Czech director Jitka Rudolfová’s latest film, “Dance with the Bear,” delves into complex ethical and emotional territory, prompting her to re-examine her own beliefs about reproductive choices. The film, which features actors alongside individuals with Down syndrome, sparked a period of introspection for Rudolfová, leading her to question the perceived ease of accessing abortion care.
Rudolfová initially held a firm conviction that she would not continue a pregnancy if a serious developmental issue was detected early on. Still, the process of making the film challenged that stance. “During filming, I began to doubt my position. I wondered if it’s really easy to have an abortion,” she shared in a recent interview. This sentiment was echoed by her collaborators, each bringing their own experiences and perspectives to the project.
The film’s exploration of difficult decisions resonated with Rudolfová on a personal level. She recounted her own experiences with prenatal screenings, noting a sense of detachment during her first pregnancy, believing she could “manage” any outcome. However, a subsequent pregnancy brought unexpected complications for her child, requiring a year of intensive care. This experience profoundly shifted her perspective, fostering a deep admiration for parents navigating far more challenging circumstances and ultimately leading her to reconsider having more children.
“Dance with the Bear” touches upon the sensitive topic of abortion, particularly in countries with restrictive laws like Poland and certain states in the United States. While the film doesn’t focus on the legal aspects of abortion, Rudolfová personally believes women should have the right to make decisions about their own bodies and lives. She expressed concern over the policies of figures like Donald Trump and the situation in Poland, which she described as “catastrophic,” and also voiced alarm over the growing influence of anti-abortion groups in the Czech Republic, deeming them “dangerous” and emphasizing the need for open discussion, even though her film doesn’t directly address them.
The Genesis of the Story
The film’s narrative was inspired by a real-life experience shared by producers at Luminar Film. A friend of theirs faced a similar situation to the protagonists in the film, receiving a difficult prenatal diagnosis. Remarkably, the couple went on to have a healthy child, adding a layer of complexity to the story.
A key aspect of “Dance with the Bear” is the inclusion of actors with Down syndrome. Rudolfová admitted to initial anxieties about working with the actors, unsure of how they would respond to the filming process. However, she was pleasantly surprised by their ease and authenticity. Some scenes were adjusted to ensure the children’s comfort and well-being, prioritizing their emotional needs.
Lukáš Dvořák, who plays the role of Adam, is joined by Petra Špalková as his mother. Rudolfová described a scene where Špalková’s character displays anger towards Adam, explaining that she worked with Dvořák to ensure he understood it was part of the performance and that his co-star still cared for him. Špalková’s realistic portrayal initially unsettled Dvořák, causing him to grow more reserved towards her for the remainder of the shoot.
Political Expression in Czech Cinema
Rudolfová previously expressed a desire for greater political engagement in Czech films. She believes “Dance with the Bear” focuses on reconciliation with one’s decisions and finding hope, rather than making overt political statements. However, she actively engages in politics personally, advocating for causes she believes in and emphasizing the importance of civic participation in today’s world.
Rudolfová credits Věra Chytilová, her former professor at FAMU, for instilling in her a critical and inquisitive approach to filmmaking. She described Chytilová as a challenging instructor who pushed students to confront their assumptions and develop their own artistic voices. Chytilová believed a director should be a “hunter,” constantly seeking diverse material and unexpected moments, recognizing that even mistakes could lead to creative breakthroughs.
Jitka Rudolfová was born on October 5, 1979, in Jablonec nad Nisou. She studied directing at the Film Academy Miroslava Ondříčka in Písek and at FAMU in Prague. Her directorial debut, “Zoufalci” (Desperate), premiered in 2009 and offered a generational portrait of thirty-somethings. She has since directed “Rozkoš” (Delight), “Hodinářův učeň” (The Clockmaker’s Apprentice), and “Život pro samouky” (Life for Self-Taughts).
As “Dance with the Bear” prepares for release, it sparks important conversations about difficult choices, societal attitudes towards disability, and the complexities of reproductive health. The film’s impact will likely extend beyond the screen, prompting viewers to reflect on their own beliefs and engage in meaningful dialogue.
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