New York City is set to once again experience the captivating artistry of “Turn It Out with Tiler Peck & Friends,” as the acclaimed production returns to the New York City Center from October 16th to 19th. The show, originally curated in 2022 by celebrated ballerina Tiler Peck, garnered critical praise and audience adoration, later enjoying successful runs in London and California.
A Fusion of Dance Styles
Table of Contents
- 1. A Fusion of Dance Styles
- 2. Star-studded Cast
- 3. the Genesis of ‘Turn It Out’
- 4. The growing Appeal of Interdisciplinary Dance
- 5. Frequently Asked Questions about “Turn It Out with tiler Peck & Friends”
- 6. How did Tiler Peck’s experience as a dancer uniquely inform her approach to content creation for the “Turn It Out” revival?
- 7. Tiler Peck Discusses Reviving ‘Turn It Out’ at City Center: Transitioning from Virtual assistant to Content Writer
- 8. The Genesis of a Revival: ‘Turn It Out’ Returns
- 9. From Administrative Tasks to Artistic Storytelling
- 10. Content Strategy for a Ballet Revival: A Deep Dive
- 11. The Benefits of a Dancer-Led Content Strategy
The program promises a diverse and dynamic experience, showcasing fresh works spanning ballet, contemporary, and tap dance. These pieces are the result of collaborations with a roster of highly respected choreographers working today. The opening performance will feature “The Barre Project, Blake Works II,” a quartet choreographed by William Forsythe and set to music by James Blake.
Following this, audiences will be treated to Peck’s own sextet, “Thousandth orange,” accompanied by live music from Pulitzer Prize-winning composer Caroline Shaw. The program continues with “Swift Arrow,” a duet crafted by Alonzo King, enhanced by the musical contributions of jazz composer Jason Moran. The evening culminates in “Time Spell,” a City Center commission born from the synergy of Peck, tap dance innovator Michelle Dorrance, and Emmy-nominated choreographer Jillian Meyers, with musical scores by Aaron Marcellus and Penelope Wendtlandt.
Star-studded Cast
Tiler Peck herself will grace the stage in all works except her own choreography. She will be joined by a constellation of talent, including fellow New York City Ballet members India Bradley, Chun Wai Chan, Christopher Grant, Mira Nadon, Quinn Starner, and Ryan Tomash.Rounding out the cast are Boston Ballet principal dancer Jeffrey Cirio, dancer and “So You think You Can Dance” alum Lex Ishimoto, and acclaimed tap dancer byron Tittle.
| Piece | Choreographer | Composer/Musician |
|---|---|---|
| The Barre Project, Blake Works II | William Forsythe | James Blake |
| Thousandth Orange | Tiler Peck | Caroline Shaw |
| Swift Arrow | Alonzo King | Jason Moran |
| time Spell | Tiler Peck, Michelle Dorrance, Jillian Meyers | Aaron Marcellus & Penelope Wendtlandt |
the Genesis of ‘Turn It Out’
peck shared that the concept for “Turn It Out with Tiler & Friends” originated during the pandemic, providing an avenue for collaboration when traditional opportunities were limited. A long-held desire to work with William Forsythe materialized during this period, leading to an unexpected but fruitful creative partnership. Similarly, the piece with Alonzo King took shape during an intimate creative residency in San Francisco.
Peck emphasized the unique nature of this production, noting that it is the only program she has created entirely from scratch. She also underscored the collaborative spirit that permeates the work, attributing its success to the talent and dedication of everyone involved. She highlighted the profound impact of working with each choreographer and spoke about the joy of seeing her work evolve with new dancers.
Did You Know? The “Time Spell” piece is particularly noted for its seamless blend of different dance styles, creating a captivating experience for audience members?
Pro tip: If you are new to contemporary dance, “Turn It out with Tiler Peck & Friends” is an excellent jumping-off point, as it showcases a diverse range of styles within a single program.
What aspects of dance collaboration most intrigue you? Do you believe blending different dance genres expands artistic boundaries?
The growing Appeal of Interdisciplinary Dance
The success of “Turn It Out with Tiler Peck & Friends” reflects a broader trend in the performing arts: the increasing popularity of interdisciplinary collaborations. According to a 2024 report by the National Endowment for the Arts, audiences are increasingly seeking performances that defy traditional categorization and embrace innovation. This demand is driving artists to experiment with diverse styles and creative approaches, resulting in more dynamic and engaging experiences for audiences worldwide. The fusion of ballet, contemporary, and tap seen in Peck’s production is emblematic of this evolving landscape.
Frequently Asked Questions about “Turn It Out with tiler Peck & Friends”
- What is “Turn It Out with Tiler Peck & Friends”? It is a dance program curated by Tiler Peck featuring works from various choreographers and dancers.
- Where can I see the show? The performance is scheduled at the New York City Center from October 16th to 19th, 2025.
- What dance styles are featured in the show? The program includes ballet, contemporary, and tap dance.
- Who are some of the featured choreographers? William Forsythe, Alonzo King, Michelle Dorrance, and Jillian Meyers are among the choreographers.
- Is Tiler Peck dancing in the show? Yes, Tiler Peck performs in all pieces except for her own choreography.
- What makes “Time Spell” special? This piece seamlessly blends different dance styles, creating a unique and moving experience.
- Where can I find more facts about the show? Visit New York city Center’s website.
Share your thoughts on this exciting return to the stage in the comments below! Don’t forget to share this article with fellow dance enthusiasts.
How did Tiler Peck’s experience as a dancer uniquely inform her approach to content creation for the “Turn It Out” revival?
Tiler Peck Discusses Reviving ‘Turn It Out’ at City Center: Transitioning from Virtual assistant to Content Writer
The Genesis of a Revival: ‘Turn It Out’ Returns
Principal Dancer with the New York City Ballet, Tiler Peck, isn’t just a celebrated ballerina; she’s increasingly a force behind the scenes in the world of dance. Her recent involvement in reviving Jerome Robbins’ “Turn It Out” at City Center, a piece not seen in decades, showcases a growing passion for preservation and accessibility within ballet. This project, however, isn’t solely about performance. It’s also a captivating case study in career evolution, specifically Peck’s own journey from leveraging virtual assistant skills to embracing a role as a dedicated content writer and advocate for the art form.
The revival, running November 12-16, 2024, at City Center, is a important event for dance enthusiasts.”Turn It Out,” originally created in 1986, is known for its playful energy and challenging choreography. Peck’s dedication to bringing it back to life involved not only mastering the steps but also navigating the complexities of securing rights, assembling a team, and, crucially, communicating the show’s meaning to a wider audience. This last element is where her content writing skills came into play.
From Administrative Tasks to Artistic Storytelling
Peck’s initial foray into non-performance roles stemmed from necessity. Like many artists,she needed to supplement her income and manage the demands of a demanding career. Virtual assistant work provided adaptability, allowing her to handle administrative tasks – scheduling, email management, travel arrangements – while still prioritizing rehearsals and performances.
However, the experience sparked an unexpected interest in dialog and marketing. Peck realized that simply being a talented dancer wasn’t enough; she needed to be able to tell the story of her work, connect with audiences, and build a brand. This realization led her to explore content creation.
* Early Content Focus: Initially, Peck’s content centered around her personal brand – sharing glimpses into her life as a ballerina on social media (Instagram, TikTok, X).
* Expanding Skillset: She began writing blog posts for dance-focused websites, contributing articles on technique, performance experiences, and the challenges facing dancers.
* ‘Turn It Out’ as a catalyst: The “Turn It Out” revival became a pivotal project, demanding a more thorough content strategy.
Content Strategy for a Ballet Revival: A Deep Dive
Reviving a piece like “Turn It Out” requires more than just rehearsals. It demands a carefully crafted narrative to generate excitement and attract audiences.Peck’s content writing efforts focused on several key areas:
* Historical Context: Articles detailing the history of “Turn It Out,” its creator Jerome Robbins, and its original premiere. This included researching archival materials and interviewing individuals who were involved in the original production. Keywords: Jerome Robbins, turn It Out history, City Center ballet, ballet revival.
* Behind-the-Scenes Access: Blog posts and social media updates offering a glimpse into the rehearsal process, showcasing the dancers’ dedication and the challenges of learning the choreography. keywords: ballet rehearsals, Turn It Out rehearsals, Tiler Peck city Center, dancer training.
* Choreographic Analysis: Content breaking down the key elements of the choreography, explaining its unique style and its significance within the broader context of ballet. Keywords: ballet choreography, Turn It Out analysis, modern ballet, Jerome Robbins style.
* Audience engagement: Interactive content, such as Q&A sessions with Peck and the dancers, polls asking audiences about their favorite ballet pieces, and contests offering tickets to the performance. Keywords: ballet tickets, City Center events, dance performances, Tiler Peck Q&A.
* Press Releases & Media Outreach: Crafting compelling press releases and pitching stories to dance critics and journalists to secure media coverage.Keywords: ballet press release, dance news, City Center coverage.
The Benefits of a Dancer-Led Content Strategy
Peck’s direct involvement in the content creation process offered several distinct advantages:
* Authenticity: Her personal connection to the project lent an unparalleled level of authenticity to the messaging.
* Insider Knowledge: As a dancer, she possessed a unique understanding of the choreography, the challenges of the rehearsal process, and the emotional impact of the piece.
* Targeted Messaging: She was able to tailor the content specifically to the interests of dance enthusiasts, using language and imagery that resonated with the target audience.
* Increased Engagement: Her personal brand and following helped to amplify