Home » Entertainment » Den of Thieves 2: Pantera Tops Box Office with Strong Opening

Den of Thieves 2: Pantera Tops Box Office with Strong Opening

by Alexandra Hartman Editor-in-Chief

‍⁤ Lionsgate’s ⁤crime thriller sequel, ⁢“Den of Thieves 2: Pantera,” has stormed to the top of the domestic ⁤box office,⁢ raking in $5.8 million on‍ its opening day ⁢from‌ 3,008 theaters. The film, which sees Gerard Butler reprising his role ⁤as‍ the gritty, Pepto Bismol-chugging L.A. cop big nick, is pacing ⁤slightly ahead of its 2018 predecessor, which opened with $5.6 million and went on to earn $15.2 million over its first⁣ weekend.

⁢ This marks Lionsgate’s first ⁢No.1 opening as “The⁣ Hunger Games: the Ballad of Songbirds and Snakes” debuted in November 2023. While “Pantera” isn’t seeing a massive ‌surge compared to the original, the studio is optimistic about its ​staying power during January’s typically slow moviegoing season.With a modest $40 million production‍ budget and foreign rights pre-sold ⁤to offset costs, the film is ⁢positioned as⁢ a steady earner.

⁤Directed and ‍written by ‍Christian Gudegast, “Pantera” follows Big Nick as he heads⁤ to Europe‌ to track down heist mastermind Donnie, played by O’Shea Jackson Jr. Early​ audience reactions have been positive, with the‌ film earning a B+ CinemaScore, a slight improvement over the first ‌installment. Reviews, while mixed, ‍lean more favorably than those for the original.

‍ The weekend’s box office​ performance ⁤has been relatively subdued, with holiday season holdovers and the impact of⁢ devastating wildfires‌ in Los Angeles affecting local⁣ theatre attendance. ⁤Despite these challenges, “Pantera” has managed⁣ to stand out in ⁢a‍ quiet market.

Simultaneously ⁢occurring, paramount’s Robbie Williams biopic, “better Man,” ‍expanded to 1,291 theaters but struggled to gain⁤ traction, earning just $580,000 on its ⁢opening day. Directed by ‌Michael Gracey of “The Greatest Showman” fame, the film features a unique twist:‍ Williams ⁢is represented​ by a CGI chimpanzee, a concept that charmed critics during fall festivals ​but failed ⁢to ‍resonate with broader audiences. despite ‍strong initial reviews, the film’s marketing campaign, which leaned heavily into its primate premise, ​didn’t translate⁢ into box office success.

Disney’s “Mufasa: The Lion King” continues ⁣to roar, securing second place with $2.9 million on Friday. The photorealistic⁢ CGI prequel is expected to add $12 million in its​ fourth weekend, pushing its domestic⁢ total‌ past $187 ⁢million. While it had a slower ⁢start, “Mufasa” is on ⁢track to surpass other 2024 ⁤hits like “Kung fu Panda 4” and “Godzilla x⁣ Kong: The new Empire.”

‌ ​ Paramount’s⁤ “Sonic⁤ the Hedgehog‌ 3” is also holding strong, projecting $8.6 million⁢ in its fourth weekend, a ​59% drop from​ the previous frame. By Sunday, the film will cross the ‍$200 million mark domestically, joining an elite group of 2024 releases to‍ achieve that milestone.

​ Focus Features’ “Nosferatu,” a breakout⁣ horror ⁤hit, continues to impress, adding $6.3 million in its ‍third weekend. The Robert Eggers-directed remake has now earned $81 million domestically,⁢ solidifying⁤ its place as one of the year’s most prosperous​ horror‌ films.

⁣ Rounding out the top five ⁣is Disney’s “moana 2,” which earned ⁢$1.2 million on‍ Friday. Now in its seventh weekend, the animated sequel is nearing the end of its theatrical run with an impressive $430 million in North ‍america.

What aspects of _Den of Thieves 2: Pantera_ contributed​ to its⁣ success and how do ⁤they reflect Lionsgate’s overall ⁣film strategy?

Archyde Exclusive Interview: A conversation with Fictional Film ⁤Analyst, Dr. Emily ‌Carter, on the Success of ⁢”Den of Thieves 2: Pantera”

By Archyde News Editor

As Den of Thieves 2: ‌Pantera ​ dominates the domestic box office, raking in ‍$5.8 million on its opening day, we⁤ sat ⁣down with Dr.Emily Carter, a renowned film analyst and industry expert, to discuss⁢ the film’s success, its place ‍in the crime thriller ⁣genre, and what this means​ for Lionsgate and the future of the franchise.


Archyde: Dr. Carter, thank you for joining us. Den of Thieves 2: Pantera has opened strong, slightly outperforming its 2018 predecessor.What do you ⁤think ⁢is driving this​ success?

Dr. ⁢Emily Carter: ​Thank you for having me.The success of Pantera can be attributed to a few ​key factors. First, Gerard Butler’s return ⁤as Big Nick is a major draw. ‌His portrayal of the gritty, flawed‌ cop resonates with‍ audiences, and his ‌chemistry with O’Shea Jackson Jr.’s donnie ‌adds ⁣a compelling dynamic.‌ Second, the ​film’s timing is strategic.January is typically a slow month for moviegoing, ‌so a high-octane⁢ crime thriller like⁤ this stands⁢ out.the franchise has built a loyal fanbase as the first film, and this sequel ‍delivers on the ​action and intensity they expect.

Archyde: The film’s​ $40 ⁢million production budget ‍is relatively modest compared​ to ​other blockbusters. How does this impact its performance and Lionsgate’s strategy?

Dr. Carter: A modest⁢ budget is a ‍smart move, especially in ‍today’s market. It lowers the financial risk and allows the studio to focus on‍ storytelling and character progress rather than relying ⁤solely on spectacle. Lionsgate ‌also pre-sold foreign rights, which offsets costs and ensures profitability ‌even before the film’s​ release. This approach positions Pantera as a steady earner,which is‍ crucial‌ for the ‌studio as it navigates a competitive landscape.

Archyde: christian Gudegast returns as director and writer for ‍this​ sequel. How does‍ his vision shape the film, and how does ‌it ⁣compare to the original?

Dr. Carter: Gudegast has a ⁢clear ‌vision for⁣ this franchise. He⁢ excels at⁣ crafting ​tense, character-driven narratives⁣ within the‍ crime ⁤thriller genre. In ⁢ Pantera, he expands the scope by ⁣taking Big ‌Nick ‌to Europe, which adds a fresh layer of intrigue​ and stakes.The film maintains⁤ the gritty tone ‍of the ⁣original while exploring‌ new territory, both geographically ⁤and thematically. It’s a balancing⁢ act, but Gudegast ​pulls it off effectively.

Archyde: ⁢ The film’s pacing is slightly ahead of the original,which went on to earn ⁢$15.2 million in its opening ‌weekend. Do you think Pantera will sustain this momentum?

Dr. ‌Carter: ⁤Absolutely. The ​film’s strong opening day performance,⁤ coupled with positive word-of-mouth, suggests it has staying power. January’s lack of competition works in its favor, and the franchise’s established fanbase will likely drive ​repeat viewings. While it‍ may not⁢ break box ⁣office records, it’s poised to be a solid performer for Lionsgate.

Archyde: Looking ahead, what does this success mean for the future of the ‍ Den of Thieves ​franchise?

Dr. carter: This sequel’s success solidifies the franchise’s potential.⁢ Lionsgate now has a‌ proven formula: a⁤ charismatic lead,a talented​ director,and a ⁢story that balances action with character depth. I wouldn’t be surprised if we see a third‍ installment, possibly exploring new heists or delving ‍deeper into Big Nick’s⁤ backstory. ⁤The franchise has room to grow, and audiences⁢ are clearly invested.

Archyde: what’s‍ your take on​ Gerard butler’s performance as Big Nick?‌ How​ does he continue⁤ to elevate the character?

Dr.‍ Carter: ⁤ Gerard Butler is the heart ‍of this⁢ franchise. He brings a raw, unpolished energy to Big Nick​ that makes the character both relatable and compelling. ⁣His dedication to the role—whether it’s chugging Pepto Bismol or‌ diving into ⁣intense action sequences—adds authenticity. Butler’s ability to balance toughness with vulnerability‍ keeps audiences rooting ‍for him, even when⁣ he’s operating in morally gray areas.

Archyde: Thank​ you, Dr. Carter, for your insights. It’s clear that Den ‍of Thieves 2: Pantera is more than just a sequel—it’s a testament ⁢to the enduring appeal of ‌well-crafted crime ⁣thrillers.

Dr.Carter: Thank you. ⁢It’s an‍ exciting time for the genre, and I’m eager to see where this franchise goes ​next.


Stay tuned ‍to Archyde for more updates on Den of Thieves 2:‌ Pantera and the latest in entertainment news.

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