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Actresses Golino And Abbass Discuss Directing, Method Acting At Rotterdam Film Festival
Table of Contents
- 1. Actresses Golino And Abbass Discuss Directing, Method Acting At Rotterdam Film Festival
- 2. Navigating the Method Acting Debate
- 3. From Acting To Directing: Overcoming Obstacles
- 4. What is Hiam Abbas’s contribution to Palestine 36 and why is it important?
- 5. Hiam Abbas at IFFR: From Succession to Palestine 36, Art Meets Activism
- 6. Beyond Lady Shackleton: A Career Defined by Nuance
- 7. Palestine 36: A Film Rooted in Historical Trauma and Resilience
- 8. Art as a Form of Resistance: the Power of Palestinian Cinema
- 9. The Intersection of Celebrity and Activism
- 10. IFFR’s Role in Amplifying Marginalized Voices
Rotterdam, Netherlands – Prominent actresses Valeria Golino and Lubna Abbass engaged in a wide-ranging conversation at the International Film Festival Rotterdam (IFFR) this week, touching upon their approaches to acting, the challenges and rewards of directing, and their experiences navigating international film industries. The discussion, moderated by Kristy Matheson, BFI festivals director and London Film Festival head, offered insights into the creative processes and personal philosophies of these celebrated performers.
Abbass directly addressed the ongoing debate surrounding method acting, a technique recently highlighted by her Succession co-star Brian Cox’s criticisms of Jeremy Strong. She stated she personally finds it difficult to collaborate with actors deeply immersed in method acting, although she acknowledged understanding the technique’s appeal to some. She noted that some approaches are more disruptive than others, and she strives to manage those situations professionally.
“I try so much to separate myself from the character that I play as soon as we say ‘cut,’ to no that I’m not hurt anymore,” Abbass explained. “It’s really crucial for me, and I don’t want to go home with her feelings or whatever belongs to her.” This approach underscores a commitment to maintaining personal boundaries and emotional well-being amidst intense roles.
From Acting To Directing: Overcoming Obstacles
The conversation shifted to the topic of directing, revealing the different paths each actress took to embrace this new creative outlet. Golino shared that her desire to direct began early in her career, at the age of 18. Though, she attributed the delay in pursuing directing to internal obstacles, specifically “impostor syndrome.” She also pointed out the systemic challenges faced by women in the film industry, noting that while talent isn’t the issue, societal perceptions can create barriers to entry.“Sometimes, being a woman is not all roses,” she remarked, adding, “I am a middle-aged actress, but I am a young director.”
Abbass, on the other hand, described her turn to directing as a matter of “necessity.” She felt compelled to create opportunities to express the stories of women and mothers,fueled by a surge of ideas. This led her to quickly move from conception to writing a short film.
According to a recent study by the University of Southern California’s Annenberg Inclusion Initiative
What is Hiam Abbas’s contribution to Palestine 36 and why is it important?
Hiam Abbas at IFFR: From Succession to Palestine 36, Art Meets Activism
Hiam Abbas’s presence at the 53rd International Film Festival Rotterdam (IFFR) wasn’t just a celebrity sighting; it was a powerful intersection of acclaimed acting work and deeply rooted political engagement. The festival, running from January 25th to February 4th, 2026, provided a platform for Abbas to discuss her career trajectory, from her breakout roles in international cinema to her latest project, Palestine 36, a film carrying significant weight.
Beyond Lady Shackleton: A Career Defined by Nuance
Many recognize Hiam Abbas from her compelling portrayal of Lady Shackleton in HBO’s Succession. Though, limiting her to this role overlooks a decades-long career built on complex character work. Abbas,a palestinian actress born in Nazareth,has consistently chosen roles that challenge stereotypes and offer nuanced representations of Arab women.
* Early roles in films like Lemon Tree (2008) and paradise Now (2005) established her as a force in independent cinema.
* Her work in The Visitor (2007) showcased her ability to convey profound emotion with subtlety.
* Television appearances in Transparent and Ramy further broadened her audience and demonstrated her versatility.
These performances aren’t simply acting exercises; they’re often informed by her personal experiences and a commitment to authentic storytelling. This commitment is particularly evident in her advocacy for Palestinian portrayal in film.
Palestine 36: A Film Rooted in Historical Trauma and Resilience
Palestine 36, directed by Najwa Najjar, is a historical drama set during the 1936 Arab revolt in Palestine against British rule. The film focuses on the experiences of Palestinian women during this tumultuous period, a narrative frequently enough marginalized in mainstream historical accounts. Abbas plays a central role, embodying the strength and resilience of a woman navigating a landscape of political upheaval and personal loss.
The film’s screening at IFFR was accompanied by a Q&A session with Abbas and Najjar, which quickly moved beyond typical film discussion. The conversation centered on the importance of reclaiming Palestinian narratives and challenging dominant historical perspectives.
“For so long, our stories have been told for us, not by us,” Abbas stated during the Q&A, emphasizing the necessity of Palestinian filmmakers controlling their own representation. “Palestine 36 is an attempt to correct that imbalance, to honor the experiences of those who lived through this period, and to ensure their voices are heard.”
Art as a Form of Resistance: the Power of Palestinian Cinema
The discussion surrounding Palestine 36 highlighted the broader role of Palestinian cinema as a form of resistance. In a context marked by ongoing conflict and political oppression, filmmaking becomes a vital tool for preserving cultural memory, challenging narratives of victimhood, and advocating for self-determination.
* Documenting lived experiences: Palestinian documentaries, like those by Mohammad bakri, offer crucial firsthand accounts of life under occupation.
* Challenging stereotypes: Films like Wajib (2017) and The Present (2020) offer nuanced portrayals of Palestinian life, moving beyond simplistic representations.
* Promoting cultural identity: Palestinian cinema actively works to preserve and celebrate Palestinian culture,language,and traditions.
IFFR’s decision to showcase Palestine 36 and provide a platform for Abbas to speak about these issues underscores the festival’s commitment to supporting politically engaged filmmaking.
The Intersection of Celebrity and Activism
Abbas’s unique position – a prosperous actress with a global platform – allows her to amplify the message of Palestine 36 and raise awareness about the Palestinian cause. Her presence at IFFR wasn’t simply about promoting a film; it was about leveraging her influence to advocate for social justice.
This intersection of celebrity and activism is increasingly common, with actors like Joaquin Phoenix and Jane Fonda using their platforms to address pressing social and political issues. Though, Abbas’s case is particularly poignant, given the sensitivity surrounding the Israeli-Palestinian conflict. She navigates this complex terrain with grace and conviction, refusing to shy away from difficult conversations.
IFFR’s Role in Amplifying Marginalized Voices
The Rotterdam International Film Festival has long been recognized for its commitment to showcasing independent and politically engaged cinema. By providing a platform for films like palestine 36 and filmmakers like Najwa Najjar, IFFR plays a crucial role in amplifying marginalized voices and fostering dialog about vital social and political issues. The festival
