Hollywood’s Resilience: Why California is Fighting to Remain the Epicenter of Film and TV Production
Despite a 9% dip in production activity this year – marking the second-worst year on record after the pandemic shutdown – a surprising trend is taking hold in Hollywood: a renewed commitment to filming in California. Fueled by a significant boost to state tax credits and a powerful sense of community, production companies like David E. Kelley Productions are doubling down on the Golden State, even as other locations offer cheaper costs and enticing incentives. This isn’t just about nostalgia; it’s a strategic bet on the long-term viability of a uniquely skilled workforce and a robust production infrastructure.
The Tax Credit Turning Point
For years, states like Georgia, New Mexico, and Vancouver have lured productions away from California with aggressive tax incentive programs. This exodus threatened not only the economic health of the industry but also the livelihoods of thousands of skilled workers. However, Governor Gavin Newsom’s approval of a $750 million annual film and TV tax credit program this summer has dramatically shifted the landscape. The California Film Commission reported a nearly 400% increase in applications in the first round following the revamp, awarding credits to 22 shows – 18 of which are slated to film primarily in Greater L.A.
Beyond the Numbers: A Community Response
The decision to stay and invest in California wasn’t solely driven by financial incentives. As Matthew Tinker, president of David E. Kelley Productions, explained, the January wildfires served as a stark reminder of the importance of community. The fires, which devastated areas like Pacific Palisades and Altadena, prompted a collective response, with crew members supporting each other and rebuilding together. This resilience, coupled with the anticipated tax credit improvements, solidified Kelley’s commitment to keeping his projects – including “Big Little Lies,” “The Lincoln Lawyer,” “Nightshade,” and “Presumed Innocent” – rooted in L.A.
The Infrastructure Advantage: Why L.A. Remains Unrivaled
While cost remains a significant factor, the sheer depth of experience and infrastructure in Los Angeles offers a compelling advantage. Caroline James, co-executive producer of “Presumed Innocent” and “Margo,” notes that L.A. crews can efficiently adapt to tighter schedules – filming a series in 85 days instead of 100, for example – without sacrificing quality. “There’s such an infrastructure in L.A.,” James stated. “There’s no learning curve.” This established ecosystem, built over decades, is difficult to replicate elsewhere.
Navigating the Cost Challenge
The higher costs of production in California are undeniable. However, producers are finding creative solutions, such as optimizing shooting schedules and leveraging the expertise of local crews. The long-term benefits of retaining a skilled workforce and supporting the local economy are increasingly outweighing the short-term savings offered by other locations. This is particularly true for complex productions that require specialized expertise and a reliable supply chain.
The Future of Hollywood: A Hybrid Approach?
While the recent surge in tax credit applications is encouraging, the battle for production dominance isn’t over. Other states will likely continue to refine their incentive programs, and the cost of doing business in California remains a challenge. However, the current momentum suggests a potential shift towards a hybrid model, where productions strategically utilize California for key scenes and post-production while leveraging other locations for cost-effective filming. This approach allows companies to capitalize on the unique advantages of each region.
The story of David E. Kelley Productions is emblematic of a broader trend: a growing recognition that investing in California isn’t just good for business, it’s an investment in the future of the industry. As Philip Sokoloski, spokesman for FilmLA, puts it, “The more that people have hope in the future of California as a production destination, I think you will continue to see entrepreneurs and others make their careers here.” The state’s ability to sustain this momentum will depend on continued investment in its workforce, infrastructure, and, crucially, its commitment to fostering a thriving creative community.
What are your predictions for the future of film and television production in California? Share your thoughts in the comments below!
