Switzerland’s Kunstmuseum Bern, the country’s largest art museum and a cultural anchor for the capital, will not undergo its planned €150 million renovation and expansion after voters decisively rejected the project in a June 9 referendum. The result—63.5% opposed—marks a rare defeat for a government-backed cultural initiative, forcing officials to rethink how Bern preserves its 18,000-piece collection and serves 600,000 annual visitors. What’s next for the museum, and why did a project with broad elite support fail so spectacularly?
Why did Bern’s voters say no to a €150 million museum makeover?
The referendum’s outcome hinged on three factors: cost, timing, and the city’s shifting priorities. The museum’s proposed expansion—designed by Herzog & de Meuron, the architects behind London’s Tate Modern—would have added 3,000 square meters of exhibition space and modernized the 19th-century building. But critics, including the Swiss People’s Party (SVP), framed it as an unnecessary luxury during a period of rising living costs in Bern. “At a time when rents are soaring and families struggle to afford housing, spending taxpayer money on a museum expansion feels like a misplaced priority,” said National Councilor Thomas Aeschi, the SVP’s cultural policy spokesman.
“The museum’s leadership underestimated how deeply cultural spending is now politicized in Switzerland. This isn’t just about art—it’s about who gets to decide what’s ‘essential’ in a city where every franc counts.”
Economic data supports the critics’ concerns. Bern’s cost-of-living index rose by 3.2% in the past year—outpacing the national average—while the city’s official poverty rate now stands at 12.1%. The museum’s backers, including Kunstmuseum Bern’s director, Heinz Wismann, argued the project would create 40 permanent jobs and boost tourism. But a 2025 federal report on cultural investment found that 58% of Swiss voters now believe public funds should prioritize infrastructure over cultural projects.
What happens now? The three possible paths forward
The museum’s board has three options, each with distinct consequences. The first—and most likely—is a scaled-down renovation focusing on the existing building’s seismic upgrades and accessibility, estimated to cost €50 million. A second option, floated by Bern’s Culture Department, is a phased approach: secure private funding for the expansion while addressing immediate structural issues. The third, least favored, is abandoning the project entirely, risking long-term damage to the museum’s reputation as a global art hub.
Historical precedent offers a cautionary tale. In 2014, Zurich’s Kunsthaus faced a similar backlash when voters rejected a €200 million expansion. The museum ultimately secured private donations and reopened in 2021 with a €120 million renovation—half the original cost. “Bern’s leaders would be wise to learn from Zurich’s playbook,” said Markus Giger, a cultural economist at the Zurich University of Applied Sciences. “Public-private partnerships are the only viable path forward.”
“The Kunstmuseum Bern’s collection—including works by Picasso, Warhol, and Baselitz—is a national treasure. But if the city can’t secure funding, we risk losing both the building and its cultural significance to Switzerland’s identity.”
Who wins and who loses from the rejection?
The referendum’s outcome creates clear winners and losers. The SVP and other fiscally conservative factions gain political momentum, while the museum’s staff and local art community face uncertainty. But the broader cultural sector may also benefit: the defeat could force Switzerland to rethink how it funds art institutions, potentially leading to more sustainable, long-term models.
| Group | Impact | Key Statistic |
|---|---|---|
| Kunstmuseum Bern | Delayed renovation, potential job cuts, risk of losing international prestige | €150M project scrapped; 600,000 annual visitors at risk of decline |
| Swiss People’s Party (SVP) | Political victory; reinforces anti-cultural-spending narrative | 63.5% voter opposition aligns with SVP’s 2024 manifesto |
| Bern’s Art Community | Uncertainty over exhibitions, conservation, and public access | 18,000-piece collection requires €2M/year maintenance |
| Swiss Tourism | Potential decline in cultural tourism revenue | Art tourism accounts for 12% of Switzerland’s €15B tourism sector |
How could this affect Switzerland’s cultural funding model?
The Kunstmuseum Bern’s rejection is part of a broader trend: since 2020, three Swiss cultural projects have failed referendums, including a €300 million expansion of the Lucerne Museum of Art. Analysts warn that without reform, Switzerland’s federal cultural funding system—which allocates €1.2 billion annually—could face deeper cuts.

One potential solution is a hybrid model, blending public and private investment. The Pro Helvetia Foundation, Switzerland’s national arts fund, has already pledged €10 million to the Kunstmuseum Bern’s emergency stabilization fund. But experts caution that relying on philanthropy alone won’t suffice. “Switzerland’s cultural institutions are at a crossroads,” said Dr. Meier. “Either they adapt to a new era of austerity, or they risk becoming relics of a more generous past.”
What’s the timeline for a decision?
Bern’s government must act quickly. The museum’s current building, designed by Albert Gessner in 1879, has structural vulnerabilities, including asbestos contamination and inadequate climate control for sensitive works. A 60-day emergency assessment is underway, with a final report due by August 15. If no solution is found, the museum could face temporary closures—a scenario that would devastate its €40 million annual revenue.
The next critical date is September 15, when Bern’s city council will vote on a revised funding proposal. Options include:
- A €50 million phased renovation (public funds only)
- A €100 million public-private partnership (targeting €30M in donations)
- A complete halt to expansion plans, with a focus on digital preservation
The stakes couldn’t be higher. The Kunstmuseum Bern isn’t just a building—it’s a symbol of Switzerland’s commitment to the arts. If the city fails to act, it risks losing one of Europe’s most important modern art collections to neglect.
The bigger question: Is Switzerland losing its appetite for culture?
This referendum isn’t just about Bern. It’s a test of whether Switzerland—long a bastion of cultural investment—can still afford its artistic ambitions. The answer may lie in how the city responds. If Bern finds a way to fund the museum without alienating voters, it could set a precedent for other cities. If it fails, the message to cultural institutions across Switzerland is clear: adapt or fade.
What do you think? Should Switzerland prioritize cultural projects over infrastructure, or is there a middle ground? Share your thoughts in the comments—or better yet, visit the Kunstmuseum Bern before it’s too late.