The “Wicked” Effect: How Original Movie Songs Are Rewriting the Oscar Rules
The film industry is bracing for a potential shift in awards season strategy. Cynthia Erivo’s recent appearance on The Tonight Show with Jimmy Fallon, discussing the upcoming Wicked: For Good and its new songs, isn’t just fan service – it’s a signal of a growing trend: the increasing importance of original music in blockbuster film success, and a potential shakeup of the Best Original Song Oscar category. With two new tracks, “The Girl in the Bubble” and “No Place Like Home,” poised for release alongside the November 21st soundtrack, Wicked is uniquely positioned to capitalize on this evolving landscape.
Beyond the Emerald City: The Rise of the Movie Musical Soundtrack
For decades, film soundtracks often relied heavily on pre-existing popular songs. But the success of recent original musical compositions – think “We Don’t Talk About Bruno” from Encanto or “City of Stars” from La La Land – demonstrates a clear audience appetite for fresh, film-specific music. This isn’t just about chart performance; it’s about cultural impact and a deeper connection to the narrative. The fact that both “The Girl in the Bubble” and “No Place Like Home” are entirely original to the Wicked film significantly boosts their Oscar eligibility, a distinction not shared by the majority of songs adapted from the stage production.
The Collaborative Process: Erivo and Schwartz on Crafting “No Place Like Home”
Erivo’s insights into the creation of “No Place Like Home” offer a fascinating glimpse into the modern songwriting process for film. Her description of late-night Zoom calls with Stephen Schwartz, meticulously refining lyrics, highlights the dedication and collaborative spirit required to produce a truly impactful song. This level of artistic investment is increasingly common, as studios recognize the value of original music in driving audience engagement and critical acclaim. “It was just such a privilege to be in the space of Stephen Schwartz working on something,” Erivo shared, underscoring the prestige associated with these projects.
Why This Matters for Oscar Season
The Academy Awards have historically favored songs that resonate beyond the film itself. However, the growing emphasis on original music within blockbuster franchises is changing the game. Films like Wicked, with a built-in fanbase and a commitment to new musical material, are now in a prime position to dominate the Best Original Song category. This could lead to increased competition and a shift in the types of songs that receive nominations – potentially favoring those deeply integrated into the film’s narrative and emotional core. Gold Derby’s Oscar predictions already reflect this growing anticipation for Wicked’s musical contributions.
The “Wicked” Cast and the Power of Star Power
Beyond the music, the star-studded cast of Wicked: For Good – featuring Cynthia Erivo, Ariana Grande, Jonathan Bailey, Michelle Yeoh, and Jeff Goldblum – is a significant factor in its potential success. Celebrity power drives ticket sales, social media buzz, and ultimately, awards attention. The combination of a beloved story, original music, and a high-profile cast creates a perfect storm for a major cultural moment. The film’s November 21, 2025 release date is strategically positioned to capitalize on the holiday season and awards eligibility windows.
Looking Ahead: The Future of Film Music and Awards
The success of Wicked could accelerate a broader trend: studios investing more heavily in original film music, not just as a marketing tool, but as an integral part of the storytelling process. This could lead to a renaissance in film musicals and a greater appreciation for the art of songwriting within the industry. The lines between stage and screen are blurring, and the demand for compelling, original music is only going to increase. What are your predictions for the impact of Wicked on the future of film soundtracks and the Oscars? Share your thoughts in the comments below!
