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Monday March 6, 2023 | 11:53
Juventus striker Moise Kean recorded one of the most unusual expulsions so far this year in world football.
A unusual situation registered in the duel last Sunday in the Serie A between Roma and Juventusin the mythical stadium of the Italian capital.
This is due to the fact that the match in which ended in victory for those of Jose Mourinho 1-0the forward of the Old Lady, Moise Kean, He lived a day to forget, following entering and only lasting on the court 40′ seconds.
This is because he entered the field of play in the minute 89′when those of Turin they were already falling in the stadium rome olympianmoment in which in his first action he disputed the ball very vehemently with Gianluca Mancini.
In fact, he might not stand the push that the player from the ‘many’ gave him and attacked with a brutal kick to the rival’s legs without the ball in between, forcing the referee of the match to take out the red cardboard without hesitation.
Later, he left the field of play crestfallen and without saying anything, before the gaze of his fellow technicians Juventus.
With this the duel of the next date is lost in the Soccerwhere they will face Sampdoria. However, you will have to wait to find out if the italian football federation sanctions him with more duels for his action unsportsmanlike once morest Mancini.
The most unusual expulsion of the year? Moise Kean entered and in the first one he had… RED.
???? Look at the #SerieA by #ESPNenStarPlus pic.twitter.com/7L5lv6QfA6
— SportsCenter (@SC_ESPN) March 5, 2023
06 mars 2023
After Androcur, Luteran and Luteran and its generics, the National Medicines Safety Agency (ANSM) has “observed cases of meningioma occurring during treatment with other progestins”. Medrogestone (Colprone), progesterone 100 mg and 200 mg (Utrogestan and generics), dydrogesterone (Duphaston) and dienogest (generics from Visanne) are indicated in various gynecological pathologies (endometriosis, fibroids, particularly long and/or heavy periods, cycle), in hormone replacement therapy (including menopause); but also in obstetrics (sterility due to luteal insufficiency, repeated abortions).
The temporary scientific committee (CST) convened to assess the link between these molecules and these primary brain tumors, “believes that a “class” effect of progestins on the risk of meningiomas cannot be excluded”, notes the ANMS. That’s why she has “established the first recommendations to limit this risk pending epidemiological studies, conducted by Epi-Phare, to confirm or invalidate this risk. »
First of all, the prescription of a progestogen treatment is contraindicated in the event of a history of meningioma or existing meningioma. And this, except for exceptions to be evaluated in a multidisciplinary consultation meeting.
Changing the progestogen does not exclude the risk of meningioma, however, “untold for the moment we can determine it”specifies the ANSM. “It is necessary, before any new prescription or switch between progestins, to check all the progestins already used and their duration of use”.
When it is nevertheless indicated, “the treatment (by these progestogens, editor’s note) must be prescribed at the minimum effective dose with the shortest possible duration of use”.
“The benefit of continuing treatment should be reassessed every year, especially around menopause, as the risk of meningioma increases sharply with age”adds the agency.
Finally, “A cerebral MRI should be performed in the event of neurological clinical signs suggestive of a meningioma (headaches, vision, language, memory and hearing disorders, nausea, dizziness, convulsions, loss of sense of smell, weakness or paralysis)”.
After what Max Verstappen y Sergio ‘Checo’ Perez climbed to the top of the podium at the Gulf Air Bahrain Grand Prix 2023 of the Formula 1where Fernando Alonso came in third place, the Mexican driver made a sarcastic comment during an interview.
“It’s nice to see three cars from Red Bull on the podium”, mentioned the man from Guadalajara causing laughter from Verstappen and Alonso who were next to him.
The Mexican pilot made this comment because This year’s Aston Martin car (AMR23) was designed by several members who were part of the Red Bull team, where most of the car was manufactured by its technical director Dan Fallows, former coach of the Austrian team.
You might be interested in: ‘Obviously there is opportunity’: Pato O’Ward targets Formula 1
After the race at the Bahrain International Circuit, Helmut Marko, Red Bull adviser, he went once morest Dan Fallows, a former coach of the Austrian team, due to the design of the RB19 in favor of the AMR23.
“It’s true, what Fallows had in his head cannot be erased. Focus copying is not prohibited, but can you copy in such detail without having documentation of our car? […]. We’ve had three Red Bulls on the podium today, only the last one with a different engine! (Aston Martin has the power unit from Mercedes),” he told Servus TV.
And it is that Dan Fallows He was in charge of creating and designing Fernando Alonso’s car, inspired by the genius behind Red Bull’s successes: Adrian Newey.
You might be interested in: The one that Checo freed! The ‘curse’ that Verstappen will have following winning the first race of the year in F1
You are now following the news of a famous seduction artist who appeared to take a bath completely without clothes, so the hero of the movie lost control of his instinct and attacked her.. You will not believe who she is! And now with the details
Riyadh – Ruwaida bin Abbas – 11/01/2021 at 11:03 pm | Follow Favorite
The Syrian star, Ighara, became famous for her bold roles in all the cinematic works that she presented during her artistic career, and she won many awards in Arab and international festivals.
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Ighraa is considered one of the most prominent stars of Arab cinema in the sixties and seventies of the twentieth century.
Ighraa wrote scripts for many of the films she starred in and worked in film production for many years, and she has a clear imprint on Syrian cinema in particular, and Arab cinema in general.
In a previous press interview, she called on all producers in the Middle East to return sex to the cinema once more, noting that the kiss, swimsuits, and belly dancing are the basis for the success of any movie at the box office, she said.
Ighraa was born on February 19, 1942 in Damascus, and her real name is Nihad Aladdin. In 1972, she participated in the movie “The Leopard”, which told the story of Abu Ali Shaheen, a Syrian fighter once morest French colonialism, directed by Nabil Al-Maleh.
Striptease scenes. The film included scenes of nudity, most notably the scene in which she was bathing completely naked in one of the waterfalls in the Rabwah area in Damascus, with her compatriot, artist Adeeb Kaddoura, who stretched over her body while she was naked, a scene that critics described as “the most exciting in the history of Syrian cinema.” .
After the film was shown, “Ighara” said that she had agreed to film this scene in order to save the film, at the request of the director. And she uttered her famous sentence: Let my body be a bridge on which the Syrian cinema crosses to progress.
The Syrian star, Ighraa, is considered the first Arab artist to be completely naked in her films following the Egyptian artist Nahed Sharif, and her films often included scenes of nudity, sex and kisses, and for that she received many criticisms from conservatives. Undressing her, the Syrian actress responded, in an interview with The New York Times, to these criticisms, saying: “I took off my clothes in films, believing in my principles.”
Adding: “I took off my clothes on principle, and if I wanted to do it for the money, I would do it in the dark, and I would make more money.” Her artistic credit The Syrian artist, Ighraa, is also considered one of the artists of the beautiful era, and her name is still engraved in the memory and conscience of Syrians and Arabs to this day.
She contributed to the spread of Syrian cinema, and her credit includes regarding 70 films, and she participated in producing and directing five of them, in addition to 25 films starring her and bearing her signature, script, dialogue and authorship.
Her latest work
And regarding the reason for her disappearance from the artistic scene, Ighraa says: “I did not disappear, and I presented my last work 7 years before the events in Syria, which prevented us from producing. In addition to the fact that the producers fled in the late eighties because the Ministry of Culture did not meet their demands, and I was left alone in the field.” And I continued to produce.
My latest film, “Asrar al-Nisaa,” was produced, written, and directed by me. It continued to be shown in cinemas until it was closed, and it is still closed today. Where can I view my movies while cinemas are closed?
On the other hand, she confirms that the circumstance is not conducive to producing joint films that play a role in spreading her name in the Arab world, adding: “The joint films in which she participated are limited, some with Lebanese actors, and two films with the late Egyptian star Omar Khorshid.”
Not good films, and she sees the temptation that the arts are not separate, and this is what made her turn towards directing: “I used to sit with Al-Monitor to follow up on the details of the work, and I gained experience.
He who loves writing and acting, loves everything related to art,” adding: “I loved directing a lot, and I consider it a talent that cannot be acquired through education, and there are many directors in all countries of the world, whose films are not good, because directing is a feeling, experience and life experiences.”
Ighraa refuses to be told that her name reflects the daring roles that characterized her: “I was not distinguished by the roles of seduction. My artistic beginning was in Egypt, and I was at the age of 12, and the roles of seduction were not appropriate for my age, and the director Zuhair Bakir called me Ighraa, because he was Expect to become a temptation actress.
But I did not continue in Egypt by my decision, following I participated in two of my starring films, “The Return of Life” with Ahmed Ramzy and Maha Sabry, and “The Last Love” with Hind Rostom and Ahmed Mazhar.
She added: “It was always said, ‘Just a little’, and this phrase formed a complex for me, and that is why I left Egypt to return to it when I grow up, but I never returned because I built my career in Syria.
I am the only movie star in Syria, and there are no movie stars who did not come before me and will not come following me. 91757464
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