The American theatre landscape is experiencing a shift in leadership, with several key companies announcing new executive appointments. These changes signal a period of growth and renewed vision for institutions dedicated to both classic and contemporary works. From New York City to Portland, Oregon, these leaders bring a wealth of experience and a commitment to fostering vibrant artistic communities.
Among the most notable appointments is Chris Berry, who steps into the role of managing director at the Classical Theatre of Harlem (CTH). Simultaneously, Childsplay in Phoenix has named Anthony Runfola as its new artistic director, while Portland Center Stage at The Armory welcomes Heather de Michele as its managing director, effective April 6th. Rounding out the changes, Conner Criswell has been appointed managing director of A Noise Within in Pasadena, California. These appointments reflect a dedication to diverse perspectives and innovative approaches within the performing arts.
Classical Theatre of Harlem Welcomes Chris Berry
Chris Berry’s arrival at the Classical Theatre of Harlem marks a pivotal moment for the organization, as it aims to solidify its position as a leading American theatre company rooted in Harlem and reflective of the African diaspora. Berry brings over a decade of leadership experience in the nonprofit theatre world, arts education, and national cultural organizations. Most recently, he served as the executive director of The Playwrights Realm, where he focused on strategic growth and strengthening the organization’s infrastructure. BroadwayWorld reported on the appointment in February 2026.
Beyond his work with The Playwrights Realm, Berry’s resume includes roles as arts director at the Penumbra Center for Racial Healing, president and national conference planner of the Black Theatre Network, and director/program director at the Billie Holiday Theatre. He too has a background in education, having served as an assistant professor of theatre at both the University of North Carolina at Charlotte and Florida A&M University. Berry holds a BFA in acting from North Carolina A&T State University (’08) and an MFA in acting from Brown University/Trinity Rep (’11). He has also contributed his skills as a dialect coach to productions like Signature Theatre’s The Hot Wing King and the television series P-Valley.
Childsplay Names Anthony Runfola as Artistic Director
In Phoenix, Childsplay has tapped Anthony Runfola to serve as its third artistic director, succeeding Dwayne Hartford and founder David Saar. Runfola will officially commence his tenure on June 1st. Notably, Runfola is returning to Childsplay after previously holding various positions there for two decades, including director of production. He oversaw more than 150 productions and contributed to the development of new plays such as Tomás and the Library Lady and The Sun Serpent. American Theatre detailed these appointments on March 20, 2026.
Prior to his return, Runfola served as the artistic director of Magik Theatre from 2019 to 2025, where he championed inclusive storytelling and community partnerships. Under his leadership, Magik Theatre was recognized as “Best Theatre” by the San Antonio Current from 2022 to 2024. At Childsplay, Runfola will work alongside managing director Steve Martin, focusing on artistic programming, community engagement, and the company’s commitment to education and equity.
Leadership Changes at A Noise Within and Portland Center Stage
In Pasadena, California, A Noise Within has promoted its current general manager, Conner Criswell, to the position of managing director, succeeding Douglas Love-Ramos. Criswell brings a background in arts and culture management, holding an MA from the University of Denver and a BA from the University of Oregon. His experience also includes roles at Orlando Shakespeare Theater and the Walt Disney World Resort.
Meanwhile, Portland Center Stage at The Armory is welcoming Heather de Michele as its new managing director, starting April 6th. De Michele succeeds Liam Kaas-Lentz and brings over 15 years of experience in arts administration. She previously served as executive director of Live Wire Radio for six years and as managing director of The Groundlings Theatre and School in Los Angeles for over a decade, where she significantly expanded the organization’s reach and developed a diversity, equity, and inclusion program in partnership with NBC Universal.
These appointments across the country demonstrate a commitment to experienced leadership and a forward-thinking approach to the future of American theatre. As these new leaders settle into their roles, audiences can anticipate innovative programming and a continued dedication to the arts.
The coming months will be crucial as these leaders implement their visions and navigate the evolving landscape of the performing arts. The impact of their leadership will undoubtedly be felt by artists, audiences, and communities nationwide. Share your thoughts on these exciting changes in the comments below.
