The Future of Storytelling: How Honolulu Theatre for Youth is Redefining ‘Youth Theatre’ and Amplifying Filipino Voices
Forget everything you think you know about theatre for young audiences. It’s not about simplified scripts or condescending narratives; it’s about crafting experiences that resonate with the same intelligence and emotional depth as any performance. This shift, championed by institutions like Honolulu Theatre for Youth (HTY) and visionary artists like Junior Tesoro, isn’t just a local trend – it’s a harbinger of a broader evolution in how we approach storytelling for the next generation, and a powerful example of culturally responsive art.
Beyond ‘Baby Talk’: The Rise of Respectful Storytelling
For 29 seasons, Junior Tesoro has been a driving force at HTY, and is currently preparing for the world premiere of Uncle’s (Mostly True) Stories of the Philippines (Nov. 3-26). The show, conceived with the HTY Ensemble, isn’t just entertainment; it’s a journey. Tesoro describes it as a “road trip through the Philippines in a colorful jeepney with an unreliable uncle as your driver,” weaving tales “as tight as a coconut leaf basket.” But the philosophy behind this production, and HTY’s work in general, goes deeper than a clever premise. Tesoro actively rejects the notion of “youth theatre” as a diluted form of the art. Inspired by his sister’s parenting style – speaking to her child with clarity and respect – HTY creates shows that treat young audiences as intelligent and capable of understanding complex narratives.
This approach aligns with growing research in child development, which emphasizes the importance of respectful communication and avoiding oversimplification. Children are remarkably perceptive and quickly recognize when they are being patronized. By offering authentic, nuanced stories, theatres like HTY are fostering critical thinking and a genuine appreciation for the performing arts. This isn’t just about being polite; it’s about unlocking a child’s full potential as an audience member and, ultimately, as a citizen.
Cultural Reclamation and the Power of Untold Stories
Uncle’s (Mostly True) Stories of the Philippines began with the story of Floro Villabrille, a legendary Eskrima/Kali stick fighter. While the show evolved to encompass figures like José Rizal, a national hero of the Philippines, the core inspiration remains rooted in celebrating Filipino heritage. This focus on cultural representation is particularly significant, especially given Tesoro’s father’s wish for greater recognition of the contributions of Filipinos during World War II.
This desire to amplify marginalized voices isn’t unique to HTY. Across the globe, theatre companies are increasingly prioritizing stories that reflect the diversity of their communities. This trend is driven by a growing awareness of the importance of representation and a desire to challenge dominant narratives. Americans for the Arts highlights the critical role of cultural equity in fostering vibrant and inclusive communities. By giving voice to previously unheard stories, theatre can play a vital role in promoting understanding, empathy, and social justice.
The Collaborative Creative Process: A ‘Potluck’ of Artistic Disciplines
What truly sets HTY apart is its deeply collaborative and multidisciplinary approach. Tesoro describes the creative process as a “creative potluck,” where artists from diverse backgrounds – puppetry, music, film, dance, costume design, and more – come together to share their expertise. Crucially, HTY integrates cultural practitioners and master artists from the community, ensuring authenticity and respect for the traditions being portrayed. This model of collaborative creation is becoming increasingly common in innovative theatre companies, recognizing that the most compelling stories emerge from the intersection of different perspectives and skillsets.
Beyond HTY: Recognizing Local Theatre Powerhouses
Tesoro also shines a light on other vital theatre companies in Hawai’i, specifically Taatre and Kumu Kahua. Taatre, where Tesoro honed his acting skills, embodies the spirit of grassroots theatre, with artists pitching in on all aspects of production. Kumu Kahua, dedicated to creating works *about* Hawai’i *for* the people of Hawai’i, exemplifies the power of place-based storytelling. Supporting these local institutions is crucial for fostering a thriving artistic ecosystem.
The Future of Immersive and Experiential Theatre
Tesoro’s final thought – “It’s not theatre unless… You treat it like surfing. Never turn your back. Be aware of other people around you. Be fully present. Trust the story and your fellow actors…” – encapsulates a growing trend towards immersive and experiential theatre. Audiences are no longer passive observers; they are active participants in the storytelling process. This shift is fueled by advancements in technology, such as virtual reality and augmented reality, but it’s also rooted in a desire for more meaningful and engaging experiences. The future of theatre will likely involve blurring the lines between performer and audience, creating environments that are both captivating and transformative.
What will it take to sustain this evolution? Continued investment in original work, a commitment to cultural representation, and a willingness to embrace new technologies will be essential. The work of Honolulu Theatre for Youth, and artists like Junior Tesoro, provides a powerful blueprint for a future where theatre is not just entertaining, but truly impactful.
What are your predictions for the future of theatre and storytelling? Share your thoughts in the comments below!
