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Hilary Duff, the celebrated actress and musician, has rarely discussed the details surrounding her divorce from former NHL player Mike Comrie. Now, in a candid conversation on the “Call Her Daddy” podcast, hosted by Alexandra Cooper, Duff is offering a glimpse into the factors that led to the end of their marriage.
Duff and Comrie tied the knot in 2010 after a whirlwind romance that began in 2007, welcoming their son Luca in March 2012. However, the couple separated in 2014 and finalized their divorce two years later. The “Lizzie McGuire” star explained that the breakdown wasn’t a sudden event, but rather a gradual realization that the relationship had run its course. “It happened pretty fast. I can’t remember the exact moment I was like, ‘I’m gonna call this off,’” Duff admitted, according to E! News. “It just wasn’t working anymore.”
The most challenging aspect of the separation, Duff revealed, was navigating the situation with their young son, Luca, who was only a toddler at the time. “What was really hard was processing that it was happening and going through all those emotions,” she shared. “It was a really scary time to just not want to f–k up your kid.” Duff emphasized the importance of prioritizing Luca’s well-being throughout the process, putting her own feelings aside to ensure he remained secure and comfortable.
Prioritizing Luca’s Well-being
Duff and Comrie consciously worked to minimize the impact of their divorce on their son. “Every time we would switch [custody], it wasn’t just a drop-off. We’d go to the park and hang out or get lunch,” Duff explained. This approach, she felt, was crucial in creating a stable and reassuring environment for Luca. The couple aimed for a peaceful co-parenting dynamic, ensuring Luca felt safe and loved despite the changes in their family structure.
Vienna is marking the 100th birthday of Austrian poet and playwright Ingeborg Bachmann with a special text and performance event titled “In der Sprache wohnen Wunden” (“Wounds Dwell in Language”). The event, held on February 23, 2026, at an undisclosed location in Vienna, features a performance by actress Maxi Blaha and text curated by writer and bookseller Rotraut Schöberl. This commemoration underscores Bachmann’s enduring legacy and her profound impact on 20th and 21st-century literature.
Bachmann, born February 25, 1926, and passing away October 17, 1973, is celebrated for her poetic explorations of language, identity, and the complexities of post-war Europe. Her work often grappled with themes of alienation, political disillusionment, and the search for meaning in a fractured world. The centenary performance aims to revisit and re-examine these themes through a contemporary lens, highlighting the continued relevance of Bachmann’s insights. The title itself, “In der Sprache wohnen Wunden,” encapsulates the core of Bachmann’s artistic project – the idea that language is not merely a tool for communication, but a repository of pain and a site of struggle.
Maxi Blaha Brings Bachmann’s Words to Life
Actress Maxi Blaha, known for her versatile stage and screen presence, is taking on the challenge of interpreting Bachmann’s powerful words. Blaha’s career spans decades, beginning with her studies at the Schauspielschule Krauss and the University for Music and Performing Arts Vienna. According to her Wikipedia profile, she further honed her skills through masterclasses at the Mozarteum in Salzburg and vocal training in Fresh York.
Blaha’s experience is extensive, including a period as an ensemble member at the Vienna Burgtheater from 1993 to 1996. Her website details a career marked by lead roles at theatres across Germany and Austria, including Coburg, Tübingen, Linz, and Vienna’s Theater Phönix and Metropol. She has also appeared in numerous festivals and productions, including “Purim Spil” (LINZ09 European Capital of Culture) and a critically acclaimed solo performance as Emilie Flöge, Gustav Klimt’s companion, in “Emilie Flöge – Geliebte Muse” at the Schloss Belvedere in Vienna. More recently, she has portrayed Alma Mahler in the solo theatre piece “ALMA WHO?” at the Leopold Museum in Vienna, a role she began in 2021. Blaha’s film and television credits include appearances in the German “Tatort” crime series and the movie “Common Ground,” an Austrian-Israeli co-production.
A Collaborative Vision: Schöberl, Pobaschnig, and Blaha
The performance is a collaborative effort, with Rotraut Schöberl curating the text selection and Walter Pobaschnig providing the idea, direction, and photography. Schöberl, a writer and bookseller based in Vienna, brings her deep understanding of Austrian literature to the project. Pobaschnig’s artistic vision shapes the overall presentation, ensuring a compelling and thought-provoking experience for the audience. Details from Literatur Outdoors confirm the event took place on February 23, 2026.
The performance’s structure, focusing on a curated selection of Bachmann’s texts, suggests an intimate and focused exploration of her work. The choice of Blaha as the performer indicates a desire to bring a dynamic and emotionally resonant interpretation to Bachmann’s poetry and prose. The event promises to be a significant cultural moment, honoring a literary giant and inviting audiences to engage with her work in a new and meaningful way.
As the centenary year of Ingeborg Bachmann unfolds, events like this performance will continue to illuminate her contributions to literature and her enduring relevance in the 21st century. Further exploration of her work and legacy is expected throughout the year, solidifying her place as one of Austria’s most important literary figures.
What are your favorite works by Ingeborg Bachmann? Share your thoughts in the comments below and support us celebrate her lasting impact.
Whitney Houston’s enduring legacy continues to resonate with audiences worldwide, as the music video for her iconic ballad “I Have Nothing” recently surpassed 1 billion views on YouTube. The achievement marks a significant milestone for the 1992 hit, a standout track from the soundtrack of The Bodyguard, Houston’s celebrated film debut. The song, released as a follow-up to the massive success of “I Will Always Love You” and “I’m Every Woman,” peaked at No. 4 on the Billboard Hot 100.
The remarkable staying power of “I Have Nothing” speaks to Houston’s unparalleled vocal talent and the song’s universal themes of heartbreak and resilience. The Bodyguard soundtrack itself remains a monumental success, spending an impressive 20 weeks at the top of the Billboard 200 albums chart and holding the distinction of being the highest RIAA-certified soundtrack of all time. This latest milestone underscores the continued relevance of Houston’s music for new generations of listeners.
This isn’t the first time a visual from The Bodyguard has reached this level of success on the platform. Houston’s breathtaking cover of Dolly Parton’s “I Will Always Love You” has already garnered over 1.8 billion views on YouTube and is projected to surpass 2 billion in the coming months, further cementing its status as one of the most beloved songs of all time.
The recent surge in views for “I Have Nothing” appears to be organic, with the song not currently trending on social media or experiencing a revival through a television show or film placement. This suggests a sustained, grassroots appreciation for the song’s artistry and emotional depth. It’s a testament to Houston’s timeless appeal and the enduring quality of her music.
Fans are celebrating the accomplishment across social media platforms. One commenter on the r/whitneyhouston subreddit wrote, “Congratulations Whitney! Still making history!” Another user, responding to a post on the Facebook fan page For The Love of Whitney, playfully remarked, “Im sure 675 million of these streams were me.”
The iconic music video for “I Have Nothing” can be viewed below:
The success of “I Have Nothing” is part of a broader trend of Houston’s music finding new audiences on digital platforms. The The Bodyguard Original Soundtrack Album continues to be streamed millions of times globally, demonstrating the lasting impact of both the film and its music.
As Whitney Houston’s catalog continues to thrive on platforms like YouTube, her influence on music and popular culture remains undeniable. The continued success of songs like “I Have Nothing” ensures that her artistry will be celebrated for generations to come. Fans and new listeners alike can continue to revisit and rediscover the magic of her voice and the power of her songs.
What are your favorite memories of The Bodyguard soundtrack? Share your thoughts in the comments below!
As a partial government shutdown lingers due to stalled funding negotiations for the Department of Homeland Security (DHS), Senator Katie Britt (R-AL) is accusing Democrats of prioritizing political posturing over finding solutions to secure the border and fund critical national security agencies. The Alabama senator contends that the ongoing impasse is a deliberate tactic to appease their base, rather than a genuine effort to address the complex challenges facing the nation.
The funding lapse, coinciding with President Trump’s 2026 State of the Union address, has left agencies like Customs and Border Protection (CBP) and Immigration and Customs Enforcement (ICE) operating under uncertain conditions. Despite the shutdown, Senator Britt insists that essential personnel at these agencies will continue their function. “The people of CBP and ICE are going to continue to operate. So, them dragging their feet does absolutely nothing because we are still operating in this space,” she told CBS News’ Major Garrett.
Britt’s criticism centers on what she perceives as a lack of willingness from Democrats to compromise. She argues they are “placating to their base instead of coming forward and trying to find solutions, trying to find some incremental or adjustments or changes that can be made.” This sentiment reflects a broader Republican narrative that Democrats are intentionally obstructing progress on border security measures.
Senator Britt has been a vocal advocate for strengthening border security and has served as the Ranking Member of the Homeland Security Subcommittee of the Senate Appropriations Committee. According to her official Senate website, she believes strategic investment is crucial to resolving the crisis at the southern border. She has consistently criticized President Biden’s budget proposals, which she claims propose cuts to DHS funding for the second consecutive year.
The current impasse highlights the deep divisions within Congress regarding immigration policy and border security. Recent reporting from NPR indicates that Britt has developed a reputation as a bipartisan dealmaker, despite initially gaining prominence with a more conservative image. This shift in perception suggests a willingness to engage in negotiations, even amidst strong ideological differences.
However, Britt maintains that Democrats are not acting in good faith. A recent video shared on CBS News’ Facebook page shows her asserting that Democrats are engaging in “political theater.” The video captures her argument that the shutdown is a manufactured crisis designed to score political points.
The situation is further complicated by ongoing negotiations regarding changes to how ICE operates, following recent shootings involving U.S. Citizens. Britt is reportedly involved in these discussions, seeking adjustments that would enhance accountability and improve operational procedures. CBS News reported that she expressed optimism about finding a pathway forward to end the DHS shutdown, but stressed the need for compromise from both sides.
As the shutdown continues, the impact on federal employees and border security operations remains a significant concern. While Britt assures that CBP and ICE personnel will continue to work, the long-term effects of the funding lapse are still uncertain. Some critics, like those at Emptywheel, suggest Britt may be misinformed or deliberately downplaying the impact of funding issues on Homeland Security Investigations (HSI). They argue that the focus on political theater distracts from the real issues affecting the agency.
The coming days will be critical as lawmakers attempt to reach a consensus on a funding package. The outcome of these negotiations will not only determine the fate of the DHS but also signal the potential for further gridlock on key policy issues in the months ahead. The focus now shifts to whether both parties can move beyond partisan rhetoric and prioritize the security of the nation.
What are your thoughts on the DHS funding negotiations? Share your perspective in the comments below and join the conversation.