The Enduring Power of Myth and the Future of Trauma Storytelling
Over 38 million people have died from AIDS-related illnesses since the start of the epidemic. But beyond the statistics lies a profound human story, often shrouded in silence and stigma. Director Diego Céspedes’ work, particularly his approach to portraying the AIDS crisis in Chile, demonstrates a powerful trend: the increasing use of myth, surrealism, and the perspective of innocence to grapple with collective trauma. This isn’t simply an artistic choice; it’s a reflection of how societies are beginning to process deeply painful histories, and it signals a shift in how we’ll consume and create narratives about suffering in the years to come.
The Gaze and the Unseen: Why Myth Resonates
Céspedes, inspired by a quote highlighting the societal aversion to looking at those suffering from AIDS – “No one wants to look at the sick people in the eyes” – deliberately incorporated surreal and mythological elements into his film. This wasn’t about escapism, but about understanding how cultures attempt to make sense of the incomprehensible. Chile, geographically isolated and steeped in folklore, provided a natural backdrop for this approach. But this impulse isn’t unique to Chile. Across the globe, we’re seeing a resurgence of interest in mythology, not as quaint stories, but as frameworks for understanding contemporary anxieties and traumas.
This trend is fueled by several factors. Firstly, direct, realistic portrayals of trauma can be overwhelming and re-traumatizing for audiences. Myth offers a layer of distance, allowing for exploration without direct exposure. Secondly, myths often contain archetypal characters and narratives that resonate deeply with the human psyche, providing a sense of universality. Finally, in an age of misinformation and distrust, myth can serve as a powerful tool for communicating complex truths in a way that bypasses rational defenses. Consider the growing popularity of speculative fiction and magical realism – genres that similarly employ fantastical elements to explore real-world issues.
The Child’s Eye: Innocence as a Narrative Lens
Céspedes’ decision to tell his story through the eyes of an 11-year-old girl, Lidia, is particularly insightful. Children, unburdened by the prejudices and preconceived notions of adults, offer a uniquely pure perspective. As Céspedes explains, Lidia’s innocence allows for a more honest and less judgmental exploration of the themes of disease and social stigma. This technique isn’t new, but its increasing prevalence suggests a growing recognition of the power of childlike wonder and naiveté to disarm and challenge audiences.
This approach aligns with emerging research in narrative psychology, which demonstrates the effectiveness of using “narrative distance” – separating the storyteller from the events – to facilitate emotional processing and understanding. A child’s perspective inherently creates this distance, allowing viewers to engage with difficult material without being directly overwhelmed. We can expect to see more stories employing similar narrative strategies, particularly when dealing with sensitive or traumatic subjects.
Finding the Voice: The Importance of Authentic Casting
The success of Céspedes’ film also hinges on the remarkable performance of Tamara Cortés as Lidia. Céspedes deliberately sought an actor who embodied a specific personality – ironic, straightforward, and possessing a strong gaze – mirroring the qualities of his own siblings and cousins. The extensive coaching and development process underscores a crucial point: authentic representation requires more than just finding someone who *looks* the part. It demands a commitment to nurturing and empowering the actor to fully embody the character’s emotional landscape.
This emphasis on authentic casting is a direct response to years of criticism regarding misrepresentation and tokenism in media. Audiences are increasingly discerning and demand stories that are told with sensitivity, nuance, and genuine understanding. The future of storytelling will prioritize collaboration with communities and individuals directly impacted by the narratives being told, ensuring that their voices are not only heard but also centered.
Looking Ahead: Trauma-Informed Storytelling and the Rise of Empathetic Narratives
The trends illuminated by Céspedes’ work – the use of myth, the perspective of innocence, and the commitment to authentic representation – point towards a broader shift in storytelling. We are moving towards a more trauma-informed approach, one that recognizes the profound impact of trauma on individuals and communities and seeks to create narratives that are both sensitive and empowering. This means moving beyond sensationalism and exploitation towards stories that foster empathy, understanding, and ultimately, healing. The power of narrative to shape our perceptions and influence our actions is immense. By embracing these emerging trends, we can harness that power to create a more compassionate and just world.
What role do you see myth and storytelling playing in processing collective trauma in the future? Share your thoughts in the comments below!
