The concert and performance experience is increasingly being marred by disruptive audience behavior, a trend that has noticeably worsened since the pandemic. From excessive phone leverage to outright incivility, attendees are creating challenges for both performers and fellow audience members. This growing issue is prompting discussion about how to restore respect and enjoyment to live events.
Recent reports highlight a surge in problematic conduct at venues across Quebec. A recent intimate concert by Bobby Bazini at the Outremont Theatre was negatively impacted by the actions of a disruptive attendee, according to Le Journal de Montréal. This incident is just one example of a broader pattern of incivility that is becoming increasingly common.
The core of the problem appears to be a lack of consideration for the performers and other patrons. One of the most prevalent issues is the constant use of smartphones during performances. Rather than being present in the moment, many attendees are focused on recording videos or taking photos, often with the screen brightness turned up, distracting those around them. TVA Nouvelles reports that this inappropriate phone use, along with general “placotage” – a term encompassing disruptive fidgeting and talking – is significantly diminishing the experience for others.
The Pandemic’s Impact on Audience Etiquette
Experts suggest that the pandemic may have exacerbated this trend. With limited opportunities for social interaction during lockdowns, some individuals may have lost touch with established social norms regarding public behavior. The return to live events has, for some, been accompanied by a diminished sense of shared etiquette and respect. The disruption isn’t limited to concerts; theatres and other performance spaces are also experiencing similar issues. TVA Nouvelles notes that disruptive spectators are “making life difficult” for event organizers.
The problem extends beyond simple annoyances. Incivility in performance spaces is now being described as a “scourge” by Radio-Canada, indicating the severity of the situation. The impact on performers is significant, as they struggle to connect with an audience that is often disengaged or actively disruptive.
Regional Festivals Voice Concerns
The issue isn’t just affecting large-scale events. Regional festivals are also feeling the strain, and are expressing frustration over funding allocations. On February 10, 2026, several regional festivals voiced their concerns, stating that it is “unfair and incomprehensible” that large corporations like evenko/Live Nation receive millions in public funds while they struggle to operate, as reported by Le Journal de Québec. This adds another layer of complexity to the challenges faced by the performing arts community.
While solutions are still being explored, the need for greater awareness and a renewed emphasis on audience etiquette is clear. Event organizers are considering various strategies, from pre-show announcements reminding attendees of appropriate behavior to stricter enforcement of venue rules. However, a shift in mindset among audience members is crucial to restoring a respectful and enjoyable atmosphere at live events.
The situation is evolving, and further discussion is needed to determine the most effective ways to address this growing problem. As live events continue to recover and regain popularity, ensuring a positive experience for both performers and audiences will be paramount. What steps can venues and attendees take to foster a more respectful environment? Share your thoughts in the comments below.
