Captivating Performances at Parc de la Francophonie: Coeur de Pirate, Ariane Roy, Milk and Bone, Salomé Leclerc, and Rosie Valland

2023-07-07 03:24:13

Sitting at her piano when the curtain was raised, the one everyone was waiting for seemed to come down from the sky.

In her magnificent white net dress which twirled, Cœur de pirate interpreted several of her classics, such as Shout out et Like childrenmuch to the delight of her followers, who accompanied the singer with the lyrics.

Accompanied by an orchestra, the singer seemed moved to find herself for a fourth time on the boards of the FEQ.

Worried about the planet

Coeur de pirate took advantage of his presence on stage to share his concerns about the forest fires which disrupted the start of the summer season.

“I think about it a lot these days,” she admitted. “It’s important to think about it, to think about future generations.”

A soft piano number followed, which was projected in black and white on the giant screens.

One of the favorites of the public will undoubtedly have been You can die there. It is with a smile that is split from ear to ear that Cœur de pirate interpreted this title, with a more gloomy flavor.

“Aggression was never part of my job,” she joked with the crowd. “But writing this song helped me a lot to vent my frustrations.”

The little girl in the square

It was a special moment for Ariane Roy. The Quebec native singer shared this with the crowd as she kicked off her performance; “I’m so happy to be here, in my city, five years to the day after my first appearance at the FEQ as an artist.”

The one who released her first album in 2022 gave everything for her audience. Despite the suffocating heat, she danced, she jumped, and above all, she did not skimp on the power of her voice. There was a time when the decibels were practically intolerable, as the artist shouted in a shrill voice for long seconds at the microphone.

The title It’s not luck allowed the 26-year-old woman to demonstrate the full extent of her talent. The tears of the electric guitar and the bass muffled the atmosphere, while the singer brought out her honeyed voice, worthy of the great jazz cabarets.

Ariane Roy delighted the spectators by presenting them with a new song, entitled WAITING ROOM.

Quebec City native Ariane Roy during her performance at Parc de la Francophonie on July 6. Alexander Caputo

The majestic Milk and Bone duo

The animosity escalated when the duo Milk and Bone made their appearance. The Montreal duo, who work in electro-pop, were treated to a practically full Francophonie park for their performance, which did not disappoint.

The harmony between the two singers on stage was beautiful, both in terms of voices and instruments. At one point, Camille was singing, while Laurence was playing the electric guitar; at another time, it was Laurence who added her voice to Camille’s keyboard-guitar.

“There really is something special about this town,” they told the crowd, who asked nothing more to exclaim.

The interpretation of the song Daydream, which has over 7M streams on Spotify, was downright sublime. The purple lighting, which waltzed to the rhythm of the pop tones of the song, seemed to accentuate the already palpable camaraderie between the two artists.

The Milk and Bone duo, during their performance at the Parc de la Francophonie on July 6. Alexander Caputo

The crowd was thrilled with the performance of Milk and Bone on July 6. Alexander Caputo

des airs of rockstar

Salomé Leclerc looked like a rockstar when she was on stage. With a smile on her face and dressed in a sparkling sequined camisole, the singer from Sainte-Françoise-de-Lotbinière made her electric guitar groan while jumping on the stage.

Special mention to Before our bursts, song on which Salomé Leclerc started last. For this title, the singer combined her sweetest voice with a rock-flavoured backstory; the contrast was very interesting.

Rosie Valland kicked off the ball in style at the Parc de la Francophonie. After having interpreted several titles of his most recent album, Emmanuelleshe allowed herself a little borrowing from Mylène Farmer’s repertoire, with the song Disenchanted.

The singer’s voice, as melodious as it is dynamic, served her wonderfully. Going from a more pop sound with No thanksto walking areas on Down herethe artist from Granby delivered a flawless performance.

Salomé Leclerc during her performance at the Parc de la Francophonie on July 6. Alexander Caputo

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