An account named VH commented: “The film stopped at a good level compared to Vietnamese films screened during Tet in recent years, but it was praised too much. The story and color of the film are all old, not new, not much different from web-drama movies. Tran Thanh abuses his dialogue too much, the character’s interpretation is so counterproductive. If only the meaning of the story was expressed through the frame, cinematic language would be more valuable than words. Something that Tran Thanh has not been able to do.”
“I look forward to going to Tran Thanh more. With the success of revenue from 2 projects Godfather, House of Nu, I think it’s time for him to dig deeper into art instead of continuing to make movies that attract viewers’ tears but are not bold. cinematic press.
Revenue success cannot be said to be a good movie, so Tran Thanh needs to be alert because he has a responsibility when the film earns hundreds of billions. There is a great need for creative filmmakers who are passionate regarding Vietnamese cinema instead of working hard on making hundreds of billions of movies, although I still think revenue is their driving force”, TL pondered.
However, many opinions still defend Tran Thanh’s film. “I like filmmakers like Tran Thanh. Their high-grossing films are really a push for Vietnamese cinema to see themselves once more. I always consider both cinema and television the audience to be the number one criterion,” said the QH account.
AN also made a point of view: “The movies are said to be rich in art but no one watches, because art for the sake of life will live, art for art’s sake only worships”.
“I took my family to see it because the story resonated with the masses, we saw ourselves in the story. My family laughed and cried while watching the movie,” said VP account.
