The best way to sneak into a fashion show is to be confident and friendly — at least according to Dan Bassini, who has been photographing New York Fashion Week for almost a decade, without being on the guest lists.
You might catch the New Jersey-based photographer on the street taking celebrity portraits of the likes of Heidi Klum, Doja Cat or Dove Cameron, but he also makes his way inside shows, snapping front-row pictures despite being unaccredited — which is how this writer met him, at an Elena Velez runway last year. Once, he even managed to snag a spot behind the familiar sleek bob of Anna Wintour at a Coach show.
“I’ve never really broken the law to go in — I’ve never climbed in a bathroom window,” he joked in a video call. Though he has found the odd side door, left open and unmonitored, or he gauges the flow of the crowd at the door and blends himself into a VIP group.
“I probably look like the help in most situations, but I use being as non-descript as possible to get in there,” he added, noting the neutral Carhartt t-shirt he often wears. “I’m never going to be mistaken for some high-fashion influencer.”
Occasionally, Bassini tries his luck at the door with a loose story, such as a manager who forgot to add him to the list. That was how he got into a Netflix party for the reality show “Next in Fashion” after meeting and photographing its co-host, Alexa Chung, outside. Bassini has observed the circuit of influencers and hopefuls who try a more demanding don’t-you-know-who-I-am approach, only to see them get turned away unceremoniously each time.
“Kindness goes so much further than arrogance in these situations,” he noted.
Since 2017, Bassini has published a selection of his photos in his ongoing zine series “No Invite,” with the most recent, No. 12, publishing earlier this summer with an accompanying gallery exhibition in New York’s SoHo neighborhood. The intimacy of his quick, typically posed captures stands apart from the images on the wires during each fashion season. Bassini’s vibrant 35mm film portraits often feel as if he’s in conversation with his subjects, or saying goodbye to a friend, a camera lens that celebrities seem to engage with rather than avoid.
Sometimes, that’s because he has been chatting them up, often about photography. Bassini totes around point-and-shoot cameras, lately a Yashica T4 or Contax T2, that are compact enough to go unnoticed in his pocket but draw a nostalgic reaction from models and actors. The actor and director Jemima Kirke once asked him how to fix her Polaroid camera while waiting for her car outside of a Puppets and Puppets show, he recounted, while Klum waxed poetic with him about the feeling of developing film in a lab.
During a Carolina Herrera show in 2023 inside The Plaza Hotel (a venue that Bassini noted has always proved easy to infiltrate), the actor Melissa Barrera pulled him aside when she was done with an interview, he said.
“I’m like, ‘Am I in trouble? What’s going on here?’” he recalled. “And she goes, ‘I need to know where I can get my film developed in New York.’”
Today, Bassini travels alongside a crew of fellow photographers who collect information about each show; some of them from fashion week assignments or connections within the industry. They keep information flowing across group chats and spreadsheets, and Bassini enjoys the camaraderie of it all — though he’s known to disappear at any moment if he spots a way to get inside, he said.
But during his first attempt to photograph New York Fashion Week on a wintery day in 2016, he had no connections. At the time, most shows were hosted in Skylight Clarkson Square by the West Side Highway, unlike the official schedule’s decentralized sprawl across various sites today.
“I was walking around Soho, asking people where fashion week was. It was embarrassing, and it was so cold,” he said. Directed toward the main venue, he went to the wrong side of the building and soon gave up.
“If I had just gone around it, I would have found it, but who knows what I would have done if I did,” he said.
The following September, while visiting the Whitney Museum of American Art, he happened to run into a New York Fashion Week party and his interest was renewed when he began taking street-style photos of attendees. His real breakthrough, came, however, when he got a lead on the location of Kanye West’s (now known as Ye) show for Yeezy Season 5 at Pier 59 the following year; he snapped the incoming fashionable guests, including the former Victoria’s Secret model Georgia Fowler, whose portrait was the cover of his first volume of “No Invite.”
“It all made sense from there,” he said.
Nowadays, Bassini’s favorite show to sneak into has become Eckhaus Latta, the contemporary fashion label known for its gender-neutral appeal — with its 10th anniversary show at the abandoned, dilapidated Essex Street Market being among the highlights. To date, he has yet to be kicked out of any show, he claims, though once he was caught by a publicist who had denied him entry to a Puppets and Puppets show. When she spotted him photographing first looks inside, he had to evade her until the show began.
And, despite the number of celebrities Bassini has photographed over the years, he said he doesn’t take portraits based on fame, but instead on their attitude and style. Unnamed guests fill his pages, too, while outtakes of Zendaya or Natasha Lyonne didn’t quite make the cut. He is flattered, though, when he finds out that his subjects are using his portraits as their social media profile pictures. Such was the case with Alexa Chung he said, who used his portrait of her on Instagram for years.
However, “she never did hit me with the follow back,” he said, laughing.
What ethical considerations do runway photographers face when capturing candid moments without explicit consent?
Table of Contents
- 1. What ethical considerations do runway photographers face when capturing candid moments without explicit consent?
- 2. Infiltrating Runways: The celebrity Photographer Who Captures Exclusives From the Shadows
- 3. The Art of Access: Beyond the Official Photographer
- 4. Who Are These Shadow Snappers?
- 5. Techniques of the Trade: How They Get the Shot
- 6. The Legal and Ethical Tightrope
- 7. The Value of Unfiltered Fashion Photography
- 8. Equipment Essentials for Runway Infiltration
Infiltrating Runways: The celebrity Photographer Who Captures Exclusives From the Shadows
The Art of Access: Beyond the Official Photographer
For decades, the world of high fashion has been meticulously controlled, especially when it comes to imagery. While official photographers document runway shows for press and archives,a select few operate outside the system,capturing candid,exclusive moments that offer a raw and frequently enough more compelling perspective. These are the runway photographers who specialize in “infiltration,” a delicate dance of skill, networking, and a little bit of audacity. They’re the ones getting the shots everyone else wants – the unguarded expressions of supermodels, the designer’s fleeting reactions, the energy of the front row. This article delves into the world of these elusive image-makers, exploring their techniques, challenges, and the value of their unique perspective.
Who Are These Shadow Snappers?
These aren’t typically paparazzi in the customary sense.While some may overlap,the focus isn’t on scandal. Instead,these fashion photographers are driven by a passion for documenting the artistry and cultural impact of fashion. They often have established careers in other areas of photography – portraiture, street style, or even commercial work – and view runway infiltration as a creative challenge.
* Notable Names: While many prefer to remain anonymous, photographers like Tommy Ton (known for his street style work but frequently present at shows) and Mariano Vivanco (often capturing behind-the-scenes moments) exemplify this approach.
* The Rise of Self-reliant Coverage: The demand for authentic, unedited runway coverage has fueled the growth of independent platforms like Vogue Runway and Getty Images, creating opportunities for these photographers to showcase their work.
* Beyond the Big four: Infiltration isn’t limited to New York,Paris,Milan,and London. Emerging fashion weeks in cities like Copenhagen and Tokyo are also attracting these photographers seeking fresh perspectives.
Techniques of the Trade: How They Get the Shot
Gaining access – or circumventing restrictions – requires a multifaceted approach. It’s a blend of social engineering,technical prowess,and a deep understanding of show logistics.
- Networking is Key: Building relationships wiht PR teams, stylists, hair and makeup artists, and even security personnel is paramount. These connections can provide valuable intel and, occasionally, a discreet invitation.
- The Press Pass Game: Obtaining legitimate press credentials is the ideal scenario, but increasingly competitive. Photographers often work with smaller blogs or publications to secure access.
- Blending In: Mastering the art of appearing “official” is crucial. This means dressing the part (typically all black), carrying professional equipment, and exhibiting a confident, purposeful demeanor.
- Strategic Positioning: Identifying vantage points that offer clear views of the runway and the surrounding action is essential. This frequently enough involves navigating crowded spaces and utilizing architectural features.
- Technical Mastery:
* Fast Lenses: Crucial for low-light conditions and capturing sharp images in fast-paced environments. Prime lenses (35mm, 50mm, 85mm) are favored.
* High ISO Performance: Modern cameras with excellent high ISO capabilities are essential for minimizing noise in dimly lit venues.
* Silent Shutter Mode: Minimizes disruption and avoids drawing unwanted attention.
* Compact Equipment: Maneuverability is key. Photographers often opt for smaller camera bodies and lightweight lenses.
The Legal and Ethical Tightrope
Infiltration isn’t without its risks. photographers operate in a gray area, potentially violating show regulations and copyright laws.
* Show Accreditation Rules: Most fashion shows have strict rules regarding photography, often limiting access to accredited media only.
* Copyright Concerns: Capturing images of designs before they are officially released can raise copyright issues.
* Respecting Boundaries: While pushing boundaries is part of the game, ethical photographers avoid intentionally disrupting the show or harassing attendees.
* The Power of Permission: Increasingly, designers and brands are recognizing the value of authentic, unfiltered coverage and are granting access to select photographers, blurring the lines between “official” and “infiltrated” imagery.
The Value of Unfiltered Fashion Photography
Why is this type of photography so sought after? It’s about authenticity.
* Capturing the Energy: Official photos often focus on the garments themselves. Infiltrated photos capture the feeling of the show – the excitement, the tension, the artistry.
* Behind-the-Scenes Access: These images offer a glimpse into the world beyond the runway, revealing the chaos and collaboration that goes into creating a fashion show.
* Street Style Integration: Often, these photographers seamlessly blend runway coverage with street style photography, showcasing how fashion is interpreted and worn in the real world.
* Social Media Impact: The immediacy and authenticity of these images make them highly shareable on social media platforms like Instagram and TikTok, driving engagement and brand awareness. Fashion week photography thrives on this instant connection.
Equipment Essentials for Runway Infiltration
Beyond the camera body and lenses, certain accessories are indispensable:
* Comfortable Footwear: Hours of standing and navigating crowded spaces require comfortable shoes.












