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Legendary Producer Jeremy Thomas Reflects on a Shifting Cinema Landscape at Edinburgh Film Festival
Edinburgh, Scotland – August 15, 2025 – Acclaimed British film producer Jeremy Thomas shared candid reflections on his illustrious career and the evolving nature of the film industry during a special appearance at the Edinburgh International Film Festival this past Friday. Thomas, known for his groundbreaking work and collaborations with cinematic titans, offered a poignant look at the past, present, and future of filmmaking.
In a 90-minute conversation alongside Irish director Mark Cousins, Thomas delved into the state of contemporary cinema. The discussion also touched upon meaningful figures like Harvey Weinstein and Harry Cohn, as well as Thomas’ own rich history working with some of the most influential filmmakers of our time.
A career Defined by Vision and independence
Thomas, who previously chaired the British Film Institute, has a notable partnership with director David Cronenberg, contributing to films like Crash (1996) and Naked Lunch (1991). His most celebrated achievement remains producing Bernardo Bertolucci’s epic The Last Emperor (1987), a film that swept the Oscars, securing nine awards, including Best Picture.
However, Thomas expressed a current struggle to find intensely satisfying work. “I’m still making films, and I will continue making films,” he stated, “but the scale that I make films at – the size and the lack of obligation, which was encouraged by those around who gave me money… I couldn’t make Naked Lunch today.”
This sentiment highlights Thomas’s nostalgia for an era where producers enjoyed greater creative autonomy. He described the current landscape as a more complex, collaborative endeavor. “I was trusted for 30 years… by a group of people who wanted to make money out of me,” Thomas recalled. “So I got freedom. [They thought] ‘Jeremy knows something we don’t know. We’ll give him 30 million bucks.'”
Thomas identified himself as being at the close of cinema’s “golden age,” when theatrical releases were the primary revenue stream, predating even the advent of VHS. To remain relevant, he acknowledges the necessity of adaptation: “And to continue working, to continue being relevant, I have to mutate. And that’s a fact, and I accept it.”
His drive is fueled by the satisfaction of complete creative ownership. “I’m satisfied when I get one over on everybody, when I make a film and I did it, I got it, I own it. It’s mine.I’m in charge of it,” he explained. “I’m in charge of it all, and I can’t do it as I want to anymore, because I’m an old man. I can’t go and find somebody to give me 40 million bucks anymore. I’ve got to find a way to collaborate with many, and subjugate my craziness into normalcy.”
navigating Controversy and industry Ethics
The conversation also touched upon Thomas’s experiences working with actors like Gene Hackman and directors such as Nicolas Roeg on the 1983 film Eureka.His formative years were spent on the expansive sets of Britain’s Pinewood Studios, offering a stark contrast to the more intimate, yet often fraught, modern industry.
Thomas did not shy away from discussing Harvey Weinstein, revealing a profound personal animosity. “I have a terrible enmity with Harvey,” he shared. His aversion was so strong that he would pointedly ignore Weinstein in public.”I took [it to] a shocking level of rudeness. I couldn’t stand him,but I didn’t know why. but now we certainly know why I didn’t like him,” Thomas commented,referencing the subsequent sexual abuse allegations against Weinstein.
He also recounted the intense backlash he faced following Cronenberg’s controversial film Crash, which explored themes of car crash fetishes. “I was heavily attacked,” Thomas stated, recalling calls for his dismissal and press intrusions. The film, which faced widespread bans, did not trouble his personal morality. “If I can get away with it,I want to expose people to [boundary-pushing content],” he firmly asserted,adding,”Everybody’s protected in cotton wool,even then. They’re offendable,continuously offendable.”
Thomas concluded by emphasizing his belief in cultural diversity and the enduring power of cinema. “I don’t like cultural domination of things. I like a big mixture, somehow being on the outside, and the counter culture’s on the outside…” he stated. “I’m continuing making films, economically for myself, but I still believe in the importance of this craft and art, because everybody in this room got their knowledge pretty much through the cinema. About the world, love and emotions and parents and sisters and brothers and hardships and poverty and everything, you didn’t get it through personal experience. You didn’t get it through the papers… You got it through movies.”
The Edinburgh International Film Festival 2025 is scheduled to run from August 14th to August 20th.
| Film Title | Year | Director | Notable Achievement |
|---|---|---|---|
| The Last Emperor | 1987 | Bernardo Bertolucci | 9 Academy Awards, including Best Picture |
| Naked Lunch | 1991 | David Cronenberg | Pioneering self-reliant cinema |
| Crash | 1996 | David Cronenberg | Provocative and critically debated |
| Eureka | 1983 | Nicolas Roeg | Early career collaboration |
The Enduring Influence of Cinema
Jeremy Thomas’s reflections underscore cinema’s profound role in shaping our understanding of the world and human experience. In an era saturated with information from myriad sources, films continue to serve as powerful vehicles for empathy, education, and cultural exchange. The art of filmmaking, from independent productions to large-scale epics, consistently reflects and challenges societal norms, offering insights that personal experience alone might not provide.
Frequently Asked Questions about Jeremy Thomas and Cinema
- What is Jeremy Thomas known for in the film industry?
- Jeremy Thomas is a distinguished British film producer renowned for his work on critically acclaimed films such as The Last Emperor, Naked Lunch, and Crash, often collaborating with visionary directors like Bernardo bertolucci and David Cronenberg.
- Which film produced by Jeremy Thomas won the most Oscars?
- The Last Emperor, produced by Jeremy Thomas, achieved a remarkable feat by winning nine Academy Awards, including the Oscar for Best Picture.
- How has the film industry changed according to Jeremy Thomas?
- Thomas observes a shift from an era of greater producer control and larger individual funding to a more complex, collaborative model, making it harder to secure ample independent financing for enterprising projects today.
- What are Jeremy Thomas’s views on controversial filmmaking?
- Thomas believes in the value of boundary-pushing content and exposing audiences to challenging themes, even if it courts controversy, asserting that art should not be overly sanitized.
- What is the significance of cinema in learning about life?
- Thomas posits that cinema plays a crucial role in educating audiences about diverse aspects of life, including emotions, relationships, and societal challenges, frequently enough providing insights beyond personal experience.
- When was the Edinburgh International Film Festival 2025 held?
- The edinburgh International Film festival 2025 took place from August 14th to August 20th.
