The Resurgence of Rock & Metal Festivals: Good Things 2025 and the Future of Australian Live Music
Over 70% of Gen Z and Millennials prioritize experiences over material possessions, and that trend is fueling a dramatic comeback for live music – particularly the heavier genres. The announcement of the **Good Things Festival** 2025 lineup, headlined by Tool and Weezer, isn’t just another festival reveal; it’s a powerful indicator of a shifting landscape where rock, metal, and punk are reclaiming their space in the Australian music scene, and a signal of how festivals are adapting to thrive.
Filling the Void: The Post-Soundwave Era
The Australian festival scene was significantly impacted by the demise of Soundwave in 2015. For years, fans of heavier music lamented the lack of large-scale, dedicated touring festivals. Good Things, launched in 2018, stepped into this void, quickly establishing itself as a crucial event for both international and local acts. Its success demonstrates a clear, unmet demand. The festival’s continued growth, even amidst economic uncertainties, highlights the resilience of this fanbase.
A US-Heavy Lineup: Reflecting Global Trends and Logistics
This year’s lineup leans heavily towards US acts – Garbage, All Time Low, Machine Head, and the All-American Rejects, among others – making their way to Australian shores. This isn’t accidental. The US continues to be a dominant force in rock and metal production, and logistical factors often make touring from North America more straightforward than from other regions. However, the inclusion of Swedish hardcore outfit Refused, and the return of Tonight Alive, demonstrates a commitment to diversity, albeit a limited one.
The Challenge of Local Representation
While the inclusion of Make Them Suffer and other Australian bands is welcome, the lineup raises questions about the support for local talent. James Reyne, a veteran Aussie act, feels somewhat out of place on a bill dominated by heavier genres. This highlights a broader challenge for Australian festivals: balancing the draw of international headliners with the need to nurture and showcase homegrown artists. A more strategic approach to local artist placement, perhaps with dedicated stages or curated showcases, could address this imbalance.
The Debut Factor: Introducing New Sounds to Australian Audiences
Good Things consistently provides a platform for international acts experiencing their first Australian shows, like Bad Nerves, Dead Poet Society, and Wargasm. This is a crucial function of touring festivals – expanding musical horizons and introducing fans to emerging artists. This year’s debut acts represent a diverse range of subgenres within the broader rock and metal spectrum, suggesting a willingness to cater to varied tastes. This strategy also builds anticipation and encourages repeat attendance, as fans seek to discover their next favorite band.
Beyond the Music: The Festival Experience as a Social Hub
Festivals are no longer solely about the music. They’ve evolved into immersive experiences, offering food, art, and a sense of community. The success of Good Things, and festivals like it, hinges on creating a compelling atmosphere that extends beyond the stage. Expect to see further investment in non-musical elements – interactive installations, curated food vendors, and enhanced VIP experiences – as festivals compete for audience attention. Eventbrite’s guide to music festivals highlights this trend towards experiential offerings.
Looking Ahead: The Future of Australian Rock Festivals
The Australian live music scene is poised for continued growth, driven by pent-up demand and a renewed appreciation for shared experiences. We can anticipate several key trends: increased competition among festivals, a greater emphasis on sustainability and responsible event management, and a more sophisticated use of technology to enhance the attendee experience. The ability to adapt to these changes will be crucial for festivals like Good Things to maintain their relevance and attract audiences in the years to come. The festival’s ability to navigate these challenges will determine whether it can solidify its position as a cornerstone of the Australian music calendar.
What are your predictions for the future of Australian rock and metal festivals? Share your thoughts in the comments below!
