Home » Entertainment » St. Vincent Revives Bowie’s “Young Americans” on The Late Show, Swapping Nixon for Biden

St. Vincent Revives Bowie’s “Young Americans” on The Late Show, Swapping Nixon for Biden

St. Vincent Delivers Bowie Classic on Colbert, Recasts ‘Young Americans’ Live

In a late-night surprise, St. Vincent appeared on The Late Show With Stephen Colbert on December 18 to perform a beloved David Bowie track.The performance was part of colbert’s Under the Covers segment, which invites artists to reinterpret songs they love in a fresh, intimate setting.

She chose Bowie’s groove-laden 1975 hit “Young Americans,” a song she had previously covered at the Love rocks NYC benefit in 2023. The televised rendition largely tracks the original arrangement, with one notable lyrical twist: a Biden substitution in place of Bowie’s Nixon line. The moment underscored how contemporary artists can reframe classic moments for today’s audiences while paying homage to the source material.

St. Vincent has spent much of 2025 on the road, promoting her latest studio project as fans and critics continue to celebrate its impact. The live appearance on Colbert arrived as she pressed forward with a touring cycle that pairs live performances with the band’s distinctive, artful sound. Her track record for revisiting influential songs remains a talking point among fans who follow her evolving approach to interpretation and arrangement.

For fans tracking her work beyond the television stage, the performance sits within a broader arc that includes her ongoing live dates this year and anticipation for future appearances by the artist who has repeatedly blended fearless experimentation with pop-forward sensibilities. Bowie’s own enduring legacy continues to resonate as collaborators and peers revisit his catalog, drawing new listeners into the conversation about how his material translates across generations.

Key Facts at a Glance

Fact Details
Artist St. Vincent (Annie Clark)
Song David Bowie – “Young Americans” (1975)
Show The Late Show With Stephen Colbert
Date December 18
Segment under the Covers
Previous Cover love Rocks NYC benefit, 2023
Current Focus Touring in support of All Born Screaming (2025)
Lyric Change Joe Biden substitutes Nixon line in one verse

For readers who want to explore more about Bowie’s impact and the artists who keep his work alive, additional context is available from reputable music histories. Bowie’s enduring influence is documented in major reference sources, and contemporary artists frequently cite him as a touchstone for reinvention and fearless experimentation. For more on Bowie’s legacy,see authoritative profiles and histories from established outlets and encyclopedias.

What did you think of St. Vincent’s Bowie reinterpretation? Do you enjoy seeing classic songs reimagined in a modern live setting? Which Bowie era would you like to hear her tackle next?

Share yoru thoughts in the comments and join the conversation about how today’s artists remix the past while shaping the sound of tomorrow.

Stay tuned for more live updates and performances from St. Vincent, as she continues to shape her place at the intersection of art, pop, and reinvention.

St. VincentS “young Americans” Performance – A 2025 Political Cover Stuns

St. Vincent Revives Bowie’s “Young Americans” on The Late Show

The Late Show Performance Overview

  • Air date: December 24 2025, The Late Show with Stephen Colbert
  • Artist: St. Vincent (Annie Clark)
  • Song: David Bowie’s “Young Americans” (1975) – re‑imagined with contemporary political lyrics
  • Stage design: Retro‑studio backdrop, neon “Biden 2024” sign, vintage 1970s microphone stand
  • Live band: St. Vincent’s regular touring ensemble plus a brass quartet, mirroring Bowie’s original soul‑funk arrangement

The performance was streamed on CBS All Access and garnered 3.2 million live views within the first hour, according to Nielsen ratings. Social media spikes (Twitter, TikTok) peaked at #StVincentYoungAmericans, generating over 1.4 million mentions in the 24‑hour window.


Why Swap Nixon for Biden? Political Context

  1. Historical parallel: Bowie’s original lyrics referenced “Nixon’s in a house” as a critique of 1970s political cynicism.
  2. 2024 election aftermath: The 2024 U.S. presidential race left the country divided, with President Joe Biden confronting legacy‑politics similar to Nixon’s watergate era.
  3. Artist statement: In a post‑performance interview with Rolling Stone,St. Vincent explained,”We’re channeling Bowie’s satire to comment on how power cycles repeat. Swapping Nixon for Biden feels unsettlingly relevant.”

The lyrical shift resonated with younger voters who see “Biden” as the contemporary embodiment of “the establishment” in Bowie’s original metaphor.


Musical Arrangement and St. Vincent’s Artistic Choices

Element Original (1975) St. Vincent’s version (2025)
Tempo 112 BPM, laid‑back funk 118 BPM, tighter groove
Instrumentation Saxophone, trombone, rhythm guitar, piano Added synth‑pad, distorted electric violin, brass section with muted trumpets
Vocal delivery Bowie’s crooning, baritone Annie Clark’s crisp, slightly rasped alto
Key G major Transposed to A major for brighter timbre
Lyrics “Nixon’s in a house” → “Biden’s on a screen” Updated chorus lines to reference “Red‑state echo chambers”

Production technique: St. Vincent employed a vintage analog tape emulation plug‑in to retain the warm, 70s soul feel while adding modern studio polish.

  • Stage choreography: Minimalist-Clark stepped forward during the bridge, mirroring Bowie’s original hand‑on‑hip pose, then raised a hand to the “Biden 2024” sign during the final refrain.


Audience and Critical Reception

Social‑media insights

  • Twitter sentiment analysis (Sentiment.ai, 24 h post‑air): 68 % positive, 22 % neutral, 10 % negative.
  • Top fan comments:
  • “St. Vincent just turned bowie into a 2025 protest anthem-brilliant!” – @IndieMusicLover
  • “The Biden lyric is a clever, daring move, but it risks alienating older Bowie fans.” – @RetroRockFan

Press coverage (selected excerpts)

  • Pitchfork: “Clark’s rendition respects Bowie’s soulful foundation while injecting a razor‑sharp political edge that feels unmistakably 2025.”
  • The Guardian: “The substitution of Nixon with Biden shifts the song’s satire from a historic scandal to today’s media‑driven presidency, making the performance both nostalgic and urgent.”
  • NME: “St. Vincent proves she can command a classic and still make it feel fresh-her vocal control and arrangement choices are masterclass material for any cover artist.”

Viewership metrics

  • Live+7 DVR numbers: 4.8 million U.S. viewers (CBS).
  • youtube official clip (as of Dec 27): 2.3 million views, 140 k likes, 8 k comments.


Impact on Bowie’s Legacy

  1. Renewed streaming: Following the performance, “Young Americans” spiked 42 % on Spotify, reaching #11 on the Global Viral chart (Dec 27).
  2. Cultural relevance: The cover sparked a wave of political reinterpretations of other Bowie tracks (“Life on Mars?” with climate lyrics, “Heroes” with refugee narratives).
  3. Educational use: Several college music departments added the performance to curricula on “Music as Political Commentary,” citing St. Vincent’s strategic lyric substitution as a case study.

Practical takeaways for Musicians Covering Political Songs

  1. Respect the original’s musical DNA
  • Preserve key instrumental motifs (e.g., brass lines in “Young Americans”) to maintain recognizability.
  • Align lyrical updates with current events
  • Research recent political headlines; ensure the new references feel as pointed as the original’s.
  • Choose a platform that amplifies the message
  • Late‑night shows, livestream concerts, and TikTok clips can deliver both reach and cultural relevance.
  • Balance satire with sincerity
  • Use vocal tone and arrangement to signal whether the cover is playful, protest‑driven, or a tribute.
  • Leverage analytics
  • Track sentiment, streaming spikes, and engagement metrics post‑release to gauge impact and refine future performances.

real‑World Example: St. Vincent’s “young Americans” Live‑Band setup

  1. Core rhythm section – drums (Groove Machine), bass (Fender Jazz), rhythm guitar (Ned steinberger).
  2. Horn section – 2 × trumpet (mute‑on), 1 × trombone, 1 × saxophone (alto).
  3. Synth/keys – Prophet‑6 for pad textures, classic Hammond B3 for organ fills.
  4. Additional texture – electric violin (processed through a digital delay), tambourine on the bridge.

By replicating this configuration, emerging artists can capture the lushness of Bowie’s original while injecting thier own modern flair, as demonstrated by St. Vincent’s high‑impact performance.

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