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Neal McDonough Shines in ‘The Last Rodeo’ Review

The Rise of the “Earnest Blockbuster”: How Angel Studios is Redefining Faith-Based Cinema and Beyond

The box office is sending a clear signal: audiences are hungry for stories with heart. While superhero fatigue sets in and cynicism pervades much of mainstream entertainment, a quiet revolution is brewing in faith-based filmmaking, spearheaded by Angel Studios. Their recent releases, The Last Rodeo and King of Kings, aren’t just finding an audience; they’re demonstrating a potential blueprint for a new kind of blockbuster – one that prioritizes genuine emotion and relatable themes over spectacle alone. This isn’t simply a niche success; it’s a potential indicator of a broader shift in what moviegoers crave.

Walter Dickens (Roman Griffin Davis) stands in amazement in The King of Kings (2025), Angel Studios.

Beyond the Niche: Angel Studios’ Emerging Formula

Angel Studios’ journey hasn’t been without its stumbles. Films like Rule Breakers, Sight, and Brave the Dark showed promise but lacked the consistent emotional resonance needed to truly connect with wider audiences. However, the back-to-back releases of King of Kings and The Last Rodeo suggest a turning point. Both films, while rooted in faith-based narratives, focus on universally relatable human experiences: sacrifice, redemption, and the enduring power of family. This focus on core human values, rather than overt proselytization, appears to be the key differentiator.

The Last Rodeo, starring Neal McDonough, exemplifies this approach. The story of a retired bull rider returning to the arena to fund his grandson’s cancer treatment isn’t about religion; it’s about a grandfather’s love and a man’s desperate attempt to right past wrongs. The faith element is present – subtly woven into the characters’ motivations and worldview – but it doesn’t dominate the narrative. This nuanced approach is attracting viewers who might typically shy away from explicitly “faith-based” films.

Neal McDonough: The Auteur-Actor Leading the Charge

McDonough’s involvement in The Last Rodeo is particularly noteworthy. He doesn’t just star; he also produces and co-writes, demonstrating a clear creative vision. This multi-hyphenate role is becoming increasingly common as actors seek greater control over their projects and the stories they tell. The film benefits from McDonough’s dedication, and his on-screen chemistry with Mykelti Williamson (Forrest Gump) adds a layer of authenticity and emotional depth. Their portrayal of veteran camaraderie, punctuated by Williamson’s quiet faith, is one of the film’s strongest assets.

Neal McDonough Shines in ‘The Last Rodeo’ Review
Mykelti Williamson and Neal McDonough share a bond in The Last Rodeo (2025), Angel Studios.

The Director’s Touch: Jon Avnet’s Veteran Expertise

Angel Studios’ strategic choice of director, Jon Avnet, further elevates The Last Rodeo. Avnet’s extensive filmography, including classics like Fried Green Tomatoes and more mainstream fare like The Mighty Ducks, demonstrates a versatility that’s crucial for balancing artistic vision with commercial appeal. He skillfully employs POV and handheld camera work during the bull riding sequences, immersing the audience in the action without resorting to the jarring visual style often found in action films. This careful direction ensures the film remains grounded and emotionally resonant.

The Future of Faith-Based Entertainment: A Broader Trend?

The success of Angel Studios and films like The Last Rodeo isn’t an isolated phenomenon. It’s part of a larger trend towards audiences seeking authenticity and meaning in their entertainment. The rise of independent film platforms and the increasing dissatisfaction with formulaic blockbusters are creating space for stories that prioritize character development and emotional depth. This is particularly true for audiences who feel underserved by mainstream Hollywood.

However, Angel Studios’ model isn’t without its challenges. The film’s ending, while not detrimental, introduces a twist that slightly undermines the premise. Furthermore, the use of actual bull riders who lack acting experience highlights the need for a more consistent level of performance across the board. These are minor criticisms, however, in the context of a film that successfully delivers on its emotional core.

Looking ahead, Angel Studios’ continued success will likely depend on its ability to consistently deliver stories that are both entertaining and emotionally resonant. The key is to avoid becoming overly preachy or formulaic, and to continue prioritizing character-driven narratives. This approach could not only solidify Angel Studios’ position as a leading force in faith-based entertainment but also influence the broader film industry, paving the way for a new era of “earnest blockbusters.” The demand for stories that offer hope, meaning, and genuine human connection is clearly growing, and Angel Studios appears uniquely positioned to capitalize on this trend.

The Last Rodeo movie poster
The Last Rodeo’s movie poster via @thelastrodeomovie on Instagram

What are your thoughts on the evolving landscape of faith-based cinema? Share your opinions in the comments below!

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