Festival Season Under Threat: Sound Regulations Prove Unenforceable
As the festival season kicks off, organizers and attendees face a daunting challenge: the enforcement of sound regulations that many deem impossible to respect. Major events like Hellfest, We Love Green, and Marsatac are once again in violation of these regulations, prompting the government to re-examine the issue.
Industry Outcry and Government Response
Malika Séguineau, Director General of Ekhoscènes, the principal private live performance union, emphasizes the absurdity of the situation. “All outdoor events in France, and not just festivals, are today unable to comply with the regulations,” she says. The regulations in question come from a 2017 decree that mandates a series of obligations aimed at protecting spectators and residents from noise pollution.
Under this decree, festivals are required to limit their “Global emergence” (the difference between the noise generated by their activities and the usual noise level of their location) to 3 decibels (dB). However, this standard is widely considered unfeasible, especially for outdoor events where sound propagation is highly variable.
Technical and Practical Challenges
Angélique Duchemin, president of the Agi-Son association, notes the impracticality of this provision. “This level is both incalculable and absolutely not tenable,” she says. Béatrice Desgranges, director of the Marsatac festival, agrees, highlighting the difficulties in controlling sound in open spaces. “We have no solution to this,” she notes.
As a result, festival organizers are forced to contravene this rule, risking fines or administrative suspensions. “Acting in a framework that puts us outlaw is not comfortable but it is not more so for the authorities who struggle to apply controls,” Desgranges adds.
Government Acknowledges the Difficulties
After years of struggle, the battle for outdoor festivals is beginning to show results. On Tuesday, June 10, the government acknowledged the difficulties faced by festival organizers and announced the formation of a working group to identify alternative solutions by the end of November. The goal is to limit “Sound emergence” in a more practical manner.
“The regulations may evolve towards technically more easily applicable provisions,” indicates a press release from the ministries of culture, health, and ecological transition. In April, Minister of Culture Rachida Dati hinted at a potential relaxation of the regulations.
Economic and Social Impact
The challenge of adapting to new regulations is particularly acute in cities like Clisson, Loire-Atlantique, which hosts the world-renowned Hellfest. Mayor Laurence Luneau acknowledges the dual impact of the festival: a boon for the city but a source of discomfort for residents. “Having this festival is a chance but it is obvious that, for the inhabitants, it is four days of hell,” she says.
Pending new regulations, the Ekhoscènes union calls for flexibility in controls to protect the 2025 festival season. “Today, we are satisfied because we got back around the table but be careful: the regulations are still there and there is therefore a risk for festivals,” Séguineau cautions.
Looking Ahead
The road to finding a viable solution is fraught with challenges, but festival organizers are not without resources. Marsatac, for instance, has launched experiments on “Directivity” sound and is working on technician training and artist awareness. “The challenge is to be able to maintain outdoor events in the cities that are at the heart of the social bond,” Desgranges notes.
As the debate continues, one thing is clear: the future of festival season hinges on finding a balance between regulation and feasibility. Stay tuned to archyde.com for the latest updates on this evolving story.
