The Force Awakens… A Second Chance? How ‘Star Wars’ Lost Potential Could Reshape Blockbuster Storytelling
The $1.08 billion box office haul of Star Wars: The Force Awakens masked a growing problem in big-budget filmmaking: the perils of a disconnected creative vision. Ten years on, the lingering disappointment surrounding the sequel trilogy isn’t just about plot points; it’s a case study in how squandered potential can ripple through an entire franchise – and offer crucial lessons for the future of blockbuster narratives.
The Finn Dilemma: A Missed Opportunity for a New Jedi Order
John Boyega’s Finn, initially presented as a compelling figure – a former Stormtrooper with a mysterious past and, crucially, wielding Anakin Skywalker’s lightsaber – quickly became a focal point of fan frustration. The marketing heavily implied a journey to the Jedi path, a parallel to Rey’s awakening Force sensitivity. Instead, Finn’s arc was sidelined, relegated to subplots that felt disconnected from the central narrative. Boyega himself has openly discussed his expectation of a “dual Jedi” storyline, envisioning a dynamic akin to Obi-Wan Kenobi and Darth Vader, a rivalry or even a fall to the dark side. This wasn’t just a fan wish; it was a narrative thread seemingly woven into the initial setup.
Why Finn’s Story Matters Beyond ‘Star Wars’
The handling of Finn’s character isn’t simply a ‘Star Wars’ problem. It highlights a broader trend in blockbuster filmmaking: a reluctance to fully commit to bold, diverse narratives. The desire to replicate established formulas often overshadows the opportunity to create truly groundbreaking stories. As detailed in a 2023 UCLA Hollywood Diversity Report, representation both in front of and behind the camera remains a significant challenge, and the consequences of neglecting diverse perspectives can be seen in stories that feel incomplete or unfulfilled. [UCLA Hollywood Diversity Report Link]
The “Game of Telephone” Trilogy: A Cautionary Tale of Creative Disconnect
The ‘Star Wars’ sequel trilogy suffered from a lack of overarching vision. J.J. Abrams laid a foundation with The Force Awakens, but Rian Johnson’s The Last Jedi dramatically shifted course, dividing audiences and frustrating those who felt the narrative was being pulled in too many directions. The subsequent return of Abrams with The Rise of Skywalker felt like an attempt to course-correct, resulting in a convoluted and ultimately unsatisfying conclusion. This “game of telephone” approach, where each director responds to the previous installment rather than adhering to a cohesive plan, is a recipe for disaster, particularly in sprawling, multi-film sagas.
The Rise of the “Director’s Cut” Debate and Fan Agency
The controversy surrounding the sequel trilogy also fueled a growing demand for director’s cuts and greater transparency in the filmmaking process. Fans want to understand the original intent and feel a sense of agency in the stories they consume. This desire for authenticity and creative control is a direct response to perceived studio interference and a lack of respect for established lore. The success of projects like Zack Snyder’s Justice League demonstrates the power of fan movements and the potential for alternative versions to resonate with audiences.
Redemption Through Canon: The Future of Finn and the ‘Star Wars’ Universe
Despite the criticisms, Lucasfilm isn’t abandoning the potential of characters like Finn. The upcoming novel, Star Wars: The Last Order, which follows Finn and Jannah on a mission to expose First Order atrocities, offers a chance to redeem the character and explore his Force sensitivity. This is a crucial step towards acknowledging the wasted potential and providing a more satisfying arc. More importantly, it signals a willingness to listen to fan feedback and address past shortcomings.
Beyond the Skywalker Saga: A New Era of ‘Star Wars’ Storytelling
The future of ‘Star Wars’ lies in embracing diverse narratives and empowering creators to tell compelling stories within the established universe. Projects like The Mandalorian and Andor have demonstrated the power of focused storytelling and character-driven narratives. By learning from the mistakes of the sequel trilogy, Lucasfilm can create a new era of ‘Star Wars’ content that honors the legacy of the original films while forging its own path. The key is to prioritize long-term vision, collaborative storytelling, and a genuine commitment to representing the diversity of the galaxy far, far away.
What kind of story would you like to see Finn tell in the future? Share your thoughts in the comments below!
