K-Drama Powerhouses Advocate for Global Crossovers & Bold New Stories
Seoul, South Korea – The future of K-dramas is looking increasingly international, according to leading writers Kang Yoon-sung (Crime City, Casino) and Kim Eun-hee (Signal, Kingdom). Speaking at the 25th International Broadcasting Film Market (BCWW) in Seoul today, both creators signaled a strong desire for collaboration with overseas production companies and a push for more original, globally-resonant storytelling. This breaking news comes as the Korean content industry navigates a shifting landscape shaped by the rise of OTT platforms and a post-pandemic world.
The Rise of the Cultural Crossover
“I think the era is a cultural crossover era,” stated Kim Eun-hee, reflecting a sentiment echoed by Kang Yoon-sung. Kang specifically cited Netflix’s animated series, ‘K-Pop Daemon Hunters,’ as a positive example of successful international partnership, noting the fresh perspective that outside producers can bring. “We are trying to do a movie as much as possible (cooperation with overseas producers),” Kang explained, revealing a long-held ambition to create films in the United States. He highlighted the potential for Korean characters and stories to find new audiences when reimagined through a different cultural lens.
This shift isn’t just about expanding reach; it’s about revitalizing the creative process. Both writers acknowledged a need to move beyond familiar tropes and explore new thematic territory. The COVID-19 pandemic, Kang pointed out, served as a direct crisis for the Korean film industry, accelerating the need for innovation. Now, with the support of OTT platforms, Korean creators have an opportunity to tackle “world-class topics and stories beyond Korea,” with Korean perspectives at the forefront.
‘Signal 2’ & The Challenge of Sequels
Kim Eun-hee also provided a glimpse into her highly anticipated project, ‘Signal 2,’ a sequel to the critically acclaimed crime thriller ‘Signal.’ The writer admitted to facing significant creative hurdles in crafting a follow-up that would both honor the original and offer something new. “I had to be more fun than before, and I had to be a new story. I had a lot of trouble because I had to be a replay of the old story,” she confessed.
‘Signal 2’ is set in 2016 and will continue to explore themes of injustice and the enduring struggle for truth, even as time passes. The series promises to build upon the established ‘Signal’ universe while introducing fresh challenges and characters. The success of ‘Signal’ demonstrates the power of well-crafted, character-driven narratives in the K-drama landscape, a formula both Kang and Kim seem intent on replicating – and evolving.
The Importance of New Voices & Diverse Funding
Beyond specific projects, both writers emphasized the importance of fostering a healthy and diverse ecosystem for Korean content creation. Kim expressed concern that a shrinking industry could stifle opportunities for emerging talent. “The harder the drama or the film industry, the more opportunities for newcomers will disappear,” she warned. Kang echoed this sentiment, noting a perceived lack of diversity in funding sources, stating, “I talk about foreign capital while talking about Kedeheon, but nowadays I don’t think there are a variety of capital and there are no pure Korean works.”
Evergreen Insight: The K-drama boom isn’t accidental. It’s the result of strategic investment in storytelling, a willingness to experiment with genre, and a growing global appetite for Korean culture. However, maintaining this momentum requires a commitment to supporting both established creators and the next generation of talent. The call for diverse funding sources is particularly crucial, as reliance on a limited number of investors can lead to creative stagnation and a lack of representation.
The discussions at BCWW signal a pivotal moment for the K-drama industry. As Korean content continues to captivate audiences worldwide, the willingness to embrace collaboration, explore new narratives, and nurture emerging talent will be key to sustaining its global success. The future of K-dramas isn’t just about exporting Korean culture; it’s about creating a truly global cultural conversation.
Stay tuned to Archyde for continued coverage of the BCWW and the latest developments in the world of K-drama and Korean entertainment. Explore our Entertainment section for more in-depth analysis and breaking news.
