New York City’s vibrant theater scene is seeking skilled Technical Directors (TDs) for a two-week festival run beginning April 20, 2026. The opportunity, offered by All Out Arts, Inc., promises a fast-paced environment with a high volume of productions in a modern 89-seat Manhattan house. This is a chance for experienced lighting and technical professionals to contribute to a diverse range of theatrical works.
The festival, now in its 24th year, is looking for two TDs to share responsibilities across 7 to 8 shows per week. The workload includes one tech rehearsal and one to three performances per show, with two of those shows being simply-staged readings. The position requires a strong understanding of modern theatrical technology and the ability to work collaboratively in a dynamic setting. Successful candidates will be integral to bringing a variety of performances to life for New York audiences.
Technical Requirements and Responsibilities
Applicants must be available from April 20 through May 3, 2026, with a commitment of roughly half-time availability. A core requirement is experience programming and running the latest ETC lighting control hardware and firmware, with a focus on creating and maintaining multi-show backups. The role also involves replacing lamps as needed, with assistance from stage managers. Proficiency in programming vari-focus and LED-color instruments is essential, as is a focus on lighting design utilizing a pre-designed, fixed rep-plot.
Even as dedicated lighting designers aren’t assigned to every production, the TDs will be expected to assist directors in adapting the existing rep-plot to their vision. Experience in a theater festival environment is highly valued, as is a basic understanding of booth-level sound environments. The ability to work with a flexible schedule, created in collaboration with the team, is also crucial. All Out Arts emphasizes a comfortable and inclusive work environment, specifically noting the festival is “mostly LGBT.”
Support and Compensation
The festival provides two Technical/Logistical Stage Managers (TSMs) to assist during tech rehearsals and show openings/closings. Each show is expected to have its own production stage manager and shows are responsible for running their own video/projections and sound, unless the sound requirements are extremely basic. The base total fee for the position is a minimum of $1,900, with a potential “stress bonus” added for the first week, as the second week is typically less demanding. Payment is structured as an Independent Contractor (1099-NEC) with a $150 retainer paid on day two, and the balance paid before load-out.
The work environment is characterized by a high production volume – 5 to 7 full-length plays per week, plus 3 shorter events. The festival prioritizes a cooperative team approach, with the two TDs sharing the workload to ensure neither is consistently working early and late hours. There are no early morning calls, and only five nights run to 10 pm. Notably, there is no “lighting hang” call; the focus is on checking the pre-installed rep-plot, adjusting focus as needed, and adding practical lighting lines or gels when necessary.
How to Apply
Interested candidates should submit a resume and a short note of interest via email. The application process is currently open, and the deadline is not explicitly stated, so early applications are encouraged.
This opportunity offers a unique chance to contribute to a thriving arts community in New York City and gain valuable experience in a fast-paced, collaborative environment. The festival’s commitment to providing support and a manageable workload makes it an attractive option for experienced technical directors looking for a challenging and rewarding project.
As the festival approaches, further details regarding the specific productions and schedules will become available. Preserve an eye on All Out Arts’ communications for updates and announcements. We encourage those with the required skills and a passion for theater to apply and become part of this exciting event.
