Zoey Deutch on Her Godard and Linklater Inspiration: Exploring a New Wave Influence in Modern Cinema

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Zoey Deutch, now a prominent figure in hollywood, recalls a pivotal moment at age 19 when Director Richard Linklater casually suggested she would one day embody the iconic Jean Seberg on screen. This initial conversation took place during production on Linklater’s 2016 film, “Everybody Wants Some!!” where Deutch first garnered significant attention for her performance.

A Decade in the making: From Suggestion to Role

nearly a decade after that initial discussion, Deutch would ultimately transform into Seberg for Linklater’s “New wave.” The film, a striking black-and-white tribute to the French New Wave cinema, meticulously recreates the 1959 filming of Jean-Luc Godard’s “Breathless” on the streets of Paris. The screenplay is a collaboration between Holly Gent, Vince Palmo, Jr., and French screenwriter Laetitia Masson.

Linklater’s approach to filmmaking demands discipline, a fact Deutch readily acknowledges. “Rick is focused, but it’s fun,” she stated. “And he has developed systems to ensure a calm and productive work environment.He prioritizes rehearsal time,often matching the duration of shooting days,which is quite unusual.”

The Rehearsal Manifesto and a Unique Filmmaking Approach

For “New wave,” Linklater presented the cast with a detailed rehearsal manifesto, outlining his vision for the project. According to Deutch, the document clearly articulated that the team was crafting a tribute to cinema, specifically to Godard, but intentionally diverging from his spontaneous filmmaking style. “He emphasized a intentional and thoughtful process, grounded in research and creativity, rather than relying on chance,” Deutch explained.

Deutch believes that Linklater’s unique approach is precisely what would earn the approval of the notoriously discerning Godard.”Thay are both artists who maintain their creative integrity, prioritizing their artistic visions over commercial expectations,” she noted. “This dedication is rare, and Linklater has consistently remained true to his artistic principles.”

Preparing to Embody a Legend

Two years before filming commenced, Deutch began immersing herself in the French language. “It was a valuable experience,” she shared.”Seberg’s French accent was distinctive, and learning the language allowed me to better understand the challenges she faced while filming ‘breathless,’ especially as she was newly learning French herself.”

Initially viewing Seberg as an enigmatic figure, Deutch’s perception shifted during production. “It’s an unconventional film,” she remarked. “I had many questions and found certain aspects puzzling. However, acting in a language I was still mastering provided insight into her potential fear and defensiveness, manifesting as an air of mystery.”

Understanding Seberg’s Past and Channeling Her Spirit

Deutch acknowledged the difficult circumstances surrounding Seberg’s life and work, particularly the exploitation she faced under director Otto Preminger. “She had already endured significant trauma and criticism,” Deutch stated. “Coming to ‘Breathless,’ she was understandably apprehensive. The language barrier became a window into her emotional state.”

How does Deutch’s approach to dialog reflect the influence of Godard’s filmmaking style?

Deutch’s Artistic Lineage: Godard, Linklater, and the Pursuit of Authenticity

Zoey Deutch, a rising star known for her nuanced performances in films like Everybody Wants Some!! and Set It Up, has consistently cited Jean-Luc Godard and Richard Linklater as pivotal influences on her approach to acting and filmmaking. This isn’t a superficial nod to cinematic giants; it’s a deeply ingrained aesthetic that informs her choices,from character work to project selection. Understanding this connection reveals a fascinating thread linking the French New Wave and the American self-reliant film movements to contemporary cinema. The name Zoey, itself meaning “life” in Greek, resonates with the life-affirming and frequently enough improvisational spirit of these filmmakers.

The Godard Effect: Breaking Conventions and Embracing Imperfection

Godard, a key figure in the Nouvelle Vague, revolutionized filmmaking with his rejection of customary narrative structures and embrace of handheld cameras, jump cuts, and direct address. His films, like Breathless (1960), prioritized mood and character exploration over plot.

deutch’s Connection: Deutch has spoken about Godard’s influence on her willingness to take risks and embrace imperfection. She’s described how his work encouraged her to find authenticity in moments of vulnerability and spontaneity, rather than striving for polished perfection.

Impact on Performance: This translates into performances that feel remarkably natural and unforced. She isn’t afraid to show flaws or awkwardness, creating characters that are relatable and deeply human. This echoes Godard’s focus on portraying the complexities of everyday life.

Visual Storytelling: While not directly replicating Godard’s stylistic choices, Deutch actively seeks projects that prioritize visual storytelling and allow for a degree of ambiguity. This is evident in her collaborations with directors who favor a more observational approach.

Linklater’s influence: Dialogue, Improvisation, and the Flow of Time

Richard Linklater, celebrated for his Before trilogy and boyhood, is a master of naturalistic dialogue and long takes. He’s known for fostering a collaborative environment on set, encouraging improvisation and allowing characters to evolve organically.

The Everybody Wants Some!! Experience: Deutch’s experience working with Linklater on Everybody Wants Some!! (2016) was especially formative. The film’s improvisational nature and focus on character dynamics allowed her to hone her skills in spontaneous performance.

Dialogue as Character Development: Linklater’s films demonstrate how dialogue isn’t merely about conveying details; it’s about revealing character and building relationships.Deutch has internalized this lesson, using dialogue as a tool for nuanced characterization.

Capturing the Mundane: Linklater’s ability to find beauty and meaning in the mundane is another key influence. Deutch seeks roles that allow her to explore the quiet moments of life, finding drama and comedy in the everyday.

New Wave Techniques in Modern Film: A Continuing Legacy

The influence of the French New Wave and Linklater’s brand of American independent cinema extends beyond Deutch’s work. Several contemporary filmmakers are actively incorporating these techniques:

1. Greta Gerwig: Known for her naturalistic dialogue and character-driven narratives (lady Bird, Little Women).
2. Noah Baumbach: frequently employs long takes and focuses on the complexities of relationships (Marriage Story, Frances Ha).
3. The Safdie Brothers: Utilize a frenetic, handheld style and explore the darker side of contemporary life (Uncut Gems, Good Time).

These directors,like Deutch,are carrying the torch of cinematic innovation,pushing boundaries and challenging conventional storytelling methods.

Zoey Deutch’s Project Choices: A Curated Aesthetic

Deutch’s filmography reflects a purposeful curation of projects that align with her artistic sensibilities.

Independent films: She consistently gravitates towards independent films that offer more creative freedom and opportunities for experimentation.

Character-Driven Narratives: she prioritizes roles that allow her to delve into complex characters with internal lives and compelling motivations.

* Collaborative Environments: She actively seeks out directors who foster