Terrible Bunny has publicly reaffirmed his deep connection with Chile, expressing gratitude and admiration for the country’s early support of reggaeton music. The Latin superstar took to Instagram this week to share a series of stories highlighting the special bond he shares with the South American nation, nearly two months after kicking off the 2026 leg of his Debí Tirar Más Fotos world tour in Santiago.
The artist, whose real name is Benito Antonio Martínez Ocasio, emphasized Chile’s role as a pioneer in embracing reggaeton from Puerto Rico in the early 2000s. “Chile, one of the first countries to embrace the culture and movement of reggaeton from Puerto Rico in the 2000s,” he wrote. “That’s why it’s no coincidence that today, more than 20 years later, they also have their own reggaeton scene and are successful worldwide.” This acknowledgment underscores the cultural exchange between the two countries and the lasting impact of early musical influences.
Bad Bunny’s appreciation extends beyond simply recognizing Chile’s musical taste. He specifically thanked the country for its support since 2016, stating, “Just as they believed in and supported the amazing artists from Puerto Rico, they also did that for me since 2016, and I am eternally grateful.” He recounted his initial experiences performing in Chile, recalling visits to nightclubs, El Caupolicán, Viña del Mar’s Arena Movistar, and the iconic Estadio Nacional.
During his recent performances at Estadio Nacional in Santiago, the Chilean crowd enthusiastically requested Bad Bunny perform his 2021 hit “120” from the album El Último Tour Del Mundo. While he didn’t fulfill the request during the concert, a moment that went viral online, Bad Bunny promised his fans he will sing the song with them “someday.” Instead, his band, Los Sobrinos, honored Chilean culture by performing renditions of powerful anthems like Víctor Jara’s “El Derecho de Vivir en Paz” and Violetta Parra’s “Gracias a La Vida.”
This tribute to Chilean musical heritage resonated deeply with audiences, particularly given the historical significance of Estadio Nacional. As we are mitú reported, the stadium was previously used as a detention center during a period of political turmoil, adding a layer of emotional weight to the performance.
Bad Bunny’s connection to Chile isn’t limited to live performances. In 2020, he collaborated with Chilean rapper Pablo Chill-E on the track “Hablamos Mañana” from his album YHLQDLG. More recently, following his Santiago shows, he highlighted Chile first when acknowledging countries during his performance at the Super Bowl halftime show, shouting “Viva Chile!”
This public display of affection follows a pattern of support for Chile. As Rolling Stone noted, Bad Bunny’s appreciation for the country is longstanding, rooted in their early embrace of his music and the broader reggaeton genre.
The artist’s continued acknowledgment of Chile demonstrates the importance of reciprocal appreciation between artists and their fan bases. It remains to be seen what future collaborations or performances might arise from this strong connection, but Bad Bunny’s promise to sing “120” with the Chilean crowd suggests further engagement is on the horizon.
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