Shisospicy Triumphs in $2 Million Kentucky Downs Stakes, Trainer D’Angelo Secures One-Two Finish
Table of Contents
- 1. Shisospicy Triumphs in $2 Million Kentucky Downs Stakes, Trainer D’Angelo Secures One-Two Finish
- 2. A Strong Performance for the newcomer
- 3. Dominating the Final Stretch
- 4. Shisospicy’s Remarkable Record
- 5. The Growing Popularity of kentucky Downs
- 6. Frequently Asked Questions About The AGS Music City Stakes G2
- 7. How did the emphasis on “feel” and groove within Nashville’s session scene align with D’Angelo’s musical approach, specifically as evidenced in “Kikito”?
- 8. Unveiling the Musical Roots of “Kikito” D’Angelo in nashville’s historic Music City: A Content Writer’s Journey
- 9. The Unexpected Nashville Connection: D’Angelo and American roots Music
- 10. Nashville’s Session Scene: A Breeding Ground for Innovation
- 11. “kikito” and the funk Influence: A Deeper Look
- 12. The Role of James “Jamo” Thomas and the Bassline
- 13. Percussion and the Nashville Drumming Style
- 14. The Producer’s Perspective: Bob power and the Search for the Right Sound
- 15. Beyond “Kikito”: Nashville’s Subtle Influence on Voodoo
- 16. The legacy: Cross-Genre Collaboration and the Evolution of Soul Music
Kentucky Downs played host to a thrilling display of athleticism on Saturday, September 6, as Shisospicy claimed victory in the prestigious $2,000,000 AGS Music City Stakes G2. The win resonated strongly with Spanish-speaking audiences, adding an extra layer of excitement to the event. Venezuelan coach José Francisco D’Angelo orchestrated a remarkable performance, securing both first and second place in the race.
A Strong Performance for the newcomer
Rider Irad Ortiz Jr. skillfully guided Shisospicy to victory in the horse’s inaugural United States race. The colt had recently competed in the Commonwealth Cup Group 1 at Royal Ascot in england on June 20, showcasing its international caliber. Shisospicy initially engaged in a fierce battle with Gata Brazil for over half a mile, demonstrating remarkable stamina and determination. The race was broadcast live via DRF in Spanish on their YouTube channel, reaching a wide audience.
Ortiz Jr. employed a strategic approach, conserving Shisospicy’s energy during the initial struggle.He allowed Gata brazil, ridden by ben Curtis, to lead momentarily before unleashing Shisospicy’s power in the final stretch.
Dominating the Final Stretch
Shisospicy maintained a consistent pace, clocking 21.83 seconds for the first quarter mile and 44.58 seconds for 800 meters. His stablemate, Cloe, also expertly ridden by Ricardo Santana Jr., steadily gained ground, overtaking Gata Brazil without resistance and ultimately securing second place.Shisospicy crossed the finish line in 1:14.54 for the 6 1/2 furlong race, leaving Cloe trailing behind.
Tabiti (GB) finished third, making a persistent run from the intermediate positions, while Classic Q secured fourth place after a powerful late surge.
| Position | Horse | Jockey | Time |
|---|---|---|---|
| 1st | Shisospicy | Irad Ortiz Jr. | 1:14.54 |
| 2nd | Cloe | Ricardo Santana Jr. | 1:14.54 |
| 3rd | Tabiti (GB) | TBD | TBD |
| 4th | Classic Q | TBD | TBD |
Did You Know? Kentucky Downs is known for its unique turf course, built within a horse racing oval, making it one of the most distinctive tracks in the United States.
Shisospicy’s Remarkable Record
Prior to this victory, Shisospicy had achieved a 4-4 record on the continent, with a total of seven starts in the american Union. The four-year-old filly is a daughter of Mitole and Mischief Galore, bred in kentucky by bill and Corinne Heiligbrodt and campaigns for Morplay Racing LLC and Qatar Racing.
At the betting windows, Shisospicy was the third favorite, returning $8.42, $5.54, and $3.94. Cloe, a longshot at 25-1, paid $20.02 to place and $11.30 to show, while Tabiti (GB) closed at $3.94.
Pro tip: Keep an eye on horses that have competed at royal Ascot, as their experience on international tracks often translates to success in the United States.
The Growing Popularity of kentucky Downs
Kentucky Downs has experienced significant growth in recent years, becoming a major destination for horse racing enthusiasts.Its unique blend of turf and dirt racing, combined with its strategic location, has drawn both national and international competitors. The track’s commitment to innovation and its focus on providing a high-quality racing experience have solidified its position as a leading venue in the industry. In 2023, Kentucky Downs hosted record handle and attendance figures, demonstrating its increasing appeal to a broad audience.
Frequently Asked Questions About The AGS Music City Stakes G2
- What is the AGS Music City Stakes G2? It is a $2,000,000 Grade 2 horse race held annually at Kentucky Downs.
- Who trained the winning horse, Shisospicy? José Francisco D’Angelo was the trainer of the winning horse.
- Where was Shisospicy before racing in the United States? Shisospicy previously competed at Royal Ascot in England.
- Who rode Shisospicy to victory? Irad Ortiz Jr.was the jockey who rode Shisospicy.
- what is significant about the AGS Music City Stakes G2 result? José Francisco D’Angelo achieved a remarkable one-two finish in the race with Shisospicy and Cloe.
What were your initial impressions of Shisospicy’s performance? Do you think this win will propel the horse to further success in the United States?
How did the emphasis on “feel” and groove within Nashville’s session scene align with D’Angelo’s musical approach, specifically as evidenced in “Kikito”?
Unveiling the Musical Roots of “Kikito” D’Angelo in nashville’s historic Music City: A Content Writer’s Journey
The Unexpected Nashville Connection: D’Angelo and American roots Music
Many associate D’Angelo, the neo-soul icon, with the rich musical landscapes of Richmond, Virginia, and the vibrant R&B scenes of the 90s. However,a deeper dive reveals a fascinating,ofen overlooked connection to Nashville,Tennessee – a city steeped in American roots music traditions. This isn’t about D’Angelo living in Nashville, but rather the subtle yet notable influence of Nashville’s studio musicians, songwriting techniques, and overall musical ethos on his groundbreaking album, Voodoo, and particularly, the track “Kikito.” Understanding this link requires exploring the session musician culture of the era and the burgeoning cross-genre collaborations happening in the late 90s.
Nashville’s Session Scene: A Breeding Ground for Innovation
Nashville in the 1990s wasn’t solely defined by country music. Beneath the surface, a thriving network of session musicians – often referred to as the “Nashville Cats” – were quietly shaping the sound of popular music across genres. These musicians, renowned for their versatility and impeccable timing, were in high demand.
The A-Team: Players like reggie Young, Harold Bradley, and Joe Osborn were legendary figures, contributing to countless hit records.
Cross-Genre Work: They weren’t limited to country; they routinely worked on pop, R&B, and rock projects, bringing a unique sensibility to each.
Studio Expertise: Nashville studios like RCA Studio B and Sound Stage Studios were equipped with cutting-edge technology and fostered a collaborative surroundings.
This environment was crucial. Producers seeking a specific sound – a certain groove, a particular instrumental texture – often turned to Nashville’s session players.
“kikito” and the funk Influence: A Deeper Look
“Kikito,” with its complex polyrhythms, hypnotic bassline, and overall funk-infused vibe, stands out even within the already experimental Voodoo album. While D’Angelo’s musical genius is undeniable, the precision and feel of the instrumentation suggest a level of musicianship that points to seasoned studio professionals.
The Role of James “Jamo” Thomas and the Bassline
James “Jamo” Thomas, a highly respected bassist known for his work with Prince and many other prominent artists, played a pivotal role in shaping the sound of Voodoo.While not exclusively a Nashville musician, Thomas’s collaborative spirit and willingness to experiment aligned perfectly with the Nashville session ethos. The “Kikito” bassline, in particular, showcases a rhythmic complexity and pocket that are hallmarks of skilled session work. it’s a masterclass in understated funk, providing the foundation for the song’s hypnotic groove.
Percussion and the Nashville Drumming Style
The percussion on “Kikito” is equally noteworthy.The subtle interplay of congas, shakers, and other percussive elements creates a rich, layered texture. While the specific percussionists involved aren’t widely documented, the overall feel echoes the nuanced drumming styles frequently enough found in Nashville studios – a focus on groove, dynamics, and serving the song.
The Producer’s Perspective: Bob power and the Search for the Right Sound
Bob Power, the producer of Voodoo, has spoken extensively about his desire to create a raw, organic sound for the album. He actively sought musicians who could deliver that authenticity. While Power didn’t explicitly state a direct reliance on Nashville musicians for “Kikito,” his approach – prioritizing feel and groove over technical perfection – aligns with the values of the Nashville session scene. He was looking for players who could feel the music and contribute to its emotional depth.
Beyond “Kikito”: Nashville’s Subtle Influence on Voodoo
While “Kikito” provides the most compelling evidence of a Nashville connection, the influence extends to other tracks on Voodoo. The album’s overall sonic texture – the warmth of the analog recording, the spaciousness of the arrangements – reflects the aesthetic sensibilities of Nashville studios.
Analog Recording Techniques: Nashville studios were early adopters of analog recording technology, and the resulting warmth and depth are evident on Voodoo.
Emphasis on Arrangement: The album’s arrangements are meticulously crafted, with each instrument serving a specific purpose. This attention to detail is a hallmark of Nashville’s songwriting and production traditions.
Vocal Production: The intimate and nuanced vocal production on Voodoo also benefits from the studio expertise found in Nashville.
The legacy: Cross-Genre Collaboration and the Evolution of Soul Music
The story of “Kikito” and its Nashville roots highlights the importance of cross-genre collaboration in the evolution of soul music. By embracing influences from diverse musical traditions, D’Angelo created a sound that was both innovative and deeply rooted in the past. This approach continues to inspire artists today, blurring genre boundaries and pushing the boundaries of musical expression. The impact of Nashville’s session musicians, though often behind the scenes, is a testament to their