend on close collaboration between law enforcement, intelligence agencies, and civil society organizations. The challenge lies in striking a balance between protecting freedom of expression and preventing the spread of hate speech and incitement to violence.

What are your thoughts on the role of music in extremist movements? Share your perspective in the comments below.

George R.R. Martin, the celebrated author behind “A Song of Ice and Fire,” isn’t just focused on Westeros. The prolific storyteller has been vocal about his appreciation for compelling science fiction and fantasy across various mediums, and recently revealed his pick for the best “Star Wars” spin-off series to date. While fans eagerly await the next installment in his epic fantasy saga, Martin has been keeping busy – and watching television.

The author, known for his intricate world-building and subversive storytelling in “Game of Thrones,” praised “Andor” as a standout achievement in the “Star Wars” universe. Martin shared his thoughts in a July 2025 entry on his personal blog, “Not a Blog,” detailing the shows and films that have recently captured his attention, including James Gunn’s “Superman” and the Apple TV+ series “Murderbot.” But it was the Disney+ series “Andor” that earned the highest praise.

“’ANDOR’ was this year’s highlight, though,” Martin wrote, declaring it “far and away the best of the ‘Star Wars’ spin-offs.” He lauded the show’s realism, tension, and strong performances, particularly highlighting Diego Luna’s portrayal of Cassian Andor. This endorsement from the creator of a genre-defining fantasy series speaks volumes about the quality and depth of the “Andor” series.

“Andor,” created by Tony Gilroy, distinguishes itself from other “Star Wars” productions through its grounded and politically charged narrative. Unlike the often-heroic and straightforward adventures typical of the franchise, “Andor” delves into the complexities of rebellion, exploring the moral ambiguities and sacrifices inherent in fighting against oppression. This approach, Martin noted, resonated with his own storytelling philosophy.

At their best, “Game of Thrones” and Martin’s source novels excel at subverting established fantasy tropes to explore larger thematic points. “Andor” consistently employs a similar strategy within the “Star Wars” universe. Where traditional “Star Wars” stories often feature clear-cut victories and noble sacrifices, “Andor” presents a more nuanced and often bleak reality, mirroring the complexities of real-world conflict. Death is often random, and victories come at a significant cost.

Martin specifically praised the show’s visual aesthetic and attention to detail, stating, “Looked gorgeous, [star] Diego Luna was first rate, and there was a realism and tension to the story that was sadly lacking in most of the other spin-offs. It’s nice to see someone doing science fiction right.” The series’ creators invested heavily in practical sets and real-world locations, contributing to its immersive and believable atmosphere. You can stream “Andor” now on Disney+.

Beyond his appreciation for “Andor,” Martin continues to be involved in a variety of projects. He serves as an executive producer on “Dark Winds,” the neo-Western crime drama based on Tony Hillerman’s “Leaphorn & Chee” novels, and even shared the screen with Robert Redford in what marked the actor’s final on-screen appearance. He also frequently recommends overlooked gems like the 1980s film “Dragonslayer,” praising its surprisingly gritty depiction of a classic fantasy trope.

For those seeking a lighter companion piece to “Andor” within the “Star Wars” universe, Martin suggests checking out “Skeleton Crew,” another series set in a galaxy far, far away. As Martin’s endorsement demonstrates, “Andor” represents a bold and innovative direction for the “Star Wars” franchise, offering a compelling and thought-provoking experience for fans and newcomers alike.

What comes next for George R.R. Martin remains a subject of intense speculation, particularly regarding the long-awaited completion of “The Winds of Winter.” However, his recent viewing habits suggest a continued passion for engaging and well-crafted storytelling across all genres. Share your thoughts on “Andor” and Martin’s preferences in the comments below.