Entertainment

Véronique De Kock, a familiar face in Flemish television, is experiencing a notable resurgence in her career, a shift she attributes to finding her own voice. Once known primarily as a former presenter and weather forecaster, De Kock is now appearing across multiple platforms, demonstrating a renewed presence in the media landscape.

The 4 hours ago report highlights a career renaissance for De Kock, who has successfully transitioned into modern roles although maintaining a strong public profile. This increased visibility isn’t accidental; it’s a deliberate effort on her part to redefine her image and connect with audiences in new ways. Her current projects span radio, television, and social media, showcasing a versatile approach to entertainment.

De Kock’s recent ventures include a program on Qmusic and a role at Nostalgie radio, alongside Axel Daeseleire, as reported on August 22, 2025. De Standaard notes this trend of well-known personalities taking on radio roles. She also maintains an active presence on Instagram, with over 168,000 followers as of today, February 19, 2026, sharing glimpses into her life and work. Her Instagram profile showcases her work as a digital creator and her personal life as a mother of two.

Beyond radio and social media, De Kock’s visibility extends to television. She recently participated as a panelist on the fifth season of The Masked Singer, which aired on VTM from October 17, 2025, to January 2, 2026. The fifth season of the show featured a panel including Aaron Blommaert, Céline Van Ouytsel, Frances Lefebure, James Cooke, Tine Embrechts, Véronique De Kock, Francisco Schuster, and Ward Lemmelijn, hosted by Jens Dendoncker. The season culminated in Jade Mintjens winning as “King Crab,” with Mathias Mesmans as the runner-up “Unicorn.”

A Return to Television and Radio

De Kock’s return to prominence isn’t simply a matter of taking on available roles; it’s a strategic move that reflects a broader shift in her career. Her ability to adapt and embrace new opportunities has been key to her continued success. The former presenter’s ability to connect with audiences has been a consistent strength throughout her career, and she is now leveraging that skill across a wider range of platforms.

The Masked Singer and Panelist Role

Her involvement in The Masked Singer, a popular Belgian television program, further solidifies her position in the entertainment industry. As a panelist, she brought her insights and personality to the show, contributing to its success. The show’s popularity was significant, with the season premiere nearly becoming the most-watched television moment of 2025, and broadcasts consistently ranking as the most-watched program of the week for several weeks.

De Kock’s career trajectory is a testament to her resilience and adaptability. From her early days as a television presenter to her current multi-faceted role, she has consistently demonstrated a willingness to evolve and embrace new challenges. Her recent success suggests a continued and vibrant presence in the Belgian media landscape.

Looking ahead, De Kock’s continued presence across radio, television, and social media suggests she will remain a prominent figure in Flemish entertainment. Her ability to connect with audiences and adapt to changing media trends positions her well for future opportunities. It will be engaging to observe how she continues to evolve her brand and engage with her growing fanbase.

What are your thoughts on Véronique De Kock’s career resurgence? Share your opinions in the comments below!

U2 has released a surprise EP, “Days of Ash,” featuring a poignant tribute to Renée Great, a Minneapolis woman fatally shot by an Immigration and Customs Enforcement (ICE) agent in January. The lead track, “American Obituary,” serves as a powerful protest song, amplifying the story of Good and calling for peace amidst ongoing debates surrounding U.S. Immigration enforcement.

The EP, released on Ash Wednesday, is described by the band as an “urgent intervention” rather than a traditional album release, confronting injustice and moral fatigue head-on. U2 has a long history of incorporating political and social commentary into their music, from early songs addressing conflict in Northern Ireland to more recent tracks responding to the war in Ukraine. This latest release continues that tradition, focusing on real-world tragedies and the individuals impacted by them. The band’s frontman, Bono, has frequently used his platform to advocate for various causes, including AIDS relief, environmental protection and poverty reduction.

The Story of Renée Good

Renée Good, 37, was killed on January 7th in Minneapolis by an ICE agent, according to multiple reports. Details surrounding the shooting remain limited, and the federal government has stated there will be no criminal investigation into the incident, also cutting the Minnesota Bureau of Criminal Apprehension from accessing evidence and information. The song “American Obituary” directly addresses the circumstances of her death, with lyrics referencing the date and location of the shooting.

The lyrics paint a stark picture, questioning the justification for the use of force: “Renee Good born to die free/American mother of three/Seventh day January/A bullet for each child, you see.” Bono described the song as “a bit more punk rock” than their 1983 protest song “Sunday Bloody Sunday,” reflecting the sentiments expressed by Good’s family. The lyrical rhythm was inspired by Bob Dylan, according to Bono.

Family and Community Response

Good’s partner, Becca Good, shared a statement expressing how deeply Renée would have been moved by U2’s tribute. “Renee didn’t just believe in kindness; she lived it, fully and fiercely,” Becca Good said. “She believed every person deserved the same compassion, care, and dignity regardless of who they were, where they came from, or what they looked like. It was the core of who she was.”

The Good family also released a statement, acknowledging the “incredible honor” of U2 using their platform to spread a message of peace. They expressed feeling the “urgency of the country’s situation” reflected in the band’s call for change and unity. The Luminary Loppet, a Minneapolis event, also honored Good and Alex Pretti, another individual killed by federal immigration agents, with ice sculptures.

“Days of Ash” and U2’s Continued Activism

“American Obituary” is just one track on the six-song EP, “Days of Ash.” The project also addresses the war in Ukraine and violence in the Middle East, rooted in the stories of those whose lives have been cut short. Drummer Larry Mullen Jr. Emphasized that taking political positions has always been central to U2’s identity, noting the band’s long-standing collaborations with organizations like Amnesty International and Greenpeace. The band is known for having worked with Amnesty International, Greenpeace and voicing their opinions on political hot topics.

The release of “Days of Ash” comes as more celebrities have been publicly voicing their views on immigration enforcement, with many wearing “ICE OUT” pins at recent events like the Grammys and Golden Globes. Bono framed the EP as an urgent intervention, stating that the music couldn’t wait to be released with the full album.

U2’s new EP serves as a powerful reminder of the human cost of political conflict and the importance of using art as a platform for social change. The band’s tribute to Renée Good ensures her story, and the broader issues surrounding immigration enforcement, remain in the public consciousness.

As U2 prepares to release a full album later this year, “Days of Ash” offers a glimpse into the band’s continued commitment to addressing pressing global issues through their music. The impact of “American Obituary” and the EP as a whole will likely spark further conversation and reflection on the complexities of immigration and the pursuit of justice.

What are your thoughts on U2’s tribute to Renée Good? Share your comments below and help spread awareness about this important story.