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Frédéric Gérard Returns to Theater with Eco-Conscious Production “The Very Sustainable Lightness of My Being” – RTS.CH

by Marina Collins - Entertainment Editor
written by Marina Collins - Entertainment Editor


Frédéric Gérard Brings Lightness Back to the Stage in Lausanne

Lausanne,Switzerland – Comedian and performer Frédéric Gérard is captivating audiences once more with his latest stage production,”The very sustainable lightness of my being.” This marks Gérard’s return to live performance after a four-year absence, promising a unique blend of humor, music, and insightful reflection. The show is currently running at the Boulimie de Lausanne theater and continues until September 27, 2025.

A Veteran of Swiss Comedy

Gérard, known for his clever wordplay and contributions to the popular Swiss radio program “The dicoders” on RTS First, has spent four decades honing his craft. His new show isn’t just a collection of new material; it’s a curated compilation of his most beloved songs, offering a nostalgic journey for long-time fans while introducing his distinctive style to a new generation. he is celebrated for his ability to weave intricate puns and whimsical narratives into his work.

Music and Merriment

“The very sustainable lightness of my being” blends elements of the music hall tradition with a contemporary sensibility. Audiences can expect to hear Gérard perform songs like “The adventures of a little ice cube” and “the story of a florist who has always lacked pot,” all accompanied by a skilled jazz trio consisting of olivier Magarotto on piano, Fabien Sevilla on double bass, and Johan Wermeille on drums. The performance,directed by Jean-luc Barbezat,also incorporates sketches and thoght-provoking,yet humorous,observations.

The Power of Lightness

In a recent interview on the show Vertigo, broadcast on September 16th, Gérard spoke about the central theme of his work: lightness. He shared that embracing a playful and lighthearted outlook has been a lifelong philosophy, a way to navigate both successes and setbacks. “My life is lightness, I have not been able to do something else… I always said nonsense to lighten up first and to protect myself,” he confessed.

A Return to Roots

Prior to this latest venture, Gérard served as a co-director of the Boulimie theater from 2013 to 2019. His previous stage appearance was in “All You Need is Lova”, a tribute to the works of Lova Golovtchiner, co-founder of the Boulimie Theater. These past four years have allowed for personal creative explorations. While involved in radio and other projects, Gérard dedicated time to developing new theatrical concepts, including an upcoming absurdist play.

Did You Know? The Swiss comedy scene has seen a 15% increase in viewership over the past year,with audiences seeking lighthearted entertainment amidst global uncertainties,according to a recent report by Swiss Broadcasting corporation.

Show Title Theater Dates
The very sustainable lightness of my being Boulimie de Lausanne September 17 – 27, 2025

The Enduring Appeal of Absurdist Comedy

Absurdist comedy, like that employed by Frédéric Gérard, has a long and storied history. Originating in the mid-20th century with playwrights like Samuel Beckett and Eugène Ionesco, this style challenges customary notions of logic and meaning, frequently enough using nonsensical situations and dialog to expose the inherent absurdity of the human condition. Its continued popularity speaks to a desire for entertainment that is both intellectually stimulating and emotionally resonant. Learn more about the Theatre of the Absurd.

pro Tip: When attending a comedy show, arrive early to secure a good seat and allow yourself time to settle in and anticipate the performance.

Frequently asked questions

  • What is Frédéric Gérard’s new show about? “The very sustainable lightness of my being” is a compilation of Frédéric Gérard’s best songs and sketches, exploring themes of lightness and absurdity.
  • Where is the show being performed? The show is playing at the Boulimie de Lausanne theater.
  • When does the show end? The final performance is scheduled for September 27, 2025.
  • What kind of music will be featured? The show features a jazz trio accompanying Gérard’s performances.
  • Has Frédéric Gérard worked in theatre before? Yes, Gérard was a co-director of the Boulimie theatre from 2013 to 2019.

What are your thoughts on the role of humor in navigating arduous times? Do you enjoy performances that blend music and comedy?

Share this article with friends and family, and let us know your thoughts in the comments below!


How does Frédéric Gérard’s commitment to sustainable theater practices in “The Very Sustainable Lightness of My Being” challenge conventional theatrical production models?

Frédéric Gérard’s “The Very Sustainable Lightness of My Being”: A Green Revolution on Stage

Frédéric Gérard, a prominent figure in contemporary Swiss theatre, is making a highly anticipated return with his latest production, “The Very Sustainable Lightness of my Being.” Premiering this season, the play, as reported by RTS.CH, isn’t just a theatrical experience; it’s a statement.It’s a bold step towards integrating sustainable theatre practices into the heart of artistic creation.This article delves into the details of this innovative production, exploring it’s eco-conscious approach, artistic merit, and potential impact on the future of performing arts.

The Core Concept: Sustainability as Narrative & Practice

Gérard’s vision extends beyond simply telling a story about environmental responsibility. “The Very Sustainable Lightness of My Being” actively embodies sustainability in every facet of its production. This commitment is a critically important departure from traditional theatre models, frequently enough reliant on resource-intensive set designs and materials.

* Minimalist Set design: The production utilizes a deliberately sparse set,constructed primarily from reclaimed wood and recycled materials. This reduces waste and minimizes the carbon footprint associated with material sourcing.

* Locally Sourced Costumes: Costumes are sourced from local vintage shops, upcycled fabrics, and ethical Swiss designers, supporting local economies and reducing transportation emissions.

* Energy-Efficient Lighting: The lighting design incorporates LED technology and prioritizes natural light whenever possible, drastically reducing energy consumption.

* Digital Programs & Ticketing: Eliminating printed programs and relying on digital ticketing systems further minimizes paper waste.

This holistic approach positions the play as a leading example of eco-theatre and green performance.

Artistic Vision & Thematic Exploration

While deeply rooted in environmental concerns, “The Very Sustainable Lightness of My Being” isn’t a didactic environmental lecture. RTS.CH highlights that the play explores themes of existentialism, consumerism, and the search for meaning in a rapidly changing world. Gérard masterfully weaves these complex ideas into a compelling narrative, using the backdrop of environmental crisis to amplify the characters’ internal struggles.

The Play’s Narrative – A Synopsis

The play centers around a group of individuals grappling with the weight of modern life and their complicity in environmental degradation. The characters, each representing different facets of society, are forced to confront their own unsustainable habits and the consequences of their actions. The “lightness of being,” a nod to Milan Kundera’s philosophical novel, is ironically juxtaposed with the heavy burden of ecological responsibility.

Gérard’s Directorial Style & Influences

Frédéric Gérard is known for his innovative and often provocative directorial style. He frequently challenges conventional theatrical norms, experimenting with form and pushing boundaries. His work often draws inspiration from physical theatre,immersive experiences,and contemporary social issues. This production builds on his established aesthetic, adding a crucial layer of environmental consciousness.

The Impact of Sustainable Theatre: Benefits & Challenges

The move towards sustainable stagecraft isn’t without its hurdles, but the benefits are substantial.

Benefits:

* Reduced Environmental Impact: The most obvious benefit is a significantly smaller carbon footprint.

* Cost Savings: Utilizing recycled materials and energy-efficient technologies can lead to long-term cost savings.

* Enhanced Brand Reputation: Demonstrating a commitment to sustainability can attract environmentally conscious audiences and sponsors.

* creative Innovation: Constraints frequently enough breed creativity. the need to work within sustainable parameters can lead to innovative design solutions.

Challenges:

* Sourcing sustainable materials: Finding reliable sources of recycled and ethically produced materials can be time-consuming and expensive.

* Changing Traditional Practices: shifting away from established theatrical practices requires a willingness to experiment and adapt.

* Audience perception: Some audiences may initially perceive sustainable theatre as less visually spectacular, requiring a shift in expectations.

Real-World Examples of Eco-Conscious Theatre

Gérard’s production joins a growing movement of theatre companies embracing sustainability.

* The Old Vic (london): Implemented a extensive sustainability program, focusing on energy efficiency, waste reduction, and responsible sourcing.

* Shakespeare’s Globe (London): Utilizes sustainable building materials and prioritizes local sourcing.

* Numerous Regional Theatres: Across Europe and North America,smaller theatres are adopting eco-friendly practices,demonstrating that sustainability is achievable at all levels.

These examples demonstrate that environmentally friendly theatre is not just a trend, but a viable and increasingly popular approach to performing arts.

Practical Tips for Implementing Sustainable Theatre Practices

For theatre companies looking to adopt more sustainable practices, here are a few actionable steps:

  1. Conduct an Environmental Audit: Assess your current practices and identify areas for betterment.
  2. Prioritize Reclaimed & Recycled Materials: Explore options for sourcing set materials, costumes, and props from recycled sources.
  3. invest in Energy-Efficient Lighting & Equipment: LED lighting and energy-efficient appliances can significantly reduce energy consumption.
  4. Reduce Waste: Implement a comprehensive recycling program and minimize the use of disposable materials.
  5. Partner with Local Sustainable Businesses: Support local
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Technology

Deconstructing 2000 Years of Social Injunctions: From YouTube to the Stage with Historian and Humorist Manon Brilla

by Omar El Sayed - World Editor
written by Omar El Sayed - World Editor

Historian’s New Show Challenges Conventional Notions of Tradition and Social Norms

Table of Contents

Paris, France – A new stage show premiering September 11th at the European theater in Paris promises to upend long-held assumptions about the origins of social customs and traditions. Historian and comedian Manon Brill is presenting “300,000 Years,” a performance designed to provoke thought and laughter by revealing how many of today’s norms are surprisingly recent developments.

Deconstructing Ancient Narratives

Brill, a Doctor in contemporary History and a popular figure on YouTube with a channel boasting over 700,000 subscribers, aims to dismantle the notion that “things have always been this way.” Her approach involves presenting historical anecdotes and evidence that challenge prevailing narratives, from gendered color coding in children’s clothing to perceptions of masculinity. She highlights the fact that the current association of pink with girls and blue with boys is a trend originating only forty years ago.

“My central theme revolves around historical anecdotes that, while amusing, also offer a chance to step back and critically examine the social codes and expectations imposed upon us,” Brill explained. She contends that history is often selectively interpreted, particularly by conservative voices who seek to maintain the status quo and present a static view of the past. A recent study by the Pew Research Center found that 68% of adults beleive historical narratives are often biased towards dominant groups.

The Illusion of ‘Strain’ and Constructed identities

Brill directly confronts the concept of a singular “French identity,” often invoked in political discourse. She challenges the idea of a continuous and unbroken lineage by pointing out the diverse populations that have inhabited the region now known as France throughout history-Gauls, Franks, Vandals, and Visigoths, among others. “The notion of a single ‘strain’ is a Roman construct used to categorize diverse peoples,” she argues. “It has no scientific basis.” This parallels current debates around national identity and immigration patterns globally.

Historical Group Approximate Period of Influence in France
Gauls Pre-Roman to 50 BCE
Romans 50 BCE – 5th Century CE
Franks 5th – 8th Century CE
Visigoths 5th – 8th Century CE

History Beyond Dates and Battles

Brill seeks to make history accessible and engaging by drawing connections to popular culture. She utilizes references to icons like Barbie and hercules, highlighting how these figures have been reinterpreted over time. Such as, the modern image of Barbie, often criticized for promoting unrealistic beauty standards, represents a departure from earlier doll designs and reflects evolving societal expectations. Disney’s reimagining of Greek mythology in animated films also illustrates how narratives are adapted and altered for new audiences.

Did You Know? The Roman practice of communal latrines contrasts sharply with modern privacy concerns, demonstrating a significant shift in social norms regarding bodily functions.

Challenging Sexism Through Historical Lens

A recurring character in Brill’s work, “Patrick Scientist,” embodies flawed scientific reasoning and historical biases, particularly concerning sexism. She cites examples of archeological research where the presence of female remains was initially dismissed despite mounting DNA evidence. Brill emphasizes that acknowledging and deconstructing these biases is crucial for a more accurate understanding of the past.

“It’s natural to have biases, but the problem lies in refusing to question them when confronted with contradictory evidence,” Brill stated. She insists that history should be inclusive and relevant to everyone, rejecting elitist approaches that exclude diverse perspectives.

Pro Tip: Engaging with multiple historical sources and interpretations is essential for developing a nuanced understanding of the past.

The Ongoing Relevance of historical Analysis

Brill’s work underscores the importance of continuous historical reevaluation. As societies evolve, so too must our understanding of the past. By challenging conventional narratives, historians like Brill encourage critical thinking and promote a more inclusive and accurate representation of human history.This is particularly crucial in an era marked by political polarization and the spread of misinformation,where a shared understanding of the past can serve as a foundation for constructive dialog and progress.

Frequently Asked Questions about Manon Brill’s Work

Frequently Asked Questions

  • What is the primary focus of Manon Brill’s show, ‘300,000 Years’? The show challenges conventional beliefs about traditions and social norms, arguing that many are recent inventions rather than ancient customs.
  • How does brill make history accessible to a wider audience? She uses humor, pop culture references, and relatable anecdotes to engage audiences and demonstrate the relevance of history to everyday life.
  • What is Brill’s stance on the concept of a singular ‘French identity’? She argues that the idea of a continuous ‘French strain’ is a Roman construct and lacks scientific validity,highlighting the diverse populations that have shaped the region.
  • Why is it important to challenge established historical narratives? Challenging established narratives allows for a more accurate and inclusive understanding of the past, free from biases and outdated assumptions.
  • Where can audiences learn more about Manon Brill’s work? Her show ‘300,000 Years’ is playing at the european in paris and she maintains a popular YouTube channel, ‘it’s another story’, with over 700,000 subscribers.

What aspects of traditional narratives do you find most surprising when challenged? Do you think a critical examination of the past can help shape a more just future?

How does Brilla’s work connect historical social injunctions to contemporary behaviors?

Deconstructing 2000 Years of Social Injunctions: From YouTube to the Stage with Historian and Humorist Manon Brilla

The Evolution of “Shoulds”: A Historical Overview

For millennia, societies have operated under a complex web of social injunctions – unspoken (and often spoken) rules dictating how we should behave. These aren’t laws, but deeply ingrained expectations surrounding gender roles, morality, etiquette, and even emotional expression. manon Brilla, a historian specializing in social norms and a rising star in comedic performance, dedicates her work to dissecting these “shoulds,” tracing their origins and exposing their often-absurd consequences. Her unique approach, blending rigorous historical research with sharp wit, is resonating with audiences both online and on stage.

Ancient Roots: From Religious Doctrine to Aristocratic Codes

The earliest social injunctions were frequently tied to religious beliefs. Consider the strict codes of conduct in ancient Mesopotamia, or the emphasis on filial piety in Confucianism. These weren’t simply about spiritual devotion; they were about maintaining social order.

Early examples: Sumarian law codes, the Ten Commandments, early Buddhist precepts.

Enforcement Mechanisms: Social ostracism,religious condemnation,and,in some cases,physical punishment.

As societies evolved, aristocratic codes of conduct emerged, especially in Europe. The concept of noblesse oblige – the duty of the upper class to behave with honor and generosity – was less about genuine altruism and more about maintaining their power and prestige. These codes heavily influenced expectations around manners, dress, and social interactions, shaping the behavior of all classes through imitation and aspiration.

The Rise of the Middle Class and the Victorian Era: A Peak in Prescriptiveness

The 18th and 19th centuries witnessed a significant shift with the rise of the middle class. This new social stratum, eager to establish its legitimacy, often embraced even more rigid social injunctions than the aristocracy. The Victorian Era, in particular, became synonymous with strict moral codes, elaborate etiquette, and a suffocating emphasis on respectability.

Victorian Social Norms: A Case Study in control

Victorian society meticulously regulated almost every aspect of life.

  1. Gender roles: Women were confined to the domestic sphere, expected to be pious, pure, submissive, and domestic. Men were the breadwinners, embodying strength and rationality.
  2. Emotional restraint: Public displays of emotion were frowned upon, particularly for men. Stoicism was valued above all else.
  3. Social Etiquette: A complex system of calling cards, visiting protocols, and conversational rules governed social interactions.

Brilla often points out the hypocrisy inherent in these norms, highlighting how they often masked underlying social anxieties and power imbalances. Her YouTube series, “Victorian Vibes & Vices,” has garnered a significant following for its insightful and humorous deconstruction of this era.

The 20th and 21st Centuries: Challenging the “Shoulds”

The 20th century saw a gradual erosion of traditional social injunctions, fueled by social movements, technological advancements, and changing cultural values. The sexual revolution, the feminist movement, and the civil rights movement all challenged established norms and expanded the boundaries of acceptable behavior.

The Impact of Mass Media & Digital Culture

The advent of mass media – radio, television, and now the internet – played a crucial role in disseminating new ideas and challenging traditional values. Today, platforms like YouTube, TikTok, and Instagram are not only reflecting cultural shifts but actively driving them.

Social Media as a Disruptor: Individuals can now bypass traditional gatekeepers and share their perspectives directly with a global audience.

The Rise of Authenticity: There’s a growing demand for authenticity and transparency, leading to a rejection of overly curated or performative social behavior.

Manon Brilla’s Digital Strategy: Brilla leverages youtube to reach a wider audience, offering bite-sized historical analyses and comedic sketches that complement her stage performances. Her content frequently enough focuses on historical parallels – demonstrating how contemporary social anxieties echo those of the past.

From Historical Analysis to Stand-Up: Brilla’s Unique Approach

Manon Brilla isn’t simply reciting history; she’s performing it. Her stage shows are a blend of meticulously researched historical narratives and sharp, observational comedy. She doesn’t just tell you what people shouldn’t do; she shows you why those injunctions were created and how they continue to shape our behavior today.

Key Themes in Brilla’s Work:

The Performance of Gender: Deconstructing the expectations placed on men and women throughout history.

The Politics of Politeness: Examining how etiquette and social graces can be used to reinforce power structures.

the Burden of Respectability: exploring the psychological toll of constantly striving to meet societal expectations.

Benefits of Deconstructing Social Injunctions

Understanding the historical roots of social injunctions can be incredibly liberating. It allows us to:

* Challenge Internalized Beliefs: Recognize and question the “shoulds”

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